2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Shout To The Lord" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Darlene Zschech" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
36 \key g \major % New key!
42 \once \override TextScript #'padding = #2.0
43 s1*0^\markup { \large \bold { Moderately fast pop/Motown feel } }
45 % s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
52 \once \override Score.RehearsalMark #'self-alignment-X = #left
53 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
73 \mark \markup { \override #'(font-family . sans) { \box { B } } }
75 s1*8 \bar "||" % 20-27
81 s1*2 \bar "||" % 34-35
82 \once \override Score.RehearsalMark #'self-alignment-X = #right
83 \mark \markup { \italic { D.S. (w/repeats) } }
90 s1*3 \bar "||" % 37-39
92 \key a \major % New key!
93 s1*4 \bar "||" % 40-43
95 \mark \markup { \override #'(font-family . sans) { \box { C } } }
104 s1*2 \bar "||" % 60-61
106 \once \override TextScript #'padding = #2.0
107 s1^\markup { \large \bold { Slower } } | % 62
109 s1*4 \bar "|." % 63-66
116 LeadVox = \relative c'
119 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
136 bf'8 bf bf a ~ a f ( d ) g ~ | % 11
137 g2 bf8 a g f ~ | % 12
138 f2 bf8 a g f ~ | % 13
140 f4. ~ f16 f f8 ef d bf | % 14
144 f2-\repeatTie bf8 bf g bf | % 17
151 bf8 bf a bf ~ bf bf a bf ~ | % 20
152 bf8 bf a g ~ g2 | % 21
153 bf8 bf a bf ~ bf bf c d ~ | % 22
154 d8 c bf c ~ c2 | % 23
155 bf8 bf a bf ~ bf bf a bf ~ | % 24
156 bf4 a8 g ~ g4 g8 g | % 25
157 a16 ( g f8 ) ~ f4 g g | % 26
160 bf8 bf a bf ~ bf bf a bf ~ | % 28
161 bf8 bf a g ~ g4. a8 | % 29
162 bf8 bf a bf ~ bf bf c d ~ | % 30
163 d8 c bf c ~ c2 | % 31
164 bf8 bf a bf ~ bf bf a bf ~ | % 32
165 bf8 bf a g ~ g4 a | % 33
173 bf8 bf a bf ~ bf4 r | % 38
176 c8 c b c ~ c4 r | % 40
178 c8 c b c ~ c4 r | % 42
181 c8 c b c ~ c c b c ~ | % 44
183 c8 c b c ~ c c d e ~ | % 46
185 c8 c b c ~ c c b c ~ | % 48
186 c4 b8 a ~ a4 a8 a | % 49
187 b16 ( a g8 ) ~ g4 a a | % 50
189 c8 c b c ~ c c b c ~ | % 52
190 c8 c b a ~ a4. b8 | % 53
191 c8 c b c ~ c c d e ~ | % 54
194 c8 c b c ~ c c b c ~ | % 56
195 c8 c b a ~ a4 r | % 57
196 c8 c b c ~ c c b c ~ | % 58
197 c8 c b a ~ a4 r | % 59
199 c8 c b c ~ c c b c ~ | % 60
200 c8 c b a ~ a4 b | % 61
209 LeadVoxText = \lyricmode
211 My Je -- sus, my sa -- vior,
212 Lord there is none _ like _ you; _
213 All of my days _ I want to praise _ _
214 the won -- ders of your migh -- ty love.
216 _ ne -- ver cease to wor -- ship you.
218 Shout to the Lord, _ all the earth, _ let us sing; _
219 Po -- wer and ma -- _ je -- sty, praise _ to the King. _
220 Moun -- tains bow down _ and the seas _ will roar _
221 at the sound __ _ _ _ of your name. __ _
222 I sing for joy _ at the work _ of your hands, _
223 for -- e -- ver I’ll love _ you, for -- e -- _ ver I’ll stand. _
224 No -- thing com -- pares _ to the pro -- _ mise I have _ in you.
232 Shout to the Lord, _ all the earth, _ let us sing; _
233 Po -- wer and ma -- _ je -- sty, praise _ to the King. _
234 Moun -- tains bow down _ and the seas _ will roar _
235 at the sound __ _ _ _ of your name. __ _
236 I sing for joy _ at the work _ of your hands, _
237 for -- e -- ver I’ll love _ you, for -- e -- _ ver I’ll stand. _
238 No -- thing com -- pares _ to the pro -- _ mise I have _
239 No -- thing com -- pares _ to the pro -- _ mise I have _
240 No -- thing com -- pares _ to the pro -- _ mise I have _ in you.
243 LeadVoxTextB = \lyricmode
245 My com -- fort, my shel -- ter,
246 To -- wer of ref -- _ uge and strength; _
247 Let ev -- r’y breath, _ all that I am,
254 Riffs = \relative c''
262 \override NoteHead #'style = #'slash
263 %bf' because of transposition...
264 r4 bf'16 bf' bf' bf' bf' r bf'8 r bf' | % 1
265 r4 r8 bf' r4 bf' | % 2
266 r4 bf'16 bf' bf' bf' bf' r bf'8 r bf' | % 3
267 r4 r8 bf' r4 bf' | % 4
268 r4 bf'16 bf' bf' bf' bf' r bf'8 r bf' | % 5
269 r4 r8 bf' r4 bf' | % 6
270 \override NoteHead #'style = #'default
277 c'4. b8 ~ b g e a ~ | % 64
288 %Bah, can't we set this globally?
