1 % missing: correct dynamics/cue markings
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
13 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Knowing You" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Graham Kendrick" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
42 \mark \markup { \override #'(font-family . sans) { \box { A } } }
44 \time 2/4 s2 \time 4/4 | % 9
49 \mark \markup { \override #'(font-family . sans) { \box { B } } }
56 \time 2/4 s2 \time 4/4 | % 18
63 s1*12 \bar "|." % 20-31
70 LeadVox = \relative c'
79 c4 d8 ( e ) e4 e8 d | % 3
80 c4 a' << { \voiceOne g4. e8 } \context Voice = vb { \voiceTwo s4 \tiny e8 \normalsize s } >> \oneVoice | % 4
83 c4 d8. ( e16 ) e4 e8 d | % 7
89 r4 c'8 g g4. c,8 | % 12
93 g4 b8 c16 f, ~ f4 b8 c | % 15
94 g8 c b c16 f, ~ f4 g8 a | % 16
95 g4 c,8. g'16 ~ g2 | % 17
98 g4 b8 c16 f, ~ f4 b8 c | % 19
100 g8 c b c16 f, ~ f4 b8 c | % 20
101 g4 b8 c16 f, ~ f4 b8 c | % 21
102 g8 c b c16 f, ~ f4 b8 c | % 22
103 g4 b8 c16 f, ~ f4 b8 c | % 23
104 g8 c b c16 f, ~ f4 g8 a | % 24
105 g4 c,8. g'16 ~ g2 ~ | % 25
107 g4 c,8. g'16 ~ g2 ~ | % 27
109 g4 c,8. g'16 ~ g2 ~ | % 29
110 g2-\fermata r4 r8 c, | % 30
111 g'4 c, c2-\fermata | % 31
115 LeadVoxText = \lyricmode
117 All I once held dear, built my life, u -- _ pon,
118 al this world re -- veres, and wants to own,
119 all I once thought gain I have count -- ed _ loss;
120 spent and worth -- less now, com -- pared to this:
122 Know -- ing you, Je -- sus,
124 there is no great -- er thing,
125 you're my all, you're the best, _
126 you're my joy, my right -- eous -- ness, _
127 and I love you, Lord _
131 all, you're the best, _
133 you're my joy, my right -- eous -- ness, _
134 you're my all, you're the best, _
135 you're my joy, my right -- eous -- ness, _
136 you're my all, you're the best, _
137 you're my joy, my right -- eous -- ness, _
139 and I love you, Lord _ _
146 LeadVoxTextB = \lyricmode
148 _ _ heart's de -- sire is to know you _ more,
149 to be found in you be known as yours.
150 To pos -- sess by faith what I could not _ earn.
151 All sur -- pass -- ing gift of right -- eous -- ness.
163 LeadVoxTextC = \lyricmode
165 _ _ know the pow'r of your ri -- sen _ life.
166 And to know you in your suf -- fer -- ings.
167 To be -- come like you in your death my _ Lord,
168 so with you to live and ne -- ver die.
172 Riffs = \relative c''
177 <g c, f,>2.-\fermata \arpeggio s4 | % 1
181 \repeat "percent" 3 % 1 - 6
183 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
184 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
186 << s2. \\ { \tiny d2 c4 } >> | % 7
187 << s2. \\ { \tiny bf2. } >> | % 8
192 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
198 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
204 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
210 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
224 f2.:sus2/a g4/b | % 1
229 f4:sus2/a g:sus2/b c2 | % 3
233 f4:sus2/a g:sus2/b c g/b | % 7
241 f4:sus2/a g:sus2/b c2 | % 12
245 c4:sus2/e s8. f16:sus2/a s2 | % 15
246 c4:sus2/g s8. f16 s2 | % 16
247 c4:sus2/e s8. g16:sus2/a s2 | % 17
250 c4:sus2/e s8. f16 s2 | % 19
252 c4:sus2/g s8. f16:sus2/a s2 | % 20
253 c4:sus2/g s8. f16:sus2/a s2 | % 21
254 c4:sus2/e s8. f16 s2 | % 22
255 c4:sus2/g s8. f16:sus2/a s2 | % 23
256 c4:sus2/g s8. f16 s2 | % 24
257 c4:sus2/e s8. f16 s2 | % 25
259 c4:sus2/e s8. f16 s2 | % 27
261 c4:sus2/g s8. f16:sus2/a s2 | % 29
272 \numericTimeSignature
273 \override NoteHead #'style = #'slash
278 c2.-\fermata c4 | % 1
299 c4 c8. c16 ~ c4 c | % 15
300 c4 c8. c16 ~ c4 c | % 16
301 c4 c8. c16 ~ c2 ~ | % 17
304 c4 c8. c16 ~ c4 c | % 19
306 c4 c8. c16 ~ c4 c | % 20
307 c4 c8. c16 ~ c4 c | % 21
308 c4 c8. c16 ~ c4 c | % 22
309 c4 c8. c16 ~ c4 c | % 23
310 c4 c8. c16 ~ c4 c | % 24
311 c4 c8. c16 ~ c2 ~ | % 25
313 c4 c8. c16 ~ c2 ~ | % 27
315 c4 c8. c16 ~ c2 ~ | % 29
323 % s1_\markup { \italic { Cym. Colors, Hi Gtr, Piano } }
332 s2._\markup { \italic { Sim. } }
344 s2._\markup { \italic { Rit. Last X } }
346 s4_\markup { \italic { snare pat. } } s2 | % 1
347 s4_\markup { \italic { simile } } s2 | % 2
349 s4_\markup { \italic { spacy } } s2 | % 22
353 s4_\markup { \italic { Last time } } s2 | % 51
361 \Global % The "roadmap" that everything else depends on
365 \new Voice = "lead" \LeadVox
366 \new Voice = "riffs" \Riffs
367 \new Lyrics \lyricsto "lead" \LeadVoxText
368 \new Lyrics \lyricsto "lead" \LeadVoxTextB
369 \new Lyrics \lyricsto "lead" \LeadVoxTextC
374 \new ChordNames \Chords
375 \new RhythmicStaff << \StaffC \Dynamics >>
378 \set Score.skipBars = ##t
379 \set Score.melismaBusyProperties = #'()
386 #(define fonts (make-pango-font-tree
392 % Don't spread staves vertically across last page (default: t)
393 % ragged-last-bottom = ##f
394 % Don't spread staves vertically across the page (default: f)
395 % ragged-bottom = ##t
396 % Allow partial line for last stave (default: f)
399 % To find out what's eating the space at the top...
400 % annotate-spacing = ##t