2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 %Let's bump up the title size and switch to the chord font. :-)
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Little Town Of Bethlehem" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Lewis H. Redner" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
18 tagline = "Engraved by JLH and Lilypond 2.8.8"
26 LeadVox = \relative c''
28 % \set Voice.autoBeaming = ##f
29 % \set Staff.instrumentName = #"Lead vox"
32 \override Staff.TimeSignature #'style = #'()
34 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
42 \mark \markup { \override #'(font-family . sans) { \box { A } } }
46 f4 e8 ( f ) g4 c, | % 3
50 f4 e8 ( f ) a4 g | % 7
53 \mark \markup { \override #'(font-family . sans) { \box { B } } }
69 f1^\fermata \bar "|." % 17
74 LeadVoxText = \lyricmode
76 O lit -- tle town of Beth -- le -- hem, how still we _ see thee lie!
77 A -- bove thy deep and dream -- less sleep the si -- lent _ stars go by;
78 Yet in thy dark streets shi -- neth the e -- ver -- last -- ing light:
79 The hopes and fears of all the years are met in thee to -- night.
84 LeadVoxTextB = \lyricmode
86 _ ho -- ly child of Beth -- le -- hem! De -- scend to _ us, we pray;
87 Cast out our sin and en -- ter in, be born in _ us to -- day.
88 We hear the Christ -- mas an -- gels the great glad ti -- dings tell;
89 O come to us, a -- bide with us, our lord Em -- man -- u- _ _ el!
99 %Bah, can't we set this globally?
102 \partial 4*1 s4 | % 0
108 f2/c g4:m7/c c:7.9- | % 3
112 f2/c g4:m7/c c:7.9- | % 7
115 f2 g4:dim7 gs:dim7 | % 9
117 d4:m a:7/e f:6 g:m/bf | % 11
121 f2/c g4:m/c c:7.9- | % 15
139 % Use a RhythmicStaff on the chords instead of this?
140 % It almost works, but not quite. Doesn't collapse chords above to single notes...
144 % \set Voice.autoBeaming = ##f
145 % \set Staff.instrumentName = #"Rhythm"
146 \override Staff.TimeSignature #'style = #'()
148 \override NoteHead #'style = #'slash
152 \partial 4*1 s4 | % 0
163 c4 c c c \bar "||" % 8
179 c2 c^\fermata \bar "|." % 17
187 \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
189 \partial 4*1 s4 | % 0
190 s4_\markup { \italic { 1st X a capella } } s2. | % 1
192 s4_\markup { \dynamic mf \italic { band in } } s2. | % 8
194 s4_\markup { \italic { rit. 2nd X } } s2. | % 15
197 \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
199 \partial 4*1 s4_\f | % 0
200 s4_\markup { \italic { full band, snare } } s2. | % 1
203 s4_\markup { \dynamic mf \italic { piano only } } s2. | % 5
205 s4_\markup { \dynamic mp \italic { bass in, cym } } s2. | % 17
207 s4 s \< s s_\f | % 20
209 s2 s_\markup { \italic { dr. fill } } | % 23
210 s4_\markup { \italic { dr. groove, s-stick 2&4 } } s2. | % 24
212 s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 38
214 s4 s \< s s_\f | % 41
215 s4_\markup { \italic { backbeat } } s2. | % 42
217 s2 s_\markup { \italic { dr. fill } } | % 45
218 s4_\markup { \italic { Majestic, slower w/snare } } s2. | % 46
220 s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 58
222 s4 s \< s_\markup { \hspace #0.0 \raise #-2.0 \italic { dr.fill } } s_\f | % 61
223 s4_\markup { \italic { backbeat } } s2. | % 62
225 s4_\markup { \italic { rit. } } s2. | % 69
234 \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
235 % \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
236 \new Lyrics \lyricsto "lead" \LeadVoxText
237 \new Lyrics \lyricsto "lead" \LeadVoxTextB
240 \new ChoirStaff = "Rhythm"
242 \new ChordNames = "chords" \Chords
243 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
246 \set Score.skipBars = ##t
247 \set Score.melismaBusyProperties = #'()
252 % \context { \Staff \RemoveEmptyStaves }
253 % ragged-last-bottom = ##t
261 #(define fonts (make-pango-font-tree
267 % top-margin = -0.25 \in