2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Never Be (The Same Again)" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Geoff Bullock" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
40 \mark \markup { \override #'(font-family . sans) \box { A } }
55 \once \override Score.RehearsalMark #'self-alignment-X = #left
56 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
59 \time 2/4 s2 \time 4/4 | % 19
61 \once \override Score.RehearsalMark #'self-alignment-X = #right
62 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
67 \mark \markup { \override #'(font-family . sans) \box { C } }
68 s1*8 \bar "||" % 21-28
70 \once \override Score.RehearsalMark #'self-alignment-X = #right
71 \mark \markup { \italic { D.S. al Coda } }
73 % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
74 \stopStaff s1 \startStaff
75 \set Score.currentBarNumber = #29
77 \once \override Score.RehearsalMark #'self-alignment-X = #left
78 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
82 s1*8 \bar "||" % 29-36
88 \mark \markup { \override #'(font-family . sans) \box { D } }
89 s1*14 \bar "|." % 37-50
96 LeadVox = \relative c'
106 r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
108 r8 d,16 d d e fs e ~ e4 r8 a | % 5
109 a8 e4 fs8 ~ fs4 r | % 6
110 r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
111 b8 a4 a8 ~ a4 r8 fs | % 8
112 d4 fs8 fs16 e ~ e4. d16 cs | % 9
114 d4 cs8 d ~ d4 r | % 10
116 d4 cs8 d ~ d4 r | % 11
120 g8 g4 g8 ~ g4. a8 ~ | % 12
121 a8 e4 fs8 ~ fs2 | % 13
122 g8 g g g16 b ~ b b4. b16 | % 14
123 a8 e fs fs ~ fs4 r | % 15
124 f8 f16 f ~ f f g8 ~ g8. g16 ~ g4 | % 16
125 g8 g16 g ~ g f a8 ~ a4 r8 fs | % 17
126 d8 d16 b' ~ b8 a ~ a4 r8 fs | % 18
127 g8 fs16 g ~ g b8. ( | % 19
132 r8 fs16 fs fs fs g8 ~ g4 r4 | % 21
133 r8 g16 g b8 a ~ a a4 r16 fs | % 22
134 d16 d b d ~ d fs8 e16 ~ e4 r8 a | % 23
135 a8 e4 fs8 ~ fs4 r8 r16 d | % 24
136 fs8 fs g g ~ g4 r8 b ~ | % 25
137 b8 a4 a8 ~ a4 r8 fs | % 26
138 d4 fs8 fs16 e ~ e4. d16 cs | % 27
139 d4 cs8 d ~ d4 r | % 28
141 s1 % blank bar for coda
145 r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 29
146 b4 a8 a ~ a4 r | % 30
147 r8 d,16 d d e fs e ~ e4 r8 a | % 31
148 a8 e4 fs8 ~ fs4 r | % 32
149 r8 fs16 fs fs fs g8 ~ g4 r8 b | % 33
150 b8 a4 a8 ~ a4 r8 fs | % 34
151 d4 fs8 fs16 e ~ e4. d16 cs | % 35
152 d4 cs8 d ~ d4 r | % 36
156 r8 g16 g g g af8 ~ af4 r8 r16 af | % 37
157 c4 bf8 bf ~ bf4 r | % 38
158 r8 ef,16 ef ef f g f ~ f4 r8 bf | % 39
159 bf8 f4 g8 ~ g4 r | % 40
160 r8 g16 g g af af8 ~ af4 r8 c | % 41
161 c8 bf4 bf8 ~ bf4 r8 g | % 42
162 ef4 g8 g16 f ~ f4. ef16 d | % 43
163 ef4 d8 ef ~ ef4 r8 g | % 44
165 ef4 g8 g16 f ~ f4. ef16 d | % 45
166 ef4 d8 ef ~ ef4 r8 g | % 46
167 ef4 g8 g16 f ~ f4. ef16 d | % 47
169 \voiceTwo { ef2 r2 } \oneVoice | % 49
174 LeadVoxText = \lyricmode
176 I will ne -- ver be _ the same a -- gain, _
177 I can ne -- ver re -- turn, _ I’ve closed the door; _
178 I will walk the path, _ I’ll run the race, _
179 And I will ne -- ver _ be the same a -- again. _
183 Fall like fire, _ soak _ like rain, _
184 Flow like migh -- ty wa -- _ ters a -- gain and a -- gain. _
185 Sweep a -- way _ the dark -- _ ness, _ burn a -- way _ the chaff, _
186 And let a flame _ burn _ to glo -- ri -- fy _ your _ name!
188 There are high -- er heights, _ there are deep -- er _ seas;
189 What -- e -- ver you want _ to do, _ Lord do in me. _
