2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O For A Thousand Tongues" }
14 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
32 s2.*8 \bar ".|:-||" % 1-8
38 \mark \markup { \override #'(font-family . sans) { \box { A } } }
55 \mark \markup { \override #'(font-family . sans) { \box { B } } }
56 s2.*7 \bar "||" % 22-28
62 s2.*2 \bar "||" % 31-32
66 \mark \markup { \override #'(font-family . sans) { \box { C } } }
67 s2.*7 \bar "||" % 22-28
71 s2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
76 \mark \markup { \override #'(font-family . sans) { \box { D } } }
85 LeadVox = \relative c'
99 f8 d d4 f8 ( d ) | % 14
110 r2 c4 \oneVoice | % 21
119 f8 d d4 f8 ( d ) | % 27
126 r2 d4 \oneVoice | % 32
135 g8 e e4 g8 ( e ) | % 27
143 r2 d4 \oneVoice | % 43
145 g8 g16 a ( ~ a4. g8 ) | % 44
149 g8 g16 a ( ~ a4. g8 ) | % 48
152 g2^\fermata d4 | % 51
156 LeadVoxText = \lyricmode
158 O for a thou- sand tongues to sing
159 my great re- dee- mer's praise;
160 The glo- ries of my God and king,
161 the __ _ tri- umphs of his grace.
165 Je- sus the name that charms our fears
166 that bids our sor- rows cease;
167 'Tis mu- sic in the sin- ner's ears,
168 'Tis __ _ life and health and peace.
170 He breaks the power of can- celled sin
171 he sets the pris'- ner free;
172 His blood can make the foul- est clean,
173 his __ _ blood a- vailed for me.
175 O for a thou- __ _ _ sand tongues to sing
176 O for a thou- __ _ _ sand tongues to sing
180 LeadVoxTextB = \lyricmode
182 _ gra- cious mas- ter and my God
183 a- ssist me to pro- claim;
184 To spread through all the earth a- broad
185 the __ _ ho- nors of thy name.
189 Riffs = \relative c''
194 \repeat "percent" 3 % 1 - 6
196 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
197 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
199 << s2. \\ { \tiny d2 c4 } >> | % 7
200 << s2. \\ { \tiny bf2. } >> | % 8
205 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
211 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
217 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
223 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
270 ef2:maj9 bf4/c | % 25
310 % Alternate chord changes (2nd verse)
312 ChordsSup = \chordmode
332 \numericTimeSignature
333 \override NoteHead #'style = #'slash
386 c8-> c-> c4-> c | % 34
407 c4^\fermata c c | % 51
413 s4_\markup { \italic { snare pat. } } s2 | % 1
414 s4_\markup { \italic { simile } } s2 | % 2
416 s4_\markup { \italic { spacy } } s2 | % 22
420 s4_\markup { \italic { Last time } } s2 | % 51
427 \Global % The "roadmap" that everything else depends on
431 \new Voice = "lead" \LeadVox
432 \new Voice = "riffs" \Riffs
433 \new Lyrics \lyricsto "lead" \LeadVoxText
434 \new Lyrics \lyricsto "lead" \LeadVoxTextB
439 \new ChordNames \Chords
440 \new ChordNames \ChordsSup
441 \new RhythmicStaff << \StaffC \Dynamics >>
444 \set Score.skipBars = ##t
445 \set Score.melismaBusyProperties = #'()
452 #(define fonts (make-pango-font-tree
458 % Don't spread staves vertically across last page (default: t)
459 % ragged-last-bottom = ##f
460 % Don't spread staves vertically across the page (default: f)
461 % ragged-bottom = ##t
462 % Allow partial line for last stave (default: f)
465 % To find out what's eating the space at the top...
466 % annotate-spacing = ##t