2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "My Redeemer Lives" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Reuben Morgan" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Drippin’ Soul" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
41 \mark \markup { \override #'(font-family . sans) { \box { A } } }
42 s1*16 \bar "||" % 3-18
46 \mark \markup { \override #'(font-family . sans) { \box { B } } }
47 s1*4 \bar "||" % 19-22
51 \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
62 s2. s4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 32
76 LeadVox = \relative c''
86 fs8 e cs e ~ e4 r | % 4
88 fs8 e cs e ~ e e fs gs ~ ( | % 6
89 gs2 ~ gs4. ~ gs16 fs | % 7
90 e4 ) r r8 a a a ( | % 8
94 fs8 e cs e ~ e4 r | % 12
96 fs8 e cs e ~ e e fs gs ~ ( | % 14
97 gs2 ~ gs4. ~ gs16 fs | % 15
98 e4 ) r r8 a a a ( | % 16
104 r4 fs fs e8 fs ~ | % 19
106 r8 e a4 a r8 a8 | % 21
107 a8 gs a8 b ~ b r gs b | % 22
113 b2 gs4. a16 ( gs | % 25
114 fs4 ) r r gs8 b | % 26
118 b2 gs4. a16 ( gs | % 29
121 b2 gs4. a16 ( gs | % 31
124 b2 gs4. a16 ( gs | % 33
131 LeadVoxText = \lyricmode
133 I know he res -- cued my soul, __ _
134 His blood has cov -- ered my sins, _
135 I be -- lieve, __ _ _ _ _ _
138 My shame he’s tak -- en a -- way, __ _
139 My pain is healed in his name, _
140 I be -- lieve, __ _ _ _ _ _
143 I’ll raise a ban -- _ ner
144 ’cause my Lord has con -- quered the grave. _
146 My Re -- deem -- er lives, _
147 my Re -- deem -- er lives; _ _
148 My Re -- deem -- er lives, _
151 deem -- er lives. _ _
153 deem -- er lives. _ _
155 deem -- er lives. _ _
160 % Riff/rhythm figures
162 Riffs = \relative c''
168 \repeat "percent" 3 % 1 - 6
170 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
171 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
173 << s2. \\ { \tiny d2 c4 } >> | % 7
174 << s2. \\ { \tiny bf2. } >> | % 8
179 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
185 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
191 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
197 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
267 \numericTimeSignature
268 \override NoteHead #'style = #'slash
327 \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
329 \partial 4*1 s4_\markup { \italic { lite snare, arp. gtr. } } | % 0
331 s4_\markup { \italic { a capella } } s2 | % 24
339 \Global % The "roadmap" that everything else depends on
343 \new Voice = "lead" \LeadVox
344 \new Voice = "riffs" \Riffs
345 \new Lyrics \lyricsto "lead" \LeadVoxText
350 \new ChordNames \Chords
351 \new RhythmicStaff << \StaffC \Dynamics >>
354 \set Score.skipBars = ##t
355 \set Score.melismaBusyProperties = #'()
360 \context { \Staff \RemoveEmptyStaves }
361 % ragged-last-bottom = ##t
369 #(define fonts (make-pango-font-tree
375 % Don't spread staves vertically across last page (default: t)
376 % ragged-last-bottom = ##f
377 % Don't spread staves vertically across the page (default: f)
378 % ragged-bottom = ##t
379 % Allow partial line for last stave (default: f)
382 % To find out what's eating the space at the top...
383 % annotate-spacing = ##t