2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "There Is A Rock" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Tommy Walker" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
41 \once \override TextScript #'padding = #2.0
42 s1*0^\markup { \large \bold { Unison } }
44 % s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
53 \mark \markup { \override #'(font-family . sans) { \box { A } } }
56 \mark \markup { \override #'(font-family . sans) { \box { B } } }
57 s1*8 \bar "||" % 13-20
59 \mark \markup { \override #'(font-family . sans) { \box { C } } }
69 \mark \markup { \override #'(font-family . sans) { \box { D } } }
77 \mark \markup { \override #'(font-family . sans) { \box { E } } }
85 \mark \markup { \override #'(font-family . sans) { \box { F } } }
110 LeadVox = \relative c'
118 r4. \teeny e8 \normalsize \times 2/3 { e4 fs g } | % 5
119 fs4. \teeny fs8 \normalsize \times 2/3 { fs4 g a } | % 6
120 g2 \times 2/3 { g4 a b } | % 7
121 b4 a8 a ~ a g4 e8 ~ | % 8
122 e4. e8 \times 2/3 { e4 fs g } | % 9
123 fs4. fs8 \times 2/3 { fs4 g a } | % 10
124 g4. \teeny g8 \normalsize \times 2/3 { g4 a b } | % 11
125 b4 a8 a ~ a g4 e8 ~ | % 12
129 e4. e8 \times 2/3 { e4 fs g } | % 13
130 g4. fs8 ~ fs4 r | % 14
131 r4 r8 fs \times 2/3 { fs4 g a } | % 15
132 a4 g8 g ~ g fs4 e8 ~ | % 16
133 e4. e8 \times 2/3 { e4 fs g } | % 17
134 g4. fs8 ~ fs4. a8 ~ | % 18
135 a8 g a4 a a8 ( g ) | % 19
140 r4 b a b8. b16 | % 21
141 r4 b a b8. b16 | % 22
143 c4 b a b8. b16 | % 24
144 r4 b a b8. b16 | % 25
145 r4 b a b8. b16 | % 26
147 c4 b a b8. b16 | % 28
149 r4 b a b8. b16 | % 29
150 r4 b a b8. b16 | % 30
152 c4 b a b8. b16 | % 32
153 r4 b a b8. b16 | % 33
154 r4 b a b8. b16 | % 34
156 c4 b a b8. b16 | % 36
178 r4 b a b8. b16 | % 49
179 r4 b a b8. b16 | % 50
181 c4 b a b8. b16 | % 52
182 r4 b a b8. b16 | % 53
183 r4 b a b8. b16 | % 54
186 c4 b a b8. b16 | % 56
188 c4 b a b8. b16 | % 57
201 LeadVoxText = \lyricmode
203 _ Light of the world, _ light of all truth,
204 sal -- va -- tion comes from on -- _ ly you. _
205 Our shel -- ter and strength, through all a -- ges past,
206 _ your awe -- some pow -- er has _ been seen. _
208 The na -- tions are search -- ing _
209 for some -- thing that’s ab -- so -- lute -- _ ly true. _
210 So we now de -- clare it: _
211 Je -- _ sus all truth is _ found in you.
213 There is a rock, a sol -- id rock,
214 a rock we’ve built our lives u -- pon.
215 There is a hope, a bless -- ed hope,
216 so we now shout it to the world.
218 There is a rock, a sol -- id rock,
219 a rock we’ve built our lives u -- pon.
220 There is a hope, a bless -- ed hope,
221 so we now shout it to the world.
223 There is a rock, a sol -- id rock,
224 a rock we’ve built our lives u -- pon.
225 There is a hope, a bless -- ed hope,
226 so we now shout it to the world.
228 shout it to the world.
