2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "A Template" }
16 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Some One" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
34 s2.*8 \bar ".|:-||" % 1-8
40 \mark \markup { \override #'(font-family . sans) { \box { A } } }
57 \mark \markup { \override #'(font-family . sans) { \box { B } } }
58 s2.*7 \bar "||" % 22-28
63 s2.*2 \oneVoice \bar "||" % 31-32
67 \mark \markup { \override #'(font-family . sans) { \box { C } } }
68 s2.*7 \bar "||" % 22-28
72 s2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
77 \mark \markup { \override #'(font-family . sans) { \box { D } } }
86 LeadVox = \relative c'
100 f8 d d4 f8 ( d ) | % 14
111 r2 c4 \oneVoice | % 21
120 f8 d d4 f8 ( d ) | % 27
136 g8 e e4 g8 ( e ) | % 27
144 r2 d4 \oneVoice | % 43
146 g8 g16 a ( ~ a4. g8 ) | % 44
150 g8 g16 a ( ~ a4. g8 ) | % 48
153 g2^\fermata d4 | % 51
157 LeadVoxText = \lyricmode
159 O for a thou -- sand tongues to sing
160 my great re -- dee -- mer’s praise;
161 The glo -- ries of my God and king,
162 the __ _ tri -- umphs of his grace.
166 Je -- sus the name that charms our fears
167 that bids our sor -- rows cease;
168 ’Tis mu- sic in the sin -- ner’s ears,
169 ’Tis __ _ life and health and peace.
171 He breaks the power of can -- celled sin
172 he sets the pris’ -- ner free;
173 His blood can make the foul -- est clean,
174 his __ _ blood a -- vailed for me.
176 O for a thou -- __ _ _ sand tongues to sing
177 O for a thou -- __ _ _ sand tongues to sing
181 LeadVoxTextB = \lyricmode
183 _ gra -- cious mas -- ter and my God
184 a -- ssist me to pro -- claim;
185 To spread through all the earth a -- broad
186 the __ _ ho -- nors of thy name.
190 Riffs = \relative c''
195 \repeat "percent" 3 % 1 - 6
197 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
198 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
200 << s2. \\ { \tiny d2 c4 } >> | % 7
201 << s2. \\ { \tiny bf2. } >> | % 8
206 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
212 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
218 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
224 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
271 ef2:maj9 bf4/c | % 25
311 % Alternate chord changes (2nd verse)
313 ChordsSup = \chordmode
333 \numericTimeSignature
334 \override NoteHead #'style = #'slash
387 c8-> c-> c4-> c | % 34
408 c4^\fermata c c | % 51
414 s4_\markup { \italic { snare pat. } } s2 | % 1
415 s4_\markup { \italic { simile } } s2 | % 2
417 s4_\markup { \italic { spacy } } s2 | % 22
421 s4_\markup { \italic { Last time } } s2 | % 51
428 \Global % The "roadmap" that everything else depends on
432 \new Voice = "lead" \LeadVox
433 \new Voice = "riffs" \Riffs
434 \new Lyrics \lyricsto "lead" \LeadVoxText
435 \new Lyrics \lyricsto "lead" \LeadVoxTextB
440 \new ChordNames \Chords
441 \new ChordNames \ChordsSup
442 \new RhythmicStaff << \StaffC \Dynamics >>
445 \set Score.skipBars = ##t
446 \set Score.melismaBusyProperties = #'()
453 #(define fonts (make-pango-font-tree
459 % Don't spread staves vertically across last page (default: t)
460 % ragged-last-bottom = ##f
461 % Don't spread staves vertically across the page (default: f)
462 % ragged-bottom = ##t
463 % Allow partial line for last stave (default: f)
466 % To find out what's eating the space at the top...
467 % annotate-spacing = ##t