2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Who Am I" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Mark Hall" }
17 % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
41 \once \override TextScript #'padding = #2.0
42 s1*0^\markup { \large \bold { Moderate pop } }
44 % s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
54 \mark \markup { \override #'(font-family . sans) { \box { A } } }
55 s1*16 \bar "||" % 10-25
59 \once \override Score.RehearsalMark #'self-alignment-X = #left
60 \mark \markup { \override #'(font-family . sans) { \box { A17 } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
61 s1*8 \bar "||" % 26-33
65 \mark \markup { \override #'(font-family . sans) { \box { B } } }
67 \once \override Score.RehearsalMark #'self-alignment-X = #left
68 \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
82 % Bridge (tricky timing!)
86 \mark \markup { \override #'(font-family . sans) { \box { C } } }
98 s1*4 \bar "||" % 67-70
99 \once \override Score.RehearsalMark #'self-alignment-X = #right
100 \mark \markup { \large \bold { D.S. al Coda } }
104 % blank measure between last measure and coda
105 % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
106 \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
108 \set Score.currentBarNumber = #71
110 \once \override Score.RehearsalMark #'self-alignment-X = #left
111 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
113 s1*6 \bar "||" % 71-76
114 \mark \markup { \override #'(font-family . sans) { \box { D } } }
119 \mark \markup { \override #'(font-family . sans) { \box { E } } }
139 LeadVox = \relative c''
149 cs4 b8 as8 ~ as4 fs8 b ~ | % 11
151 cs'4 b8 as8 ~ as b4 b8 ( ~ | % 13
152 b8 as gs4 ) r4. cs,8 | % 14
153 as'4 as8 as ~ as b4 gs8 ~ | % 15
155 r2 r8 b as b ~ | % 17
158 cs4 b8 as8 ~ as4 fs8 b ~ | % 19
160 cs'4 b8 as8 ~ as b4 b8 ( ~ | % 21
161 b8 as gs4 ) r4 cs,8 b' | % 22
162 as4 as8 as ~ as b4 gs8 ( ~ | % 23
164 r2. gs8 as \bar "||" % 25
168 b4 as8 b ~ b b4 b8 ( ~ | % 26
169 b8 gs fs4 ) ~ fs gs8 as | % 27
170 b4 as8 b ~ b cs4 as8 ~ | % 28
172 b4 as8 b ~ b b4 b8 ~ | % 30
174 b4 cs8 ds ~ ds4 e8 cs ~ | % 32
180 cs4 cs8 cs ~ cs b4 ds8 ~ | % 35
181 ds8 b4. r4 b8 b | % 36
182 cs4 ds8 e ~ e4 ds8 ds ~ | % 37
183 ds8 b4. r4 r8 fs | % 38
184 cs'4. cs8 ~ cs b b b ~ | % 39
185 b8 gs4. r4 r8 fs | % 40
186 b4 b8 b ~ b ds4 ds8 ~ | % 41
188 ds8 r ds4 cs r | % 42
189 cs4 cs8 cs ~ cs b4 ds8 ~ | % 43
190 ds8 b4. r4 b8 b | % 44
191 cs4 ds8 e ~ e4 ds8 ds ~ | % 45
192 ds8 b4. r4 gs8 b | % 46
193 cs4 b8 cs ~ cs ds4 b8 ~ | % 47
196 r2 r8 b as8 b ~ | % 49
201 r2 r8 b as8 b ~ ( | % 58
203 % Bridge (tricky timing!)
