2 \include "pop-chords.ly"
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3 \include "english.ly"
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5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
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7 #(set-default-paper-size "letter")
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8 #(set-global-staff-size staffSize)
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9 #(ly:set-option (quote no-point-and-click))
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13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "No Higher Calling" }
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14 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
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15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
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16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
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27 \numericTimeSignature
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34 \once \override Score.RehearsalMark #'self-alignment-X = #left
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35 \mark \markup { \small "Light half-time feel" }
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42 \mark \markup { \override #'(font-family . sans) { \box { A } } }
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49 \mark \markup { \override #'(font-family . sans) { \box { B } } }
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50 s1*12 \bar "||" % 17-28
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54 \once \override Score.RehearsalMark #'self-alignment-X = #left
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55 \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
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58 \once \override Score.RehearsalMark #'self-alignment-X = #right
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59 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
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73 \once \override Score.RehearsalMark #'self-alignment-X = #right
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74 \mark \markup { \italic { D.S. al Coda } }
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78 \stopStaff s1 \startStaff
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79 \set Score.currentBarNumber = #49
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81 \once \override Score.RehearsalMark #'self-alignment-X = #left
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82 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
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84 s1*9 \bar "|." % 49-57
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91 LeadVox = \relative c'
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105 d2 c4. ( d8 ) | % 8
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107 a2 bf4. g8 ~ | % 10
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109 gf2 f4. f8 ~ | % 12
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111 gf2 af4. ( bf8 ) | % 14
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118 a2 bf4. g8 ~ | % 18
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120 d2 c4. ( d8 ) | % 20
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122 a2 bf4. g8 ~ | % 22
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124 gf2 f4. f8 ~ | % 24
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126 gf2 af4. ( bf8 ) | % 26
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128 bf2. <bf d,>8 <a c,> \bar "||" % 28
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132 <g bf,>2. <a c,>8 <bf d,> | % 29
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133 <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30
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134 <a c,>2. <bf d,>8 <c f,> | % 31
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135 <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32
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136 <g bf,>2. <g bf,>4 | % 33
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137 <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34
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139 r2 r4 <f d>8 <g ef> | % 36
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140 <g ef>2. <a c,>8 <bf d,> | % 37
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141 <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38
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142 <a c,>2. <bf d,>8 <c ef,> | % 39
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143 <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40
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145 bf4 a8 g ~ g a ~ a4 | % 42
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147 \voiceTwo bf1 \oneVoice | % 43
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152 r2 r4 <f d>8 <g ef> | % 48
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156 s1 % extra bar for coda
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163 LeadVoxText = \lyricmode
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165 Down at your feet, O Lord, _
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166 is the most high _ place.
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167 In your pre -- sence, Lord, _
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168 I seek your face, _
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169 I seek your _ face. __ _
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171 Down at your feet, O Lord, _
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172 is the most high _ place.
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173 In your pre -- sence, Lord, _
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174 I seek your face, _
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175 I seek your _ face. __ _
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177 There is no high -- er call -- _ ing,
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178 no great -- er ho -- _ nor
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179 Than to bow and kneel be -- fore _ your throne. _
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180 I’m a -- mazed at your glo -- ry, _
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181 em -- braced by your mer -- cy _
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182 O Lord, I live to wor -- _ ship _ you.
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191 Riffs = \relative c'
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195 bf4. af8 ~ af4. af8 | % 2
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196 af4. g8 ~ g4. f8 | % 3
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201 \voiceOne r2 r8 d f bf \oneVoice | % 43
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202 bf4. af8 ~ af4. af8 | % 44
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203 af4. g8 ~ g4. f8 | % 45
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206 s1*3 | % 47-48 (plus spacer for coda)
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208 s2 r8 d f bf | % 49
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209 bf4. af8 ~ af4. af8 | % 50
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210 af4. g8 ~ g4. f8 | % 51
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212 r2 r8 d f bf | % 53
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213 bf4. af8 ~ af4. af8 | % 54
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214 af4. g8 ~ g4. f8 | % 55
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223 Chords = \chordmode
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228 af4.:6.9 af8:sus2 s2 | % 2
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229 af4./ef ef8 s2 | % 3
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241 gf2:6 af:6.9 | % 12
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243 ef2:m af:sus2 | % 14
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256 ef2:m af:sus2 | % 24
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258 gf2:6 af:sus2 | % 26
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277 bf4./f ef4/f f4. | % 42
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280 af4.:6.9 af8:sus2 s2 | % 44
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281 af4./ef ef8 s2 | % 45
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293 af4.:6.9 af8:sus2 s2 | % 50
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294 af4./ef ef8 s2 | % 51
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297 af4.:6.9 af8:sus2 s2 | % 54
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298 af4./ef ef8 s2 | % 55
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307 StaffC = \relative c
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309 \numericTimeSignature
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310 \override NoteHead #'style = #'slash
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348 c4 c c c \bar "||" % 28
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365 c4. c8 ~ c c4. | % 42
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378 \stopStaff s1 \startStaff |
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395 s4 s \< s \! s | % 28
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396 s4_\markup { \italic { add backbeat } } s2. | % 29
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398 s4 s \< s \! s | % 48
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400 s2 s_\markup { \italic { rit. } } | % 56
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407 \Global % The "roadmap" that everything else depends on
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411 \new Voice = "lead" \LeadVox
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412 \new Voice = "riffs" \Riffs
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413 \new Lyrics \lyricsto "lead" \LeadVoxText
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418 \new ChordNames \Chords
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419 \new RhythmicStaff << \StaffC \Dynamics >>
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422 \set Score.skipBars = ##t
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423 \set Score.melismaBusyProperties = #'()
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430 #(define fonts (make-pango-font-tree
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436 % Don't spread staves vertically across last page (default: t)
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437 % ragged-last-bottom = ##f
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438 % Don't spread staves vertically across the page (default: f)
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439 % ragged-bottom = ##t
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440 % Allow partial line for last stave (default: f)
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443 % To find out what's eating the space at the top...
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444 % annotate-spacing = ##t
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