2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Secret" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "A. Park" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
34 \once \override Score.RehearsalMark #'self-alignment-X = #left
35 \mark \markup { \small "16th note rock" }
53 s1*2 \bar ".|:-||" % 7-8
59 \mark \markup { \override #'(font-family . sans) { \box { A } } }
64 \once \override Score.RehearsalMark #'self-alignment-X = #left
65 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
75 s1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \bar "||" % 26
82 s1*2 \bar "||" % 28-29
86 \mark \markup { \override #'(font-family . sans) { \box { C } } }
93 \mark \markup { \override #'(font-family . sans) { \box { D } } }
97 \mark \markup { \override #'(font-family . sans) { \box { E } } }
98 s1*4 \bar "|." % 46-49
105 LeadVox = \relative c'
115 r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2
116 af4 r ef'8. f16 ~ f8 ef | % 3
121 r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4
125 r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6
134 r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9
135 bf16 ( af8. ) ~ af4 r2 | % 10
136 r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11
138 r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13
139 df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14
140 r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15
141 af2. ) r4 \bar "||" % 16
145 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 17
146 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 18
147 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 19
148 <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20
149 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 21
150 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 22
151 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 23
156 af1 \repeatTie | % 26
158 af1 \repeatTie | % 27
164 r8 af af ef' ef8. bf16 ~ bf4 | % 30
165 r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 31
166 r8 <af ef'> <af ef'> <ef' af> <ef g>8. <bf g'>16 ~ \set Voice.autoBeaming = ##f
167 <bf g'>8 << { \voiceOne \stemDown \slurDown bf ( | % 32
168 \set Voice.autoBeaming = ##t \stemNeutral \slurNeutral af1 ) } \new Voice = "v" { \voiceThree g'8 ( f8. ef8 ) ~ ef2 } >> \oneVoice | % 33