227 s1 % Extra bar for coda
229 r2 r8 b as b ~ | % 71
234 r2 r8 b as b ~ | % 76
237 r2 r8 b as b ( | % 78
238 cs16 ds cs4. ~ cs8 b4. ~ | % 79
239 b4 as gs8 fs4. ) | % 80
244 r8 ds'4 cs8 ~ cs b4 b8 ~ | % 85
245 b8 ds4 cs8 ~ cs b4 b8 ~ | % 86
247 r4 fs8 b ~ b b4 b8 ( | % 88
248 cs16 ds cs8 ~ cs2 b4 ~ | % 89
249 b2 ) r8 b gs cs ~ ( | % 90
250 cs8 b ~ b2 ) r4 | % 91
265 LeadVoxText = \lyricmode
267 Who am I, _ that the lord of all _ the earth _
268 Would care to know _ my name, __ _ _ _
269 would care to feel _ my hurt. _
270 Who am I, _ that the bright and mor -- _ ning star _
271 Would choose to light _ the way, __ _ _ _
272 for my e -- ver wander -- _ ing heart. _ _
274 Not be -- cause of who _ I am, __ _ _ _ _
275 but be -- cause of what _ you’ve done; _
276 Not be -- cause of what _ I’ve done, _
277 but be -- cause of who _ you are. _
279 I am a flo -- wer quick -- _ ly fad -- _ ing,
280 here to -- day and gone _ to -- mor -- _ row,
281 A wave tossed _ in the o -- _ cean,
282 a va -- por in _ the wind. _
283 Still you hear me when _ I’m cal -- _ ling,
284 Lord, you catch me when _ I’m fal -- _ ling
285 and you’ve told me who _ I am, _
295 I am yours. __ _ _ _ _ _ _ _ _ _
296 Whom shall _ I fear; _
297 Whom shall _ I fear? _
298 ’Cause I _ am yours. __ _ _ _ _ _ _
302 LeadVoxTextB = \lyricmode
304 _ _ _ _ that the eyes that see _ my sin _
305 Would look on me _ with love __ _ _ _
306 and watch me rise _ a -- gain. _
307 Who am I, _ that the voice that cal -- med the sea _
308 Would call out through _ the rain __ _ _ _
309 and _ calm the storm _ in me. _ _
313 Riffs = \relative c''
318 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 1
319 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 2
320 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 3
321 <b fs>4 <as fs>8 <gs fs>4 <as fs>4 <b fs>8 ~ | % 4
322 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 5
323 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 6
324 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 7
325 <b fs>2 <as fs>2 | % 8
329 s4 r8 <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 1
330 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 2
331 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 3
332 <b fs>4 <as fs>8 <gs fs>4 <as fs>4 <b fs>8 ~ | % 4
333 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 5
334 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 6
335 <b fs>4. <b fs>8 ~ <b fs>8 <as fs>4 <b fs>8 ~ | % 7
336 <b fs>2 <as fs>2 | % 8
363 fs4.:sus4 fs2 s8 | % 13
372 fs4.:sus4 fs2 s8 | % 21
398 s2 fs4:sus4 fs | % 41
420 % Bridge (tricky timing!)
431 cs4.:sus4.7 b/ds | % 64
435 gs2:m7 fs2./as | % 66
444 s1 % Extra bar for coda
487 \numericTimeSignature
488 \override NoteHead #'style = #'slash
557 c2-\repeatTie c | % 58
559 % Bridge (tricky timing!)
583 \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
585 c2-\repeatTie c | % 71
624 s4_\markup { \italic { snare pat. } } s2 | % 1
625 s4_\markup { \italic { simile } } s2 | % 2
627 s4_\markup { \italic { spacey } } s2 | % 22
631 s4_\markup { \italic { Last time } } s2 | % 51
639 \Global % The "roadmap" that everything else depends on
640 % \transpose b g \Global % The "roadmap" that everything else depends on
644 \new Voice = "lead" \LeadVox
645 % \new Voice = "lead" \transpose b g \LeadVox
647 % \new Voice \transpose b g \Riffs
648 \new Lyrics \lyricsto "lead" \LeadVoxText
649 \new Lyrics \lyricsto "lead" \LeadVoxTextB
654 \new ChordNames \Chords
656 % \new ChordNames \transpose b g \Chords
657 \new RhythmicStaff << \Rhythm \Dynamics >>
660 \set Score.skipBars = ##t
661 \set Score.melismaBusyProperties = #'()
668 #(define fonts (make-pango-font-tree
674 % Spread staves vertically across last page (default: t)
675 % ragged-last-bottom = ##f
676 % Don't spread staves vertically across the page (default: f)
677 % ragged-bottom = ##t
678 % Allow partial line for last stave (default: f)
681 % To find out what's eating the space at the top...
682 % annotate-spacing = ##t