231 LeadVoxTextB = \lyricmode
233 Re -- ject -- ed by men but cho -- sen by God,
234 you are the pre -- cious cor -- _ ner -- stone. _
235 You’re build -- ing your church through -- out all the earth,
236 for -- e -- ver it’s pow -- er will _ be shown. _
245 r16 d8 ds16 ~ ds e r8 d ds e r | % 1
246 r16 g8 gs16 ~ gs a r8 g gs a r | % 2
247 r16 e8 f16 ~ f fs r8 e f fs r | % 3
248 r16 a8 bf16 ~ bf b r8 a bf b r | % 4
252 r16 d,8 ds16 ~ ds e r8 d ds e r | % 37
253 r16 g8 gs16 ~ gs a r8 g gs a r | % 38
254 r16 e8 f16 ~ f fs r8 e f fs r | % 39
255 r16 a8 bf16 ~ bf b r8 a bf b r | % 40
259 r16 d,8 ds16 ~ ds e r8 d ds e r | % 58
260 r16 g8 gs16 ~ gs a r8 g gs a r | % 59
261 r16 e8 f16 ~ f fs r8 e f fs r | % 60
262 r16 a8 bf16 ~ bf b r8 a bf b r | % 61
293 d4.:sus4 d2 ef8:dim | % 14
295 e4:m7 d4.:sus4 d4 c8 | % 16
297 d4.:sus4 d2 fs8:m7.5- | % 18
299 b2..:7.5+.9+ s16 e:m7 | % 20
304 s2.. s16 fs:m7.5- | % 22
306 b2..:7 s16 e:m7 | % 24
308 s2.. s16 fs:m7.5- | % 26
310 b2..:7 s16 e:m7 | % 28
313 s2.. s16 fs:m7.5- | % 30
315 b2..:7 s16 e:m7 | % 32
317 s2.. s16 fs:m7.5- | % 34
338 s2.. s16 fs:m7.5- | % 46
340 b2..:7 s16 e:m7 | % 48
345 s2.. s16 fs:m7.5- | % 50
347 b2..:7 s16 e:m7 | % 52
349 s2.. s16 fs:m7.5- | % 54
372 \numericTimeSignature
373 \override NoteHead #'style = #'slash
399 c4 c4. c4 c8 ~ | % 16
403 c2.. ~ c16 c ~ | % 20
407 c4 c c c8. c16 ~ | % 21
408 c4 c c c8. c16 ~ | % 22
410 c4 c c c8. c16 ~ | % 24
411 c4 c c c8. c16 ~ | % 25
412 c4 c c c8. c16 ~ | % 26
414 c4 c c c8. c16 ~ | % 28
416 c4 c c c8. c16 ~ | % 29
417 c4 c c c8. c16 ~ | % 30
419 c4 c c c8. c16 ~ | % 32
420 c4 c c c8. c16 ~ | % 33
421 c4 c c c8. c16 ~ | % 34
441 c4 c c c8. c16 ~ | % 45
442 c4 c c c8. c16 ~ | % 46
444 c4 c c c8. c16 ~ | % 48
448 c4 c c c8. c16 ~ | % 49
449 c4 c c c8. c16 ~ | % 50
451 c4 c c c8. c16 ~ | % 52
452 c4 c c c8. c16 ~ | % 53
453 c4 c c c8. c16 ~ | % 54
456 c4 c c c8. c16 \laissezVibrer | % 56
465 r2. r8 r16 c ~ | % 61
474 s4_\markup { \bold { Guitar solo } } s2. | % 41
476 s4_\markup { \bold { Sax solo } } s2. | % 45
483 \Global % The "roadmap" that everything else depends on
484 \set Score.skipBars = ##t
485 \set Score.melismaBusyProperties = #'()
489 \new Voice = "lead" \LeadVox
491 \new Lyrics \lyricsto "lead" \LeadVoxText
492 \new Lyrics \lyricsto "lead" \LeadVoxTextB
497 \new ChordNames \Chords
499 % \new ChordNames \transpose b g \Chords
500 \new RhythmicStaff << \Rhythm \Dynamics >>
508 #(define fonts (make-pango-font-tree
514 % Spread staves vertically across last page (default: t)
515 ragged-last-bottom = ##f
516 % Don't spread staves vertically across the page (default: f)
517 % ragged-bottom = ##t
518 % Allow partial line for last stave (default: f)
521 % To find out what's eating the space at the top...
522 % annotate-spacing = ##t