190 The glo -- ry of God _ fills _ my life _
191 And I will ne -- ver _ be the same a -- again. _
193 I will ne -- ver be _ the same a -- gain, _
194 I can ne -- ver re -- turn, _ I’ve closed the door; _
195 I will walk the path, _ I’ll run the race, _
196 And I will ne -- ver _ be the same a -- again. _
198 I will ne -- ver be _ the same a -- gain, _
199 I can ne -- ver re -- turn, _ I’ve closed the door; _
200 I will walk the path, _ I’ll run the race, _
201 And I will ne -- ver _ be the same a -- again. _
203 And I will ne -- ver _ be the same a -- again. _
204 And I will ne -- ver _ be the same a -- again. _
213 d4 fs8 fs16 e ~ e4. d16 cs | % 1
222 \voiceOne { r8 g16 g g g af8 ~ af2 } \oneVoice | % 49
223 c8 bf4. g2-\fermata | % 50
236 g4/b a8/cs d2 s8 | % 2
241 g4/b a8/cs d2 s8 | % 4
243 g8/b a4/cs d4. a4:sus4 | % 6
245 g8 a4 d4. d4/fs | % 8
248 g4/b a8/cs d4. a4:sus4 | % 10
250 g4/b a8/cs d2 s8 | % 11
254 c4. g2/b a8:sus4 | % 12
255 s8 a4/cs d2 s8 | % 13
257 a4:sus4 a8/cs d4. d4/c | % 15
259 a4.:m7 d2/a s8 | % 17
260 e4.:m11 d2/fs s8 | % 18
267 g8/b a4/cs d2 s8 | % 22
269 g8/b a4/cs d4. a4:sus4 | % 24
270 d4. e2:m11 g8/b | % 25
271 s8 a4/cs d4. d4/fs | % 26
273 g4/b a8/cs d2 s8 | % 28
280 g4/b a8/cs d2 s8 | % 30
282 g8/b a4/cs d4. a4:sus4 | % 32
284 g8 a4 d4. d4/fs | % 34
286 g4/b a8/cs d4. bf4 | % 36
290 ef4. af2/ef s8 | % 37
291 af4/c bf8/d ef2 s8 | % 38
293 af8/c bf4/d ef4. bf4:sus4 | % 40
294 ef4. f2:m11 s8 | % 41
295 af8/c bf4/d ef4. ef4/g | % 42
297 af4/c bf8/d ef4. ef4/g | % 44
299 af4/c bf8/d ef2 s8 | % 46
302 ef4. af2/ef s8 | % 49
303 af8/c bf4./d ef2 | % 50
312 \numericTimeSignature
313 \override NoteHead #'style = #'slash
325 c4 ~ c8. c16 ~ c4 c | % 5
326 c8 c4 c8 ~ c4 c | % 6
328 c8 c4 c8 ~ c4 c | % 8
331 c4 c8 c ~ c4 c-> | % 10
333 c4 c8 c ~ c4 c | % 11
337 c4.-> c8-> ~ c4. c8-> ~ | % 12
338 c8 c4 c8 ~ c4 c | % 13
339 c4 c8. c16 ~ c4 c | % 14
340 c4 c8 c-> ~ c4 c | % 15
341 c4. c8-> ~ c4 c | % 16
343 c4.-> c8-> ~ c4 c | % 18
350 c8 c4 c8 ~ c4 c | % 22
351 c4 c8. c16 ~ c4 c | % 23
352 c8 c4 c8 ~ c4 c | % 24
353 c4. c8 ~ c4. c8 ~ | % 25
354 c8 c4 c8 ~ c4 c | % 26
356 c4 c8 c ~ c4 c | % 28
358 % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
359 \stopStaff s1 \startStaff
364 c4 c8 c ~ c4 c | % 30
365 c4 c8. c16 ~ c4 c | % 31
366 c8 c4 c8 ~ c4 c | % 32
368 c8 c4 c8 ~ c4 c | % 34
370 c4 c8 c ~ c4 c | % 36
374 c4. c8-> ~ c4 c | % 37
375 c4 c8 c-> ~ c4 c | % 38
376 c4 c8. c16 ~ c4 c | % 39
377 c8 c4-> c8-> ~ c4 c | % 40
379 c8 c4-> c8-> ~ c4 c | % 42
381 c4 c8 c ~ c4 c | % 44
383 c4 c8 c ~ c4 c | % 46
387 c8 c4. c2-\fermata | % 50
411 s8 s_\markup { \italic { rit. } } s2. | % 50
418 \Global % The "roadmap" that everything else depends on
422 \new Voice = "lead" \LeadVox
423 \new Voice = "riffs" \Riffs
424 \new Lyrics \lyricsto "lead" \LeadVoxText
429 \new ChordNames \Chords
430 \new RhythmicStaff << \StaffC \Dynamics >>
433 \set Score.skipBars = ##t
434 \set Score.melismaBusyProperties = #'()
441 #(define fonts (make-pango-font-tree
447 % Don't spread staves vertically across last page (default: t)
448 % ragged-last-bottom = ##f
449 % Don't spread staves vertically across the page (default: f)
450 % ragged-bottom = ##t
451 % Allow partial line for last stave (default: f)
454 % To find out what's eating the space at the top...
455 % annotate-spacing = ##t