2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans)
18 { \fontsize #3.5 "She Loves You" } }
19 composer = \markup { \override #'(font-family . sans) "Lennon/McCartney" }
20 % arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
21 tagline = "Engraved by JLH and Lilypond 2.8.2"
29 LeadVox = \relative c''
31 % \set Voice.autoBeaming = ##f
32 % \set Staff.instrument = #"Lead vox"
35 \override Staff.TimeSignature #'style = #'()
37 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
42 \set Score.currentBarNumber = #1
44 fs4. e8 ~ e4. d8 | % 2
46 fs4. e8 ~ e4. d8 | % 4
50 <e d>2 r4 r8 f, \bar "||" % 8
54 \mark \markup { \override #'(font-family . sans) { \box { A } } }
56 g4 a b c8 <d b> ~ | % 9
57 <d b>2. <d b>8 <e b> | % 10
58 <fs d>4 <d b> <d b>4. <b a>8 | % 11
59 <d b>8 ( <fs d> <d b>2 ) r8 g, | % 12
61 g4 a b c8 <d b> ~ | % 13
62 <d b>2. <d b>8 <e b> | % 14
63 <fs d>4 <d b> <d b>4. <b a>8 | % 15
64 <d b>8 ( <fs d> <d b>4 ) r8 d d d | % 16
71 <e b'>2 r4 <b' g>8 <b g> | % 20
73 <c a>4 <c a>2 <c a>8 <c a> | % 21
74 <c a>4 <c a> <ef c> <g ef>8 <fs d> ~ | % 22
82 \mark \markup { \override #'(font-family . sans) { \box { B } } }
84 g4 a b c8 <d b> ~ | % 25
85 <d b>2. r8 <e b> | % 26
86 <fs d>4 <d b> <d b>4. <b a>8 | % 27
87 <d b>8 ( <fs d> <d b>2 ) r8 g, | % 28
89 g4 a b c8 <d b> ~ | % 29
90 <d b>2. r8 <e b> | % 30
91 <fs d>4 <d b> <d b>4. <b a>8 | % 31
92 <d b>8 ( <fs d> <d b>4 ) r8 d d d | % 32
99 <e b'>2 r4 <b' g>8 <b g> | % 36
101 <c a>4 <c a>2 <c a>8 <c a> | % 37
102 <c a>4 <c a> <ef c> <g ef>8 <fs d> ~ | % 38
103 <fs d>2. r8 <d' b>8 ~ | % 39
104 <d b>2 ~ <d b>4 r8 d, | % 40
108 \mark \markup { \override #'(font-family . sans) { \box { C } } }
111 fs4. e8 ~ e4. d8 | % 42
113 fs4. e8 ~ e a, a b | % 44
115 <c a>4 <c a> <c a> r8 <a g> | % 45
116 <d bf>4 <d bf> <c a> <c a>8 <c a> ~ | % 46
117 <c a>8 ( <b g> ~ <b g>2. ) | % 47
131 \mark \markup { \override #'(font-family . sans) { \box { D } } }
133 <c a>4 <c a> <c a> r8 <a g> | % 50
134 <d bf>4 <d bf> <c a> <c a>8 <c a> ~ | % 51
135 <c a>8 ( <b g> ~ <b g>2. ) | % 52
138 <c a>4 <c a> <c a> r8 <a g> | % 54
139 <d bf>4. <d bf>8 <c a>16 ( <d b> <c a> <b g> <c a>4 ) | % 55
140 r2 <d g,> \bar "||" % 56
149 <e d>1^\fermata \bar "|." % 63
152 LeadVoxText = \lyricmode
154 She loves you, yeah, yeah, yeah _
155 She loves you, yeah, yeah, yeah _
156 She loves you, yeah, yeah, yeah, yeah! _
158 You think you lost your love, _ well I saw her yes -- ter -- day __ _ _
159 It’s you she’s think -- ing of _ and she told me what to say __ _ _
160 She said she loves you and you know that can’t be bad __ _
161 Yes she loves you and you know you should be glad __ _
163 She said you hurt her so, _ she al -- most lost her mind __ _ _
164 But now she said she knows _ you’re not the hurt -- ing kind __ _ _
165 She said she loves you and you know that can’t be bad __ _
166 Yes she loves you and you know you should be glad __ _ Ooo! __ _ _
168 She loves you yeah, yeah, yeah _
169 She loves you yeah, yeah, yeah _
170 and with a love like that you know you should be glad __ _ _ _
174 and with a love like that you know you should be glad __ _ _ _
175 and with a love like that you know you should __ _ _ _ _
179 Yeah, yeah, yeah, yeah!
182 LeadVoxTextB = \lyricmode
188 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
189 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
190 _ _ _ _ _ _ _ _ _ _ _ _
