2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Secret" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "A. Park" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
28 LeadVox = \relative c'
30 % \set Voice.autoBeaming = ##f
31 % \set Staff.instrumentName = #"Lead vox"
34 \override Staff.TimeSignature #'style = #'()
36 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
40 \once \override Score.RehearsalMark #'self-alignment-X = #left
41 \mark \markup { \small "16th note rock" }
47 r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2
48 af4 r ef'8. f16 ~ f8 ef | % 3
53 r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4
57 r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6
68 \mark \markup { \override #'(font-family . sans) { \box { A } } }
70 r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9
71 bf16 ( af8. ) ~ af4 r2 | % 10
72 r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11
74 r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13
75 df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14
76 r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15
77 af2. ) r4 \bar "||" % 16
81 \once \override Score.RehearsalMark #'self-alignment-X = #left
82 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
84 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 17
85 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 18
86 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 19
87 <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20
88 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 21
89 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 22
90 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 23
99 af1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \repeatTie \bar "||" % 26
102 af1 \repeatTie | % 27
111 \mark \markup { \override #'(font-family . sans) { \box { C } } }
113 r8 af af ef' ef8. bf16 ~ bf4 | % 30
114 r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 31
115 r8 <af ef'> <af ef'> <ef' af> <ef g>8. <bf g'>16 ~ \set Voice.autoBeaming = ##f
116 <bf g'>8 << { \voiceOne \stemDown \slurDown bf ( | % 32
117 \set Voice.autoBeaming = ##t \stemNeutral \slurNeutral af1 ) } \new Voice = "v" { \voiceThree g'8 ( f8. ef8 ) ~ ef2 } >> \oneVoice | % 33
118 r8 af, af ef' ef8. bf16 ~ bf4 | % 34
119 r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 35
120 r8 <af ef'> <af ef'> <ef' af> <ef g>8. <bf g'>16 ~ <bf g'>4 | % 36
121 r4 <df f af df>2. | % 37
127 \mark \markup { \override #'(font-family . sans) { \box { D } } }
129 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 38
130 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 39
131 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 40
132 <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41
133 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 42
134 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 43
135 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 44
139 \mark \markup { \override #'(font-family . sans) { \box { E } } }
144 r1-\fermata \bar "|." % 49
147 LeadVoxText = \lyricmode
149 Bah bah dah bah bah _ bah, _ doo doo _ doo
150 Bah bah dah bah bah _ bah, _
152 Bah bah dah bah bah _ bah, _
154 In the sec -- _ ret, in the qui -- _ et place, _ _
155 in the still -- _ ness you are _ there. _
156 In the sec -- _ ret, in the qui -- _ et ho -- _ ur I wait _
157 on -- _ ly for you, _
158 ’cause I want _ to know you _ more. __ _
160 I want to know you, _ I want _ to hear your _ voice,
161 I want to know you _ more; _
162 I want to touch you, I want _ to see your _ face,
163 I want to know you more. _
167 I want to know you, _ I want _ to hear your _ voice,
168 I want to know you _ more; _
169 I want to touch you, _ I want _ to see your _ face,
170 I want to know you _ MORE!
172 I want to know you, _ I want _ to hear your _ voice,
173 I want to know you _ more; _
174 I want to touch you, I want _ to see your _ face,
175 I want to know you more. _
178 LeadVoxTextB = \lyricmode
180 _ _ _ _ _ _ _ _ _ _ _ _
184 I am reach -- _ ing for the high -- _ est goal, _ _
185 that I might _ re -- ceive the _ prize. _
186 Press -- ing on -- _ ward, push -- ing ev’ -- _ ry hin -- _ drance a -- side, _
195 \override Staff.TimeSignature #'style = #'()
197 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
202 bf4. af8 ~ af4. af8 | % 2
203 af4. g8 ~ g4. f8 | % 3
211 bf4. af8 ~ af4. af8 | % 44
212 af4. g8 ~ g4. f8 | % 45
215 s1*3 | % 47-48 (plus spacer for coda)
218 bf4. af8 ~ af4. af8 | % 50
219 af4. g8 ~ g4. f8 | % 51
222 bf4. af8 ~ af4. af8 | % 54
223 af4. g8 ~ g4. f8 | % 55
225 r1-\fermata \bar "|." % 57
236 %Bah, can't we set this globally?
