1 % Still need hairpins, directions, dynamics, etc...
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20, 24
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
13 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
17 %Let's bump up the title size and switch to the chord font. :-)
19 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Apostle’s Creed" }
20 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Ed Smart" }
21 % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
22 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
32 \override Staff.TimeSignature #'style = #'()
41 \mark \markup { \override #'(font-family . sans) \box { A } }
46 \mark \markup { \override #'(font-family . sans) \box { B } }
47 s1*10 \bar "||" % 13-22
51 \mark \markup { \override #'(font-family . sans) \box { C } }
52 s1*10 \bar "||" % 23-32
56 \mark \markup { \override #'(font-family . sans) \box { D } }
57 s1*8 \bar "||" % 33-40
61 \mark \markup { \override #'(font-family . sans) \box { E } }
62 s1*5 \bar "|." % 41-45
70 LeadVox = \relative c'
72 % \set Voice.autoBeaming = ##f
73 % \set Staff.instrument = #"Lead vox"
75 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
86 r4 f8 bf16 bf ~ bf4 bf8 c8 ~ | % 5
88 ef8. d16 ~ d8 c c8. bf16 ~ bf8 f | % 7
89 ef'8. df16 ~ df8 c c8. bf16 ~ bf8 f16 f ~ | % 8
90 f2 r8 f16 f d'8 c | % 9
91 c2 ~ c8. g16 g8 c | % 10
97 f8. bf16 ~ bf8 bf c4 bf8 g ~ | % 13
99 f8. bf16 ~ bf8 bf c4 d | % 15
100 g,16 ( c8 ) c16 ~ c2. | % 16
101 ef8. d16 ~ d8 c16 c c8. bf16 ~ bf8 f | % 17
102 ef'8. d16 ~ d c8. d4 c8 bf | % 18
105 df8 c16 c ~ c bf8 bf16 ~ bf2 | % 21
110 f8. bf16 ~ bf8 bf c4 bf8 g ~ | % 23
112 f8. bf16 ~ bf8 bf16 bf c8. d16 ~ d8 ef | % 25
113 d4 d8 d d8. c16 ~ c8 bf | % 26
114 d4 r8. d16 d8. ef16 ~ ef8 d | % 27
116 df8. c16 ~ c bf8. bf4 gf8 bf ~ | % 29
117 bf4. r16 c df c8 c16 ~ c8 bf16 c ~ | % 30
123 r4 f,8 bf16 bf ~ bf8 f16 f d'8 ef | % 33
124 d16 ( c8 ) c16 ~ c2 r8 bf | % 34
125 ef8. d16 ~ d8 c c8. bf16 ~ bf8 f16 f | % 35
126 ef'8. d16 ~ d c8. d4 r8 bf | % 36
127 ef8. d16 ~ d8 c c4 bf8 bf | % 37
128 f'8 ef16 ef ~ ef8 d d8. c16 ~ c8 bf | % 38
129 ef4 r8 df16 c c8. bf16 ~ bf4 ~ | % 39
130 bf2 bf4 ( af8 ) bf ~ | % 40
135 r2 bf4 ( af8 ) bf ~ | % 42
137 bf4 r ef ( f ) | % 44
141 LeadVoxText = \lyricmode
143 We be -- lieve _ in God, _
144 the Fath -- er _ Al -- migh -- ty, _
145 Cre -- a -- tor _ of Hea -- ven _ and earth, _
146 and in Je -- sus Christ, _ His on -- ly Son,
149 Con -- ceived by _ the Spi -- rit’s pow’r _
150 born of _ the Vir -- gin Ma -- _ ry, _
151 Suff -- ered _ un -- der Pi -- late, _
152 was cru -- ci -- _ fied, died, and was bur -- ied. _ _
153 He des -- cend -- ed in -- _ to hell, _ _
155 But the third day _ He rose a -- gain, _
156 He as -- cen -- ded _ in -- to Hea -- ven _
157 and sits at the right hand _ of
158 God the Fath -- er _ Al -- migh -- ty, _
159 whence He _ shall come to judge, _
160 the liv -- ing and _ the dead, _ _
162 We be -- lieve _ in the Ho -- ly Spi -- _ rit, _
163 the church u -- _ ni -- ver -- sal, _
164 the com -- mun -- ion _ of saints,
165 for -- give -- ness _ of sins,
166 res -- ur -- rec -- tion of _ the bo -- dy, _
167 and life, e -- ver -- last -- ing, _ _
178 Riffs = \relative c''
186 e8 b ds b cs b ds b | % 42
187 e8 b ds b cs b ds b | % 43
188 e8 b ds b cs b ds b | % 44
225 bf8./af af16 s2. | % 19
237 bf8./f f16 s2. | % 28
241 f8. g:m7 f8/a s2 | % 32
270 % \set Voice.autoBeaming = ##f
271 % \set Staff.instrument = #"Rhythm"
272 \override Staff.TimeSignature #'style = #'()
274 \override NoteHead #'style = #'slash
303 c8.-> c16-> ~ c4 c c | % 19
315 c8.-> c16-> ~ c4 c c | % 28
319 c8.-> c16-> ~ c8 c-> ~ c4 c | % 32
346 s2. s4_\markup { \italic { dr. fill } } | % 5
348 s2. s4_\markup { \italic { dr. fill } } | % 8
353 s2 s4.. \< s16 \! | % 16
355 s4 \< s2 s8 s8_\ff | % 18
359 s2 s4. \< s8_\markup { \italic { dr. fill } } | % 22
362 s2 s4 \< s4_\markup { \italic { dr. fill } } | % 32
364 s2. s4_\markup { \italic { dr. fill } } | % 34
367 s4 s \< s s8._\markup { \italic { dr. fill } } s16 \! | % 40
369 s2 s2_\markup { \italic { rit. } } | % 44
376 \set Score.skipBars = ##t
377 \set Score.melismaBusyProperties = #'()
381 \new ChordNames \Chords
383 % \new ChordNames \transpose bf c \Chords
384 \new RhythmicStaff << \Rhythm \Dynamics >>
389 \Global % The "roadmap" that everything else depends on
390 \new Voice = "lead" \LeadVox
392 % \new Voice = "lead" \transpose bf c' \LeadVox
394 \new Lyrics \lyricsto "lead" \LeadVoxText
402 #(define fonts (make-pango-font-tree
408 % Don't spread staves vertically across last page (default: t)
409 % ragged-last-bottom = ##f
410 % Don't spread staves vertically across the page (default: f)
411 % ragged-bottom = ##t
412 % Allow partial line for last stave (default: f)
415 % To find out what's eating the space at the top...
416 % annotate-spacing = ##t
417 %let's try this: [It works! Huzzah!]
418 obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)