2 \include "pop-chords.ly"
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3 \include "english.ly"
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5 % Good sizes are 16, 18, & 20
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7 #(set-default-paper-size "letter")
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8 #(set-global-staff-size staffSize)
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9 #(ly:set-option (quote no-point-and-click))
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13 %Let's bump up the title size and switch to the chord font. :-)
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15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "No Higher Calling" }
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16 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
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17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
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18 tagline = "Engraved by JLH and Lilypond 2.8.8"
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26 LeadVox = \relative c'
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28 % \set Voice.autoBeaming = ##f
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29 % \set Staff.instrumentName = #"Lead vox"
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32 \override Staff.TimeSignature #'style = #'()
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34 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
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40 \once \override Score.RehearsalMark #'self-alignment-X = #left
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41 \mark \markup { \small "Light half-time feel" }
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51 \mark \markup { \override #'(font-family . sans) { \box { A } } }
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62 gf2 af4. ( bf8 ) | % 14
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70 \mark \markup { \override #'(font-family . sans) { \box { B } } }
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75 d2 c4. ( d8 ) | % 20
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81 gf2 af4. ( bf8 ) | % 26
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83 bf2. <bf d,>8 <a c,> \bar "||" % 28
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87 \once \override Score.RehearsalMark #'self-alignment-X = #left
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88 \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
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90 <g bf,>2. <a c,>8 <bf d,> | % 29
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91 <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30
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92 <a c,>2. <bf d,>8 <c f,> | % 31
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93 <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32
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94 <g bf,>2. <g bf,>4 | % 33
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95 <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34
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97 r2 r4 <f d>8 <g ef> | % 36
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98 <g ef>2. <a c,>8 <bf d,> | % 37
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99 <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38
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100 <a c,>2. <bf d,>8 <c ef,> | % 39
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101 <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40
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103 bf4 a8 g ~ g a ~ a4 | % 42
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104 \once \override Score.RehearsalMark #'self-alignment-X = #right
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105 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
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122 r2 r4 <f d>8 <g ef> \bar "||" % 48
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124 \once \override Score.RehearsalMark #'self-alignment-X = #right
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125 \mark \markup { \italic { D.S. al Coda } }
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129 \stopStaff s1 \startStaff |
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130 \set Score.currentBarNumber = #49
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132 \once \override Score.RehearsalMark #'self-alignment-X = #left
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133 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
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146 LeadVoxText = \lyricmode
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148 Down at your feet, O Lord, _
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149 is the most high _ place.
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150 In your pre -- sence, Lord, _
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151 I seek your face, _
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152 I seek your _ face. __ _
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154 Down at your feet, O Lord, _
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155 is the most high _ place.
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156 In your pre -- sence, Lord, _
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157 I seek your face, _
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158 I seek your _ face. __ _
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160 There is no high -- er call -- _ ing,
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161 no great -- er ho -- _ nor
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162 Than to bow and kneel be -- fore _ your throne. _
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163 I’m a -- mazed at your glo -- ry, _
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164 em -- braced by your mer -- cy _
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165 O Lord, I live to wor -- _ ship _ you.
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174 Riffs = \relative c'
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178 \override Staff.TimeSignature #'style = #'()
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180 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
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184 bf4. af8 ~ af4. af8 | % 2
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185 af4. g8 ~ g4. f8 | % 3
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191 r2 r8 d f bf | % 43
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193 bf4. af8 ~ af4. af8 | % 44
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194 af4. g8 ~ g4. f8 | % 45
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197 s1*3 | % 47-48 (plus spacer for coda)
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199 s2 r8 d f bf | % 49
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200 bf4. af8 ~ af4. af8 | % 50
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201 af4. g8 ~ g4. f8 | % 51
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203 r2 r8 d f bf | % 53
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204 bf4. af8 ~ af4. af8 | % 54
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205 af4. g8 ~ g4. f8 | % 55
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207 r1-\fermata \bar "|." % 57
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215 Chords = \chordmode
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217 %Bah, can't we set this globally?
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225 af4.:6.9 af8:sus2 s2 | % 2
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226 af4./ef ef8 s2 | % 3
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239 gf2:6 af:6.9 | % 12
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241 ef2:m af:sus2 | % 14
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256 ef2:m af:sus2 | % 24
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258 gf2:6 af:sus2 | % 26
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277 bf4./f ef4/f f4. | % 42
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283 af4.:6.9 af8:sus2 s2 | % 44
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284 af4./ef ef8 s2 | % 45
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299 af4.:6.9 af8:sus2 s2 | % 50
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300 af4./ef ef8 s2 | % 51
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303 af4.:6.9 af8:sus2 s2 | % 54
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304 af4./ef ef8 s2 | % 55
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314 % Use a RhythmicStaff on the chords instead of this?
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315 % It almost works, but not quite. Doesn't collapse chords above to single notes...
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317 StaffC = \relative c
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319 % \set Voice.autoBeaming = ##f
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320 % \set Staff.instrumentName = #"Rhythm"
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321 \override Staff.TimeSignature #'style = #'()
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323 \override NoteHead #'style = #'slash
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365 c4 c c c \bar "||" % 28
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382 c4. c8 ~ c c4. | % 42
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397 c4 c c c \bar "||" % 48
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401 \stopStaff s1 \startStaff |
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402 \set Score.currentBarNumber = #49
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412 c1-\fermata \bar "|." % 57
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419 s4 s \< s \! s | % 28
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420 s4_\markup { \italic { add backbeat } } s2. | % 29
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422 s4 s \< s \! s | % 48
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424 s2 s_\markup { \italic { rit. } } | % 56
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432 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
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433 \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
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434 \new Lyrics \lyricsto "lead" \LeadVoxText
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437 \new ChoirStaff = "Rhythm"
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439 \new ChordNames = "chords" \Chords
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440 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
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443 \set Score.skipBars = ##t
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444 \set Score.melismaBusyProperties = #'()
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449 % \context { \Staff \RemoveEmptyStaves }
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450 % ragged-last-bottom = ##t
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458 #(define fonts (make-pango-font-tree
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464 % top-margin = -0.25 \in
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