293 bf2 s8 bf4/d ef8 | % 1
294 s4. f4.:sus4 f4 | % 2
295 bf2 s8 bf4/d ef8 | % 3
296 s4. f4.:sus4 f4 | % 4
297 bf2 s8 bf4/d ef8 | % 5
298 s4. f4.:sus4 f4 | % 6
311 af2 ef4./g f8:sus4 | % 15
315 af2 ef4./g f8:sus4 | % 18
321 bf2 s8 bf4/d ef8 | % 20
322 s4. f4.:sus4 f4 | % 21
323 bf2 s8 bf4/d ef8 | % 22
324 s4. f4.:sus4 f4 | % 23
330 bf2 s8 bf4/d ef8 | % 28
331 s4. f4.:sus4 f4 | % 29
332 bf2 s8 bf4/d ef8 | % 30
333 s4. f4.:sus4 f4 | % 31
334 g4.:m g2:m/f ef8 | % 32
337 bf2. s8 f:sus4 | % 34
340 bf2 s8 bf4/d ef8 | % 36
342 s4. f4.:sus4 f4 | % 37
343 bf2 s8 bf4/d ef8 | % 38
344 s4. f4.:sus4 f4 | % 39
347 s4. g4.:sus4 g4 | % 41
349 s4. g4.:sus4 g4 | % 43
352 s4. g4.:sus4 g4 | % 45
354 s4. g4.:sus4 g4 | % 47
360 s4. g4.:sus4 g4 | % 53
362 s4. g4.:sus4 g4 | % 55
364 a4.:m a2:m/g f8 | % 56
366 a4.:m a2:m/g f8 | % 58
369 a4.:m a2:m/g f8 | % 60
385 \numericTimeSignature
386 \override NoteHead #'style = #'slash
391 c4-> r r8 c4-> c8-> | % 1
392 r4 r8 c-> ~ c4 c | % 2
393 c4-> r r8 c4-> c8-> | % 3
394 r4 r8 c-> ~ c4 c | % 4
395 c4-> r r8 c4-> c8-> | % 5
396 r4 r8 c-> ~ c4 c | % 6
397 c8 c c c c c c c | % 7
398 c8 c c c c c c c | % 8
404 c4. c8 ~ c4. c8 ~ | % 11
415 c8 c c c c c c c | % 19
419 c4-> r r8 c4-> c8-> | % 20
420 r4 r8 c-> ~ c4 c | % 21
421 c4-> r r8 c4-> c8-> | % 22
422 r4 r8 c-> ~ c4 c | % 23
423 c4. c8 ~ c4. c8 ~ | % 24
425 c8 c c c c c c c | % 26
426 c8 c c c c c c c | % 27
428 c4-> r r8 c4-> c8-> | % 28
429 r4 r8 c-> ~ c4 c | % 29
430 c4-> r r8 c4-> c8-> | % 30
431 r4 r8 c-> ~ c4 c | % 31
432 c4. c8 ~ c4. c8 ~ | % 32
438 c4-> r r8 c4-> c8-> | % 36
440 r4 r8 c-> ~ c4 c | % 37
441 c4-> r r8 c4-> c8-> | % 38
442 r4 r8 c-> ~ c4 c | % 39
444 c4-> r r8 c4-> c8-> | % 40
445 r4 r8 c-> ~ c4 c | % 41
446 c4-> r r8 c4-> c8-> | % 42
447 r4 r8 c-> ~ c4 c | % 43
449 c4-> r r8 c4-> c8-> | % 44
450 r4 r8 c-> ~ c4 c | % 45
451 c4-> r r8 c4-> c8-> | % 46
452 r4 r8 c-> ~ c4 c | % 47
453 c4. c8 ~ c4. c8 ~ | % 48
455 c8 c c c c c c c | % 50
456 c8 c c c c c c c | % 51
457 c4-> r r8 c4-> c8-> | % 52
458 r4 r8 c-> ~ c4 c | % 53
459 c4-> r r8 c4-> c8-> | % 54
460 r4 r8 c-> ~ c4 c | % 55
462 c4.-> c8-> ~ c4. c8-> ~ | % 56
464 c4.-> c8-> ~ c4. c8-> ~ | % 58
467 c4. c8 ~ c4. c8 ~ | % 60
472 c4. c8 ~ c4. c8 ~ | % 64
484 s4_\fp s s \< s | % 7
504 s8 \< s2. s8 \! | % 51
506 s4_\markup { \italic { rit. } } s2. | % 61
508 s2 s4_\markup { \italic { rit. } } s | % 65
515 \Global % The "roadmap" that everything else depends on
516 %nowok \transpose bf g
520 \new Voice = "lead" \transpose bf g \LeadVox
521 \new Voice \transpose bf a \Riffs
522 \new Lyrics \lyricsto "lead" \LeadVoxText
523 \new Lyrics \lyricsto "lead" \LeadVoxTextB
528 \new ChordNames \transpose bf a \Chords
530 % \new ChordNames \transpose f d \Chords
531 \new RhythmicStaff << \Rhythm \Dynamics >>
534 \set Score.skipBars = ##t
535 \set Score.melismaBusyProperties = #'()
542 #(define fonts (make-pango-font-tree
548 % Don't spread staves vertically across last page (default: t)
549 % ragged-last-bottom = ##f
550 % Don't spread staves vertically across the page (default: f)
551 % ragged-bottom = ##t
552 % Allow partial line for last stave (default: f)
555 % To find out what's eating the space at the top...
556 % annotate-spacing = ##t