2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Shout To The North" }
16 % subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "(White bread vers.)" }
17 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
18 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
19 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
22 % Useful tweak abbreviations (hn = harmony note)
24 hn = #(define-music-function (parser location arg) (ly:music?)
25 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
27 (set! (ly:music-property arg 'tweaks)
28 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
57 \mark \markup { \override #'(font-family . sans) { \box { A } } }
60 \once \override Score.RehearsalMark #'self-alignment-X = #left
61 \mark \markup { \override #'(font-family . sans) { \box { B } } \italic \smaller { (1st X unison) } }
74 \mark \markup { \override #'(font-family . sans) { \box { C } } }
75 s2.*9 \bar "||" % 23-31
77 \mark \markup { \override #'(font-family . sans) { \box { D } } }
82 \mark \markup { \override #'(font-family . sans) { \box { E } } }
97 \mark \markup { \override #'(font-family . sans) { \box { F } } }
102 \once \override Score.RehearsalMark #'self-alignment-X = #left
103 \mark \markup { \override #'(font-family . sans) { \box { G } } \italic \smaller { (1st X kids, 2nd X all) } }
109 \mark \markup { \override #'(font-family . sans) { \box { H } } }
113 s2.*6 \bar "|." % 76-81
120 LeadVox = \relative c''
134 b4 d,8 a'4 fs8 | % 10
135 a16 ( g ) ~ g4 ~ g4. | % 11
138 <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 13
139 <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 14
140 <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 15
141 <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 16
142 <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 17
143 <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 18
144 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 19
151 <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 23
152 <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 24
153 <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 25
154 <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 26
155 <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 27
156 <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 28
157 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 29
161 <b \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> ( <a \hn d,> ) r | % 32
162 <g \hn c,>8 <g \hn c,> <a \hn d,> <e \hn c>4. | % 33
163 <b' \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> <a \hn d,> <g \hn b,> | % 34
164 <g \hn c,>8 <g \hn c,> <a \hn d,> <e \hn c>4. | % 35
165 <b' \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> <a \hn d,> r | % 36
166 <g \hn c,>8 <g \hn c,> <a \hn d,> <e \hn c>4. | % 37
167 <g \hn c,>8 <g \hn c,> <g \hn c,> <g \hn c,> <g \hn c,> <d' \hn a \hn fs> | % 38
168 <d \hn a \hn fs>2. ~ | % 39
169 <d \hn a \hn fs>4. r8 g, g | % 40
171 <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 41
172 <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 42
173 <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 43
174 <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 44
175 <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 45
176 <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 46
177 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 47
179 <g \hn d>4. r8 g g | % 48
185 b4 d,8 a'4 fs8 | % 51
187 b4 d,8 a'4 fs8 | % 53
189 b4 d,8 a'4 fs8 | % 55
191 b4 d,8 a'4 fs8 | % 57
192 a16 ( g ) ~ g4 ~ g4. | % 58
201 c4 b8 a16 g8. g8 | % 66
204 <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 68
205 <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 69
206 <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 70
207 <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 71
208 <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 72
209 <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 73
210 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 74
213 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 76
215 <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 78
217 c4 b8 a16 g8. g8 | % 80
222 LeadVoxText = \lyricmode
224 Men of faith, rise up and sing
225 of the great and glo -- rious King,
226 You are strong when you feel weak,
227 in your bro -- ken -- ness com -- plete. _ _ _
229 Shout to the north and the south,
230 Sing to the east and the west,
231 Je -- sus is sav -- ior to all,
232 Lord of hea -- ven and earth.
237 Shout to the north and the south,
238 Sing to the east and the west,
239 Je -- sus is sav -- ior to all,
240 Lord of hea -- ven and earth.
242 We’ve been through fire, _ we’ve been through rain,
243 We’ve been re -- fined by the pow’r of his name,
244 We’ve fal -- len deep -- er in love with you,
245 You’ve burned the truth on our lips. _
249 Shout to the north and the south,
250 Sing to the east and the west,
251 Je -- sus is sav -- ior to all,
252 Lord of hea -- ven and earth.
257 Rise up church, with bro -- ken wings,
258 fill this place with songs a -- gain,
259 Of our God who reigns on high,
260 by his grace a -- gain we’ll fly. _ _ _
262 Shout to the north and the south,
263 Sing to the east and the west,
264 Je -- sus is sav -- ior to all,
265 Lord of hea -- ven and earth.
267 Shout to the north and the south,
268 Sing to the east and the west,
269 Je -- sus is sav -- ior to all,
270 Lord of hea -- ven and earth.
272 Lord of hea -- ven and earth.
273 Lord of hea -- ven and earth.
274 Lord of hea -- ven and earth.
277 LeadVoxTextB = \lyricmode
279 _ _ wo -- men of the truth,
280 stand and sing to bro -- ken hearts,
281 who can know the heal -- ing pow’r
282 of our awe -- some king of love. _ _ _
395 %Slash = { \override NoteHead #'style = #'slash }
396 %Cross = { \override NoteHead #'style = #'cross }
400 \numericTimeSignature
401 \override NoteHead #'style = #'slash
404 c8-> c c c-> c c | % 1
406 c8-> c c c-> c c | % 2
510 s4_\markup { \dynamic mf - \dynamic f } s2 | % 13
514 s8 s \< s4. s8 \! | % 31
516 s8 \< s4 s8 \! s4 | % 40
517 s4_\markup { \italic \smaller { (1st X drums only } } s2 | % 41
519 s8 \> s2 s8_\mp | % 50
521 s4_\markup { \dynamic p - \dynamic f } s2 | % 60
531 \Global % The "roadmap" that everything else depends on
535 \new Voice = "lead" \LeadVox
536 \new Lyrics \lyricsto "lead" \LeadVoxText
537 \new Lyrics \lyricsto "lead" \LeadVoxTextB
542 \new ChordNames \Chords
543 \new RhythmicStaff << \StaffC \Dynamics >>
546 \set Score.skipBars = ##t
547 \set Score.melismaBusyProperties = #'()
554 #(define fonts (make-pango-font-tree
560 % Spread staves vertically across last page (default: t)
561 % ragged-last-bottom = ##f
562 % Don't spread staves vertically across the page (default: f)
563 % ragged-bottom = ##t
564 % Allow partial line for last stave (default: f)
567 % To find out what's eating the space at the top...
568 % annotate-spacing = ##t