2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wait By The Water" }
16 subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "Honoring The MoRanch Professional Women’s Group" }
17 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Helen Currie Foster" }
18 % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
19 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
22 % Useful tweak abbreviations (hn = harmony note)
24 hn = #(define-music-function (parser location arg) (ly:music?)
25 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
27 (set! (ly:music-property arg 'tweaks)
28 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
40 \once \override Score.RehearsalMark #'self-alignment-X = #left
41 \mark \markup { \override #'(font-family . sans) { \box { A } } }
42 s2.*0^\markup { \large \italic { Refrain } }
46 s2.*16 \bar "|." % 1-16
48 \once \override Score.RehearsalMark #'self-alignment-X = #left
49 \mark \markup { \override #'(font-family . sans) { \box { B } } }
50 s2.*0^\markup { \large \italic { Verse } }
51 s2.*16 \bar ":|." % 16-32
58 LeadVox = \relative c'
102 LeadVoxText = \lyricmode
104 Wait by the wa -- ter,
105 Watch -- ing the ri -- ver,
106 Sing -- ing a -- long as it
109 Just like the lime -- stone,
110 let us be chan -- nels,
111 Jus -- tice, for -- give -- ness,
114 Just like the wat -- er,
115 pa -- tient, per -- sis -- tent,
116 Mov -- ing a boul -- der, and
117 mov -- ing the banks,
119 Let us keep flow -- ing, _
120 Build -- ing, des -- troy -- ing,
121 Ho -- ly the wa -- ter and
125 LeadVoxTextB = \lyricmode
138 Parched in our des -- erts,
139 Parched in the wil -- der -- ness,
140 wait -- ing for rain,
142 Lead us to drink from the
143 spring ev -- er -- last -- ing
144 Once we ar -- rive, ne -- ver
145 thirs -- ty a -- gain.
154 % \repeat percent 4 { e8_\markup { \italic { bass figure } } e e e e e e e } | % 1-4
212 \numericTimeSignature
213 \override NoteHead #'style = #'slash
263 s4_\markup { \bold \italic { Drums In } } s2 | % 3
265 s4_\markup { \bold \italic { Band In } } s2 | % 5
272 \set Score.skipBars = ##t
273 \set Score.melismaBusyProperties = #'()
277 \new ChordNames \Chords
279 % \new ChordNames \transpose b g \Chords
280 % \new RhythmicStaff << \Rhythm \Dynamics >>
285 \Global % The "roadmap" that everything else depends on
286 \new Voice = "lead" \LeadVox
288 \new Lyrics \lyricsto "lead" \LeadVoxText
289 \new Lyrics \lyricsto "lead" \LeadVoxTextB
297 #(define fonts (make-pango-font-tree
303 % Spread staves vertically across last page (default: t)
304 % ragged-last-bottom = ##f
305 % Don't spread staves vertically across the page (default: f)
307 % Allow partial line for last stave (default: f)
310 % To find out what's eating the space at the top...
311 % annotate-spacing = ##t