2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Fall Down" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "C. Tomlin" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
40 % \once \override TextScript #'padding = #2.0
41 % s1*0^\markup { \large \italic { Piano only } }
46 \mark \markup { \override #'(font-family . sans) { \box { A } } }
51 \mark \markup { \override #'(font-family . sans) { \box { B } } }
52 s1*6 \bar "||" % 11-16
56 \mark \markup { \override #'(font-family . sans) { \box { C } } }
57 s1*4 \bar "|." % 17-20
65 LeadVox = \relative c'
74 cs8 e4 e8 ~ e4 ~ e8 a, | % 3
75 gs8 b4 a8 ~ a4 ~ a8 b16 cs | % 4
76 d2 ~ d8 cs4 cs8 ( ~ | % 5
77 cs8 b ) b2 r8. b16 | % 6
79 cs8 e4 e8 ~ e4 ~ e8 a, | % 7
80 gs16 gs b4 a8 ~ a4 ~ a8 b16 cs | % 8
81 d2 ~ d8 cs4 cs8 ( ~ | % 9
82 cs8 b ) b a a4 e' | % 10
86 e4 e8 d ~ d d4 cs8 ~ | % 11
87 cs8 b4 r8 a4 e' | % 12
88 e4 e8 d ~ d d4 cs8 ~ | % 13
89 cs8 b4 r8 a4 e' | % 14
91 e4 e8 d ~ d d4 cs8 ~ | % 15
92 cs8 b4. cs4 b8 ( a ) | % 16
103 LeadVoxTextA = \lyricmode
105 We fall down, _ _ we lay our crowns, _ _
106 at the feet _ of Je -- _ _ sus
108 The great -- ness of _ _ his mer -- cy and love, _ _
109 at the feet _ of Je -- _ _ sus
111 And we cry, ho -- ly, ho -- _ ly, ho -- _ ly,
112 we cry, ho -- ly, ho -- _ ly, ho -- _ ly,
113 we cry, ho -- ly, ho -- _ ly, ho -- _ ly
118 Riffs = \relative c''
123 gs4 gs a8 gs fs e | % 1
124 fs4 fs a8 gs gs fs | % 2
125 gs4 gs gs8 b4 e,8 ~ | % 3
126 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 4
127 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 5
131 r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 22
132 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 23
136 s1 % blank bar for Coda
140 r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 44
141 e a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 45
142 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 46
143 <a b e>1-\fermata | % 47
194 \numericTimeSignature
195 \override NoteHead #'style = #'slash
237 s4_\markup { \italic { add cymbal colors } } s2. | % 5
238 s2 s16 s \> s4 s16 s \! | % 5
242 s4_\markup { \italic { Unison 1st X } } s2. | % 6
247 s4_\markup { \italic { snare on D.S. } } s2. | % 15
252 s4_\markup { \italic { Unison 1st X } } s2. | % 25
254 s4.. s16_\markup { \italic { big fill } } \< s4. s8-\f | % 30
256 s1 % blank bar for coda
260 s2 s8 \< s4 s8 \! | % 31
263 s2 s8 \> s4 s8-\mp | % 39
265 s4_\markup { \italic { floating } } s2. | % 40
273 \Global % The "roadmap" that everything else depends on
274 \set Score.skipBars = ##t
275 \set Score.melismaBusyProperties = #'()
279 \new Voice = "lead" \LeadVox
281 \new Lyrics \lyricsto "lead" \LeadVoxTextA
286 \new ChordNames \Chords
287 \new RhythmicStaff << \Rhythm \Dynamics >>
295 #(define fonts (make-pango-font-tree
301 % Spread staves vertically across last page (default: t)
302 % ragged-last-bottom = ##f
303 % Don't spread staves vertically across the page (default: f)
304 % ragged-bottom = ##t
305 % Allow partial line for last stave (default: f)
308 % To find out what's eating the space at the top...
309 % annotate-spacing = ##t