2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I See The Lord" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Chris Falson" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
19 % Let's try a chord dictionary
20 % subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
23 % Useful tweak abbreviations (hn = harmony note)
25 hn = #(define-music-function (parser location arg) (ly:music?)
26 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
28 (set! (ly:music-property arg 'tweaks)
29 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
43 \once \override TextScript #'padding = #2.0
44 s1*0^\markup { \large \bold { Moderately } }
46 % s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
50 s1*4 \bar ".|:-||" % 1-4
56 \mark \markup { \override #'(font-family . sans) { \box { A } } }
59 s1*8 \bar "||" % 13-20
63 \mark \markup { \override #'(font-family . sans) { \box { B } } }
79 s1*15 \bar "|." % 38-52
86 LeadVox = \relative c'
96 e8 e e fs ~ fs4 r | % 5
97 a4 a8 gs ~ gs e4 cs8 ~ | % 6
99 e4. ( fs8 ) fs4 r8 b,16 b | % 8
100 e8 e e fs ~ fs2 | % 9
101 a4 a8 gs ~ gs fs e4 | % 10
105 b'4. gs8 ~ gs e4 fs8 ~ | % 13
107 b'4. gs8 ~ gs e4 fs8 ~ | % 15
109 b'4. a8 ~ a gs4 fs8 ( | % 17
116 <e \hn b \hn gs>4. <e \hn b \hn gs>8 ~ <e \hn b \hn gs>2 | % 21
117 <fs \hn cs \hn a>4. <fs \hn cs \hn a>8 ~ <fs \hn cs \hn a>2 | % 22
118 <gs \hn e \hn b>4. <gs \hn e \hn b>8 ~ <gs \hn e \hn b>2 | % 23
119 <a \hn fs \hn cs>4. <a \hn fs \hn cs>8 ~ <a \hn fs \hn cs>2 | % 24
120 b4. ( e,8 ) e2 | % 25
125 <e \hn b \hn gs>4. <e \hn b \hn gs>8 ~ <e \hn b \hn gs>2 | % 29
126 <fs \hn cs \hn a>4. <fs \hn cs \hn a>8 ~ <fs \hn cs \hn a>2 | % 30
127 <gs \hn e \hn b>4. <gs \hn e \hn b>8 ~ <gs \hn e \hn b>2 | % 31
128 <a \hn fs \hn cs>4. <a \hn fs \hn cs>8 ~ <a \hn fs \hn cs>2 | % 32
129 b4. ( e,8 ) e2 | % 33
137 <e \hn b \hn gs>4. <e \hn b \hn gs>8 ~ <e \hn b \hn gs>2 | % 38
138 <fs \hn cs \hn a>4. <fs \hn cs \hn a>8 ~ <fs \hn cs \hn a>2 | % 39
139 <gs \hn e \hn b>4. <gs \hn e \hn b>8 ~ <gs \hn e \hn b>2 | % 40
140 <a \hn fs \hn cs>4. <a \hn fs \hn cs>8 ~ <a \hn fs \hn cs>2 | % 41
141 b4. ( e,8 ) e2 | % 42
146 <e \hn b \hn gs>4. <e \hn b \hn gs>8 ~ <e \hn b \hn gs>2 | % 46
147 <fs \hn cs \hn a>4. <fs \hn cs \hn a>8 ~ <fs \hn cs \hn a>2 | % 47
148 <gs \hn e \hn b>4. <gs \hn e \hn b>8 ~ <gs \hn e \hn b>2 | % 48
149 <a \hn fs \hn cs>4. <a \hn fs \hn cs>8 ~ <a \hn fs \hn cs>2 | % 49
150 b4. ( e,8 ) e2 | % 50
155 LeadVoxText = \lyricmode
157 I see the Lord, _ seat -- ed on _ the throne, _
159 and the train of his robe, _ fills the tem -- _ ple
162 And the whole earth _ is filled, _
163 and the whole earth _ is filled, _
164 and the whole earth _ is filled _
167 Ho -- ly, _ Ho -- ly, _ Ho -- ly, _ Ho -- ly, _
168 Ho -- _ ly is the Lord, _
169 Ho -- ly, _ Ho -- ly, _ Ho -- ly, _ Ho -- ly, _
170 Ho -- _ ly is _ the Lord.
174 Ho -- ly, _ Ho -- ly, _ Ho -- ly, _ Ho -- ly, _
175 Ho -- _ ly is the Lord, _
176 Ho -- ly, _ Ho -- ly, _ Ho -- ly, _ Ho -- ly, _
177 Ho -- _ ly is _ the Lord.
186 \repeat percent 4 { e8_\markup { \italic { bass figure } } e e e e e e e } | % 1-4
199 s4. fs8:m7/e s2 | % 2
201 s4. fs8:m7/e s2 | % 4
206 fs4.:m7 e2/gs a8 | % 6
210 fs4.:m7 e8/gs s2 | % 10
214 e2../b fs8:m7/b | % 13
216 e2../b fs8:m7/b | % 15
218 e4./gs cs2:m7 a8 | % 17
230 fs2.:m7 cs4:m7 | % 26
242 fs4.:m7 a8/b s2 | % 36
253 fs2.:m7 cs4:m7 | % 43
272 \numericTimeSignature
273 \override NoteHead #'style = #'slash
286 c4. c8 ~ c4. c8 ~ | % 6
294 c4. c8 ~ c4. c8 ~ | % 13
296 c4. c8 ~ c4. c8 ~ | % 15
298 c4. c8 ~ c4. c8 ~ | % 17
351 s4_\markup { \italic { snare pat. } } s2 | % 1
352 s4_\markup { \italic { simile } } s2 | % 2
354 s4_\markup { \italic { spacey } } s2 | % 22
358 s4_\markup { \italic { Last time } } s2 | % 51
366 \Global % The "roadmap" that everything else depends on
367 \set Score.skipBars = ##t
368 \set Score.melismaBusyProperties = #'()
372 \new Voice = "lead" \LeadVox
374 \new Lyrics \lyricsto "lead" \LeadVoxText
379 \new ChordNames \Chords
381 % \new ChordNames \transpose b g \Chords
382 \new RhythmicStaff << \Rhythm \Dynamics >>
390 #(define fonts (make-pango-font-tree
396 % Spread staves vertically across last page (default: t)
397 % ragged-last-bottom = ##f
398 % Don't spread staves vertically across the page (default: f)
399 % ragged-bottom = ##t
400 % Allow partial line for last stave (default: f)
403 % To find out what's eating the space at the top...
404 % annotate-spacing = ##t