2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Leaning On The Everlasting Arms" }
14 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
20 % Useful tweak abbreviations (hn = harmony note)
22 hn = #(define-music-function (parser location arg) (ly:music?)
23 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
25 (set! (ly:music-property arg 'tweaks)
26 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
55 \once \override Score.RehearsalMark #'self-alignment-X = #left
56 \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st X unison } }
62 \mark \markup { \override #'(font-family . sans) { \box { B } } }
64 \time 2/4 s2 \time 4/4 | % 20
88 \once \override Score.RehearsalMark #'self-alignment-X = #left
89 \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { bass & drums only } }
93 \once \override Score.RehearsalMark #'self-alignment-X = #left
94 \mark \markup { \italic { full band } }
102 \mark \markup { \override #'(font-family . sans) { \box { D } } }
106 s1*4 \bar "|." % 45-48
113 LeadVox = \relative c''
125 <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 5
126 <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 6
127 <d \hn b>4 <d \hn b> <g \hn b,>8 <fs \hn a,> <g \hn b,> <a \hn c,> | % 7
128 <b \hn d,>8. <b \hn d,>16 ~ <b \hn d,>8 <a \hn d,>8 ~ <a \hn d,>2 | % 8
129 <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 9
130 <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 10
131 <d \hn b>4 <d \hn b> <g \hn c,>8 <fs \hn c> <g \hn c,> <a \hn c,> | % 7
132 <b \hn d,>8. <a \hn d,>16 ~ <a \hn d,>8 <g \hn b,> r2 | % 12
136 <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 13
137 <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a> ~ <e \hn c \hn a>2 | % 14
138 <d \hn b>4 <g \hn b,>8 <fs \hn a,> <g \hn b,>4 <a \hn c,> | % 15
139 <b \hn cs,>8. <b \hn cs,>16 ~ <b \hn cs,>8 <a \hn d,> ~ <a \hn d,>4 r | % 16
140 <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 17
141 <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a' \hn c> ~ <e \hn c \hn a' \hn c>2 | % 18
142 <d \hn g \hn b>4 <d \hn g \hn b> <g \hn e \hn c>8 <fs \hn d \hn c> <g \hn e \hn c> <a \hn fs \hn c> | % 19
143 \time 2/4 <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn g,> ~ \time 4/4 | % 20
145 <g \hn g,>4 r r2 | % 21
159 cs4 cs cs8 b a4 | % 29
161 e4 e a8 gs a b | % 31
162 cs8. cs16 ~ cs8 b ~ b2 | % 32
164 <cs \hn e,>4 <cs \hn e,> <cs \hn e,>8 <b \hn d,> <a \hn cs,>4 | % 33
165 <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn d,> <fs \hn b,>4 | % 34
166 <e \hn cs>4 <e \hn cs> <a \hn fs \hn d>8 <gs \hn e \hn d> <a \hn fs \hn d> <b \hn gs \hn d> | % 35
167 <cs \hn a \hn e>8. <b \hn gs \hn e>16 ~ <b \hn gs \hn e>8 <a \hn e \hn cs> r2 | % 36
171 <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 37
172 <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b> ~ <fs \hn d \hn b>2 | % 38
173 <e \hn cs>4 <a \hn cs,>8 <gs \hn b,> <a \hn cs,>4 <b \hn d,> | % 39
174 <cs \hn ds,>8. <cs \hn ds,>16 ~ <cs \hn ds,>8 <b \hn e,> ~ <b \hn e,>4 r | % 40
175 <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 41
176 <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b' \hn d> ~ <fs \hn d \hn b' \hn d>2 | % 42
177 <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 43
178 <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 44
180 <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 45
181 <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 46
182 e4 e a8 gs a b | % 47
183 cs4 b a2^\fermata | % 48
187 LeadVoxText = \lyricmode
189 What a fel -- low -- ship, what a joy di -- vine,
190 lean -- ing on the e -- ver -- last -- ing _ arms; _
191 What a bless -- ed -- ness, what a peace is mine,
192 lean -- ing on the e -- ver -- last -- ing _ arms.
194 Lea -- _ ning, _ lea -- _ ning, _
195 safe and se -- cure from all a -- _ larms, _
196 Lea -- _ ning, _ lea -- _ ning, _
197 lean -- ing on the e -- ver -- last -- ing _ arms. _
199 What have I to dread, what have I to fear,
200 lean -- ing on the e -- ver -- last -- ing _ arms; _
201 I have bless -- ed peace with my Lord so dear,
202 lean -- ing on the e -- ver -- last -- ing _ arms.
204 Lea -- _ ning, _ lea -- _ ning, _
205 safe and se -- cure from all a -- _ larms, _
206 Lea -- _ ning, _ lea -- _ ning, _
207 lean -- ing on the e -- ver -- last -- ing _ arms. _
209 Lean -- ing on the e -- ver -- last -- ing _ arms. _
210 Lean -- ing on the e -- ver -- last -- ing arms.
213 LeadVoxTextB = \lyricmode
215 Oh how sweet to walk in this pil -- grim way,
216 lean -- ing on the e -- ver -- last -- ing _ arms; _
217 Oh how bright the path grows from day to day,
218 lean -- ing on the e -- ver -- last -- ing _ arms.
249 g4/d d g2 \bar "||" % 12
256 a2:7 d4:sus4 d | % 16
292 b2:7 e4:sus4 e | % 40
310 \numericTimeSignature
311 \override NoteHead #'style = #'slash
345 c8-> c-> r4 r2 | % 22
348 c8-> c-> r4 r2 | % 24
352 c8-> c-> r4 r2 | % 26
355 c8-> c-> r4 r2 | % 28
382 c4-> c-> c2^\fermata | % 48
388 s4_\markup { \italic { bass & drums } } s2. | % 1
390 s4_\markup { \italic { full band } } s2. | % 3
392 s4_\markup { \italic { 1st X bass & drums only } } s2. | % 5
394 s4_\markup { \italic { full band } } s2. | % 13
401 \Global % The "roadmap" that everything else depends on
405 \new Voice = "lead" \LeadVox
406 \new Voice = "riffs" \Riffs
407 \new Lyrics \lyricsto "lead" \LeadVoxText
408 \new Lyrics \lyricsto "lead" \LeadVoxTextB
413 \new ChordNames \Chords
414 \new RhythmicStaff << \StaffC \Dynamics >>
417 \set Score.skipBars = ##t
418 \set Score.melismaBusyProperties = #'()
425 #(define fonts (make-pango-font-tree
431 % Don't spread staves vertically across last page (default: t)
432 % ragged-last-bottom = ##f
433 % Don't spread staves vertically across the page (default: f)
434 % ragged-bottom = ##t
435 % Allow partial line for last stave (default: f)
438 % To find out what's eating the space at the top...
439 % annotate-spacing = ##t