169 r8 af, af ef' ef8. bf16 ~ bf4 | % 34
170 r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 35
171 r8 <af ef'> <af ef'> <ef' af> <ef g>8. <bf g'>16 ~ <bf g'>4 | % 36
172 r4 <df f af df>2. | % 37
176 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 38
177 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 39
178 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 40
179 <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41
180 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 42
181 r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 43
182 r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 44
190 LeadVoxText = \lyricmode
192 Bah bah dah bah bah _ bah, _ doo doo _ doo
193 Bah bah dah bah bah _ bah, _
195 Bah bah dah bah bah _ bah, _
197 In the sec -- _ ret, in the qui -- _ et place, _ _
198 in the still -- _ ness you are _ there. _
199 In the sec -- _ ret, in the qui -- _ et ho -- _ ur I wait _
200 on -- _ ly for you, _
201 ’cause I want _ to know you _ more. __ _
203 I want to know you, _ I want _ to hear your _ voice,
204 I want to know you _ more; _
205 I want to touch you, I want _ to see your _ face,
206 I want to know you more. _
210 I want to know you, _ I want _ to hear your _ voice,
211 I want to know you _ more; _
212 I want to touch you, _ I want _ to see your _ face,
213 I want to know you _ MORE!
215 I want to know you, _ I want _ to hear your _ voice,
216 I want to know you _ more; _
217 I want to touch you, I want _ to see your _ face,
218 I want to know you more. _
221 LeadVoxTextB = \lyricmode
223 _ _ _ _ _ _ _ _ _ _ _ _
227 I am reach -- _ ing for the high -- _ est goal, _ _
228 that I might _ re -- ceive the _ prize. _
229 Press -- ing on -- _ ward, push -- ing ev’ -- _ ry hin -- _ drance a -- side, _
239 bf4. af8 ~ af4. af8 | % 2
240 af4. g8 ~ g4. f8 | % 3
248 bf4. af8 ~ af4. af8 | % 44
249 af4. g8 ~ g4. f8 | % 45
252 s1*3 | % 47-48 (plus spacer for coda)
255 bf4. af8 ~ af4. af8 | % 50
256 af4. g8 ~ g4. f8 | % 51
259 bf4. af8 ~ af4. af8 | % 54
260 af4. g8 ~ g4. f8 | % 55
262 r1-\fermata \bar "|." % 57
277 f8.:m ef df8 s2 | % 3
280 df8. af/c df8 s2 | % 5
284 df8. af/c df8 s2 | % 7
301 f8.:m ef df8 s2 | % 18
303 df8. af/c df8 s2 | % 20
305 f8.:m ef df8 s2 | % 22
308 df8. af/c df8 s2 | % 24
311 df8. af/c df8 s2 | % 26
313 df8. af/c df8 s2 | % 27
327 df8. af/c df af/c df4 | % 37
332 f8.:m ef df8 s2 | % 39
334 df8. af/c df8 s2 | % 41
336 f8.:m ef df8 s2 | % 43
338 df8. af/c df8 s2 | % 45
341 f8.:m ef d8 s2 | % 47
343 df8. af/c df8 s2 | % 49
352 \numericTimeSignature
353 \override NoteHead #'style = #'slash
360 c8 c ~ c4 c8 c ~ c4 | % 2
361 c8.-> c16-> ~ c8 c-> ~ c4 c | % 3
363 c8 c ~ c4 c8 c ~ c4 | % 4
364 c8.-> c16-> ~ c8 c-> ~ c4 c | % 5
366 c8 c ~ c4 c8 c ~ c4 | % 6
368 c8. c16 ~ c8 c ~ c4 c | % 7
384 c8 c ~ c4 c8 c ~ c4 | % 17
385 c8.-> c16-> ~ c8 c-> ~ c4 c | % 18
386 c8 c ~ c4 c8 c ~ c4 | % 19
387 c8.-> c16-> ~ c8 c-> ~ c4 c | % 20
388 c8 c ~ c4 c8 c ~ c4 | % 21
389 c8.-> c16-> ~ c8 c-> ~ c4 c | % 22
390 c8 c ~ c4 c8 c ~ c4 | % 23
392 c8.-> c16-> ~ c8 c-> ~ c4 c | % 24
395 c8.-> c16-> ~ c8 c-> ~ c4 c | % 26
397 c8.-> c16-> ~ c8 c-> ~ c4 c | % 27
411 c8.-> c16-> ~ c8 c-> ~ c16 c8.-> c4-> | % 37
415 c8 c ~ c4 c8 c ~ c4 | % 38
416 c8.-> c16-> ~ c8 c-> ~ c4 c | % 39
417 c8 c ~ c4 c8 c ~ c4 | % 40
418 c8.-> c16-> ~ c8 c-> ~ c4 c | % 41
419 c8 c ~ c4 c8 c ~ c4 | % 42
420 c8.-> c16-> ~ c8 c-> ~ c4 c | % 43
421 c8 c ~ c4 c8 c ~ c4 | % 44
422 c8.-> c16-> ~ c8 c-> ~ c4 c | % 45
424 c8 c ~ c4 c8 c ~ c4 | % 46
425 c8.-> c16-> ~ c8 c-> ~ c4 c | % 47
426 c8 c ~ c4 c8 c ~ c4 | % 48
427 c8.-> c16-> ~ c8 c-> ~ c2-\fermata | % 49
433 s4_\markup { \italic { drum fill } } s2. | % 1
436 s4_\markup { \italic { drum AND BASS fill } } s2. | % 8
442 s4_\markup { \italic { drum AND BASS fill } } s2. | % 25
448 s4_\f s s \< s | % 37
456 \Global % The "roadmap" that everything else depends on
460 \new Voice = "lead" \LeadVox
461 \new Voice = "riffs" \Riffs
462 \new Lyrics \lyricsto "lead" \LeadVoxText
463 \new Lyrics \lyricsto "lead" \LeadVoxTextB
468 \new ChordNames \Chords
469 \new RhythmicStaff << \StaffC \Dynamics >>
472 \set Score.skipBars = ##t
473 \set Score.melismaBusyProperties = #'()
480 #(define fonts (make-pango-font-tree
486 % Don't spread staves vertically across last page (default: t)
487 % ragged-last-bottom = ##f
488 % Don't spread staves vertically across the page (default: f)
489 % ragged-bottom = ##t
490 % Allow partial line for last stave (default: f)
493 % To find out what's eating the space at the top...
494 % annotate-spacing = ##t