2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Church’s One Foundation" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Samuel S. Wesley/Samuel J. Stone" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons/S. Dannemiller" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
36 \partial 4*3 s2. \bar "|." % 16
43 LeadVox = \relative c'
70 LeadVoxText = \lyricmode
72 The Church -- ’s one foun -- da -- tion is Je -- sus Christ her Lord,
73 She is His new cre -- a -- tion by wa -- ter and the word;
74 From heav’n He came and sought her to be His ho -- ly bride;
75 With His own blood He bought her, and for her life He died.
78 LeadVoxTextB = \lyricmode
80 E -- lect from e -- vr’y na -- tion, yet one o’er all the earth,
81 Her char -- ter of sal -- va -- tion, one Lord, one faith, one birth;
82 One ho -- ly name she bless -- es, par -- takes one ho -- ly food,
83 And to one hope she press -- es, with e -- vr’y grace en -- dured.
86 LeadVoxTextC = \lyricmode
88 ’Mid toil and tri -- bu -- la -- tion, and tu -- mult of her war,
89 She waits the con -- sum -- ma -- tion of peace for e -- ver -- more;
90 Till with the vi -- sion glo -- rious, her long -- ing eyes are blest,
91 And the great Church vic -- to -- rious shall be the Church at rest.
94 LeadVoxTextD = \lyricmode
96 Yet she on earth hath un -- ion with God, the Three in One,
97 And mys -- tic sweet com -- mu -- nion with those whose rest is won;
98 O hap -- py ones and ho -- ly! Lord, give us grace that we
99 Like them, the meek and low -- ly, on high may dwell with Thee.
135 %Slash = { \override NoteHead #'style = #'slash }
136 %Cross = { \override NoteHead #'style = #'cross }
140 \numericTimeSignature
141 \override NoteHead #'style = #'slash
172 s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
175 s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
179 s2. s8 \> s \! | % 40
180 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
185 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
194 \Global % The "roadmap" that everything else depends on
198 \new Voice = "lead" \LeadVox
199 \new Lyrics \lyricsto "lead" \LeadVoxText
200 \new Lyrics \lyricsto "lead" \LeadVoxTextB
201 \new Lyrics \lyricsto "lead" \LeadVoxTextC
202 \new Lyrics \lyricsto "lead" \LeadVoxTextD
207 \new ChordNames \Chords
208 \new RhythmicStaff << \StaffC \Dynamics >>
211 \set Score.skipBars = ##t
212 \set Score.melismaBusyProperties = #'()
219 #(define fonts (make-pango-font-tree
225 % Don't spread staves vertically across last page (default: t)
226 % ragged-last-bottom = ##f
227 % Don't spread staves vertically across the page (default: f)
228 % ragged-bottom = ##t
229 % Allow partial line for last stave (default: f)
232 % To find out what's eating the space at the top...
233 % annotate-spacing = ##t