191 _ _ _ _ _ _ _ _ _ _ _ _ _
193 _ know it’s up to you, _ I think it’s on -- ly fair __ _ _
194 _ Pride can hurt you too; _ A -- pol -- o -- gize to her __ _ _
195 Be -- cause she loves you
205 % \set Voice.autoBeaming = ##f
206 % \set Staff.instrument = #"Lead vox"
209 \override Staff.TimeSignature #'style = #'()
211 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
216 \set Score.currentBarNumber = #1
219 a,4. a8 e'4. e8 | % 3
220 a,4. a8 e'4 a,-. | % 4
222 c,4. c8 g'4 c,-. | % 6
224 g2 d8 d e fs \bar "||" % 8
228 g4. g8 d4-. g-. | % 9
240 g4. b,8 ~ b4 d | % 17
245 c4. c8 g'4. b,8 | % 21
247 d4. d8 a'4. cs,8 | % 23
248 d4. d8 a' d, e fs | % 24
254 g4. g8 d4-. g-. | % 25
266 g4. b,8 ~ b4 d | % 33
271 c4. c8 g'4. b,8 | % 37
273 d4. d8 a'4. cs,8 | % 39
274 d4. d8 a'4 d,-. | % 40
284 d4. d8 a'4 d,-. | % 46
285 % Note: 2nd time through the bass plays 47 the same as measure 52. Need to enlarge alternatives by one bar.
292 g4. g8 d d e fs | % 48
303 g4. g8 d4 g8 fs | % 52
310 g4. g8 d4 d8 fs | % 57
311 g4. g8 e4 g8 fs | % 58
315 c4. c8 g'4. b,8 | % 61
317 g'1^\fermata \bar "|." % 63
327 %Bah, can't we set this globally?
439 % Use a RhythmicStaff on the chords instead of this?
440 % It almost works, but not quite. Doesn't collapse chords above to single notes...
444 % \set Voice.autoBeaming = ##f
445 % \set Staff.instrument = #"Rhythm"
446 \override Staff.TimeSignature #'style = #'()
448 \override NoteHead #'style = #'slash
457 c4 c \times 2/3 { r4 c c } | % 4
465 c4 c8 c ~ c c c4 | % 9
466 c4 c8 c ~ c c c4 | % 10
467 c4 c8 c ~ c c c4 | % 11
468 c4 c8 c ~ c c c4 | % 12
470 c4 c8 c ~ c c c4 | % 13
471 c4 c8 c ~ c c c4 | % 14
472 c4 c8 c ~ c c c4 | % 15
473 c4 c8 c ~ c c c4 | % 16
479 c4 c8 c ~ c c c4 | % 19
480 c4 c8 c ~ c c c4 | % 20
482 c4 c8 c ~ c c c4 | % 21
483 c4 c8 c ~ c c c4 | % 22
484 c4 c8 c ~ c c c4 | % 23
485 c4 c8 c ~ c c c4 | % 24
491 c4 c8 c ~ c c c4 | % 25
492 c4 c8 c ~ c c c4 | % 26
493 c4 c8 c ~ c c c4 | % 27
494 c4 c8 c ~ c c c4 | % 28
496 c4 c8 c ~ c c c4 | % 29
497 c4 c8 c ~ c c c4 | % 30
498 c4 c8 c ~ c c c4 | % 31
499 c4 c8 c ~ c c c4 | % 32
505 c4 c8 c ~ c c c4 | % 35
506 c4 c8 c ~ c c c4 | % 36
508 c4 c8 c ~ c c c4 | % 37
509 c4 c8 c ~ c c c4 | % 38
510 c4 c8 c ~ c c c4 | % 39
511 c4 c8 c ~ c c c4 | % 40
518 c4 c \times 2/3 { r4 c c } | % 44
521 c4 c8 c ~ c c c4 | % 46
522 c4 c8 c ~ c c c4 | % 47
527 c4 c8 c ~ c c c4 | % 48
530 c4 c8 c ~ c c c4 | % 49
537 c4 c8 c ~ c c c4 | % 51
538 c4 c8 c ~ c c c4 | % 52
539 c4 c8 c ~ c c c4 | % 53
561 s4_\markup { \hspace #0.0 \raise #-1.0 \italic { rit. } } s2. | % 55
563 s4_\markup { \hspace #0.0 \raise #-1.0 \italic { A tempo } } s2. | % 57
572 \new ChordNames \Chords
573 \new RhythmicStaff << \StaffC \Dynamics >>
578 \new Voice = "lead" \LeadVox
579 \new Lyrics \lyricsto "lead" \LeadVoxText
580 \new Lyrics \lyricsto "lead" \LeadVoxTextB
584 \new Staff = bassStaff { \new Voice = "bottom" \Bass }
587 \set Score.skipBars = ##t
588 \set Score.melismaBusyProperties = #'()
595 #(define fonts (make-pango-font-tree
601 % Spread staves vertically across last page (default: t)
602 ragged-last-bottom = ##f
603 % Don't spread staves vertically across the page (default: f)
604 % ragged-bottom = ##t
605 % Allow partial line for last stave (default: f)
608 % To find out what's eating the space at the top...
609 % annotate-spacing = ##t
610 %let's try this: [It works! Huzzah!]