246 f8.:m ef df8 s2 | % 3
252 df8. af/c df8 s2 | % 5
259 df8. af/c df8 s2 | % 7
278 f8.:m ef df8 s2 | % 18
280 df8. af/c df8 s2 | % 20
282 f8.:m ef df8 s2 | % 22
288 df8. af/c df8 s2 | % 24
292 df8. af/c df8 s2 | % 26
295 df8. af/c df8 s2 | % 27
311 df8. af/c df af/c df4 | % 37
318 f8.:m ef df8 s2 | % 39
320 df8. af/c df8 s2 | % 41
322 f8.:m ef df8 s2 | % 43
324 df8. af/c df8 s2 | % 45
328 f8.:m ef d8 s2 | % 47
330 df8. af/c df8 s2 | % 49
338 % Use a RhythmicStaff on the chords instead of this?
339 % It almost works, but not quite. Doesn't collapse chords above to single notes...
343 % \set Voice.autoBeaming = ##f
344 % \set Staff.instrumentName = #"Rhythm"
345 \override Staff.TimeSignature #'style = #'()
347 \override NoteHead #'style = #'slash
355 c8 c ~ c4 c8 c ~ c4 | % 2
356 c8.-> c16-> ~ c8 c-> ~ c4 c | % 3
361 c8 c ~ c4 c8 c ~ c4 | % 4
362 c8.-> c16-> ~ c8 c-> ~ c4 c | % 5
365 c8 c ~ c4 c8 c ~ c4 | % 6
369 c8. c16 ~ c8 c ~ c4 c | % 7
370 c4 c c c \bar "||:" % 8
383 c4 c c c \bar "||" % 16
387 c8 c ~ c4 c8 c ~ c4 | % 17
388 c8.-> c16-> ~ c8 c-> ~ c4 c | % 18
389 c8 c ~ c4 c8 c ~ c4 | % 19
390 c8.-> c16-> ~ c8 c-> ~ c4 c | % 20
391 c8 c ~ c4 c8 c ~ c4 | % 21
392 c8.-> c16-> ~ c8 c-> ~ c4 c | % 22
393 c8 c ~ c4 c8 c ~ c4 | % 23
398 c8.-> c16-> ~ c8 c-> ~ c4 c | % 24
402 c8.-> c16-> ~ c8 c-> ~ c4 c | % 26
405 c8.-> c16-> ~ c8 c-> ~ c4 c | % 27
421 c8.-> c16-> ~ c8 c-> ~ c16 c8.-> c4-> | % 37
427 c8 c ~ c4 c8 c ~ c4 | % 38
428 c8.-> c16-> ~ c8 c-> ~ c4 c | % 39
429 c8 c ~ c4 c8 c ~ c4 | % 40
430 c8.-> c16-> ~ c8 c-> ~ c4 c | % 41
431 c8 c ~ c4 c8 c ~ c4 | % 42
432 c8.-> c16-> ~ c8 c-> ~ c4 c | % 43
433 c8 c ~ c4 c8 c ~ c4 | % 44
434 c8.-> c16-> ~ c8 c-> ~ c4 c | % 45
437 c8 c ~ c4 c8 c ~ c4 | % 46
438 c8.-> c16-> ~ c8 c-> ~ c4 c | % 47
439 c8 c ~ c4 c8 c ~ c4 | % 48
440 c8.-> c16-> ~ c8 c-> ~ c2-\fermata \bar "|." % 49
446 s4_\markup { \italic { drum fill } } s2. | % 1
449 s4_\markup { \italic { drum AND BASS fill } } s2. | % 8
455 s4_\markup { \italic { drum AND BASS fill } } s2. | % 25
461 s4_\f s s \< s | % 37
465 s4 s \< s \! s | % 28
466 s4_\markup { \italic { add backbeat } } s2. | % 29
468 s4 s \< s \! s | % 48
470 s2 s_\markup { \italic { rit. } } | % 56
479 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
480 \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
481 \new Lyrics \lyricsto "lead" \LeadVoxText
482 \new Lyrics \lyricsto "lead" \LeadVoxTextB
485 \new ChoirStaff = "Rhythm"
487 \new ChordNames = "chords" \Chords
488 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
491 \set Score.skipBars = ##t
492 \set Score.melismaBusyProperties = #'()
499 #(define fonts (make-pango-font-tree
505 % Don't spread staves vertically across last page (default: t)
506 % ragged-last-bottom = ##f
507 % Don't spread staves vertically across the page (default: f)
508 % ragged-bottom = ##t
509 % Allow partial line for last stave (default: f)
512 % To find out what's eating the space at the top...
513 % annotate-spacing = ##t
514 %let's try this: [It works! Huzzah!]
515 obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)