2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus, Draw Me Close" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Rick Founds" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
16 tagline = "Engraved by JLH and Lilypond 2.10.29"
38 \mark \markup { \override #'(font-family . sans) \box { A } }
56 \mark \markup { \override #'(font-family . sans) \box { B } }
57 s1*21 \bar "|." % 27-47
64 LeadVox = \relative c''
74 a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 9
76 bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 11
78 a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 13
79 f8 [ d ] ~ d4 bf'4 a8 [ a ]( | % 14
82 a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 17
84 bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 19
86 d4 d8 [ e ] ~ e4 e8 [ f ] ~ | % 21
87 f8 [ a ] ~ a4 g f8 [ f ] ~ | % 22
98 b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 27
100 c4 a8 [ b ] ~ b4 g8 [ a ] ~ | % 29
102 b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 31
103 g8 [ e ] ~ e4 c'4 b8 [ b ]( | % 32
106 b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 35
108 c4 a8 [ b ] ~ b4 g8 [ a ] ~ | % 37
110 e4 e8 [ fs ] ~ fs4 fs8 [ g ] ~ | % 39
111 g8 [ b ] ~ b4 a g8 [ g ] ~ | % 40
114 e4 e8 [ fs ] ~ fs4 fs8 [ g ] ~ | % 43
115 g8 [ b ] ~ b4 a g8 [ g ] ~ | % 44
121 LeadVoxText = \lyricmode
123 Je- sus draw _ me close _
124 Clo- ser Lord _ to you __ _
125 Let the world _ a- round _ me _ fade a- way __ _ _
126 Je- sus draw _ me close _
127 Clo- ser Lord _ to you __ _
128 For I de- sire _ to wor- _ ship _ and o- bey _
132 Je- sus draw _ me close _
133 Clo- ser Lord _ to you __ _
134 Let the world _ a- round _ me _ fade a- way __ _ _
135 Je- sus draw _ me close _
136 Clo- ser Lord _ to you __ _
137 For I de- sire _ to wor- _ ship _ and o- bey __ _
138 For I de- sire _ to wor- _ ship _ and o- bey __ _
143 % Riff/rhythm figures
145 Riffs = \relative c''
147 \set Voice.autoBeaming = ##f
152 a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 1
154 bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 3
156 d4 d8 [ e ] ~ e4 e8 [ f ] ~ | % 5
157 f8 [ a ] ~ a4 g f8 [ f ] ~ | % 6
163 \voiceThree b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 45
164 g8 [ fs ] ~ fs4 c'8 [ b a g ] | % 46
179 bf4. f2/a c8:sus4 | % 3
181 bf4./d c2/e d8:m7 | % 5
190 bf4. f2/a c8:sus4 | % 11
196 f4. c2/e bf8/d | % 17
198 bf4. f2/a c8:sus4 | % 19
200 bf4./d c2/e d8:m7 | % 21
212 g4. d2/fs c8/e | % 27
214 c4. g2/b d8:sus4 | % 29
216 g4. d2/fs e8:m | % 31
220 g4. d2/fs c8/e | % 35
222 c4. g2/b d8:sus4 | % 37
224 c4./e d2/fs e8:m7 | % 39
228 c4./e d2/fs e8:m7 | % 43
230 g4. d2/fs c8/e | % 45
242 \numericTimeSignature
243 \override NoteHead #'style = #'slash
248 c4. c8 ~ c4. c8 ~ | % 1
250 c4. c8 ~ c4. c8 ~ | % 3
252 c4. c8 ~ c4. c8 ~ | % 5
259 c4. c8 ~ c4. c8 ~ | % 9
261 c4. c8 ~ c4. c8 ~ | % 11
263 c4. c8 ~ c4. c8 ~ | % 13
267 c4. c8 ~ c4. c8 ~ | % 17
269 c4. c8 ~ c4. c8 ~ | % 19
271 c4. c8 ~ c4. c8 ~ | % 21
279 c4 c \< c c \! | % 26
283 c4. c8 ~ c4. c8 ~ | % 27
285 c4. c8 ~ c4. c8 ~ | % 29
287 c4. c8 ~ c4. c8 ~ | % 31
291 c4. c8 ~ c4. c8 ~ | % 35
293 c4. c8 ~ c4. c8 ~ | % 37
295 c4. c8 ~ c4. c8 ~ | % 39
300 c4. c8 ~ c4. c8 ~ | % 43
302 c4. c8 ~ c4. c8 ~ | % 45
304 c4 c c-\markup { \italic { rit. } } c | % 46
312 \Global % The "roadmap" that everything else depends on
316 \new Voice = "lead" \LeadVox
317 \new Voice = "riffs" \Riffs
318 \new Lyrics \lyricsto "lead" \LeadVoxText
321 \new ChoirStaff = "Rhythm"
323 \new ChordNames \Chords
324 \new RhythmicStaff \StaffC
327 \set Score.skipBars = ##t
328 \set Score.melismaBusyProperties = #'()
335 #(define fonts (make-pango-font-tree
341 % Don't spread staves vertically across last page (default: t)
342 % ragged-last-bottom = ##f
343 % Don't spread staves vertically across the page (default: f)
344 % ragged-bottom = ##t
345 % Allow partial line for last stave (default: f)
348 % To find out what's eating the space at the top...
349 % annotate-spacing = ##t