2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Will Glorify" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
47 \mark \markup { \override #'(font-family . sans) { \box { A } \hspace #0.5 \bold \italic { 1st X instr. } } }
61 % Modulation (instr. verse)
63 \mark \markup { \override #'(font-family . sans) { \box { B } } }
66 s2.*4 \bar "||" % 10-13
68 \mark \markup { \override #'(font-family . sans) { \box { C } } }
70 s2.*11 \bar "|." % 14-24
77 LeadVox = \relative c''
87 b8 a a4 e8. ( fs16 ) | % 3
90 e8 fs fs4 fs8 ( a ) | % 6
91 g8 fs fs4 e8. ( d16 ) | % 7
97 % Modulation (instr. verse)
107 fs8 gs gs4 gs8 b | % 15
108 cs8 b b4 fs8. ( gs16 ) | % 16
111 fs8 gs gs4 gs8 ( b ) | % 19
112 a8 gs gs4 fs8. ( e16 ) | % 20
114 a8 gs gs4 fs8. ( e16 ) | % 22
120 LeadVoxText = \lyricmode
122 glor -- i -- fy the King of Kings,
123 we will glor -- i -- fy the _ Lamb,
124 we will glor -- i -- fy the Lord of Lords,
125 who _ is the great I _ Am.
130 Hal -- le -- lu -- jah to the King of Kings,
131 Hal -- le -- lu -- jah to the _ Lamb,
132 Hal -- le -- lu -- jah to the Lord of Lords,
133 who _ is the great I _ Am,
134 who _ is the great I _ Am.
137 LeadVoxTextB = \lyricmode
139 Lord of hea -- ven, Lord of earth,
140 He is Lord of all who _ live,
141 He is Lord a -- bove the u -- ni -- verse,
142 all _ praise to him we _
162 fs8 gs gs4 gs8 b | % 11
163 a8 gs gs4 fs8 ( e ) | % 12
184 a8/b b4.:m d4/fs | % 6
191 % Modulation (instr. verse)
194 b8/cs cs4.:m e4/gs | % 11
205 b8/cs cs4.:m e4/gs | % 19
219 \numericTimeSignature
220 \override NoteHead #'style = #'slash
241 % Modulation (instr. verse)
244 c8-> c-> c4-> c | % 11
251 c8-> c-> c4-> c | % 15
267 %Hmm, this is throwin off the layout...
275 s4_\markup { \italic { Ac. gtr only } } s2. | % 1
279 s4_\markup { \italic { Band in } } s2. | % 5
287 \Global % The "roadmap" that everything else depends on
291 \new Voice = "lead" \LeadVox
293 \new Lyrics \lyricsto "lead" \LeadVoxText
294 \new Lyrics \lyricsto "lead" \LeadVoxTextB
299 \new ChordNames \Chords
301 % \new ChordNames \transpose f d \Chords
302 \new RhythmicStaff << \Rhythm \Dynamics >>
305 \set Score.skipBars = ##t
306 \set Score.melismaBusyProperties = #'()
313 #(define fonts (make-pango-font-tree
319 % Don't spread staves vertically across last page (default: t)
320 ragged-last-bottom = ##f
321 % Don't spread staves vertically across the page (default: f)
322 % ragged-bottom = ##t
323 % Allow partial line for last stave (default: f)
326 % To find out what's eating the space at the top...
327 % annotate-spacing = ##t