2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Have Decided To Follow Jesus" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
17 % Let's try a chord dictionary
19 \override #'(font-family . sans) \override #'(baseline-skip . 2) {
20 \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " "
21 \center-column { \concat{"B7" \chordSharp "9"} \fret-diagram-terse #"x;2;1;2;3;x;" } " "
22 \center-column { \concat{"B" \chordFlat "maj7"} \fret-diagram-terse #"x;1;3;2;3;x;" } " "
23 \center-column { "A7sus4" \fret-diagram-terse #"x;o;2;o;3;x;" } " "
24 \center-column { \concat{"F" \chordSharp "7" \chordSharp "5"} \fret-diagram-terse #"2;x;2;3;3;x;" } " "
25 \center-column { \concat{"A" \chordFlat "7" \chordFlat "5"} \fret-diagram-terse #"4;5;4;5;x;x;" } " "
26 \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " "
27 \center-column { \concat{"C" \chordSharp "m11"} \fret-diagram-terse #"x;4;4;4;5;4;" } " "
28 \center-column { \concat{"F" \chordSharp "7" \chordSharp "9"} \fret-diagram-terse #"2;4;2;3;2;5;" } }
50 \mark \markup { \override #'(font-family . sans) { \box { A } } }
70 % \once \override Score.RehearsalMark #'self-alignment-X = #left
71 \mark \markup { \override #'(font-family . sans) { \box { B } } } %\small \italic { Women 8vb throughout } }
78 % \once \override Score.RehearsalMark #'self-alignment-X = #left
79 \mark \markup { \override #'(font-family . sans) { \box { C } } } % \small \italic { On cue } }
89 LeadVox = \relative c'
106 a4. a8 ~ a8 r8 r4 | % 9
108 fs4. d8 ~ d8 r8 r4 | % 11
110 d4. d8 ~ d8 r8 r4 | % 13
112 b4. a8 ~ a8 r8 r4 | % 15
115 a4. a8 ~ a8 r8 r4 | % 17
117 fs4. d8 ~ d8 r8 r4 | % 19
156 LeadVoxText = \lyricmode
158 I have de- ci- ded _ to fol- low Je- sus _
159 I have de- ci- ded _ to fol- low Je- sus _
160 I have de- ci- ded _ to fol- low Je- sus _
161 No tur- ning back, no tur- ning back.
167 No tur- ning back! No tur- ning back!
168 No tur- ning back! No tur- ning back!
172 LeadVoxTextB = \lyricmode
174 _ _ _ with me, _ still I will fol- low _
175 Though none go with me, _ still I will fol- low _
176 Though none go with me, _ still I will fol- low _
177 No tur- ning back, no tur- ning back.
182 LeadVoxTextC = \lyricmode
184 _ _ _ hind me, _ the cross be- fore me _
185 The world be- hind me, _ the cross be- fore me _
186 The world be- hind me, _ the cross be- fore me _
187 No tur- ning back, no tur- ning _
203 c4.:9 b2:7.9+ bf8:7+ | % 1
204 s4. a2:sus4.7 c8:9 | % 2
205 s4. b2:7.9+ bf8:7+ | % 3
206 s4. a2:sus4.7 c8:9 | % 4
207 s4. b2:7.9+ bf8:7+ | % 5
208 s4. a2:sus4.7 c8:9 | % 6
209 s4. b2:7.9+ bf8:7+ | % 7
210 s4. a2:sus4.7 s8 | % 8
216 d2..:7+ fs8:aug7 | % 11
218 g4.:7+ d2:/fs e8:m7 | % 13
219 s4. a2:sus4.7 s8 | % 14
220 d2..:7+ g8:m/a | % 15
223 d2..:7+ cs8:m11 | % 17
224 s4. fs2:7.9+ b8:m7 | % 18
230 s4. b2:7.9+ bf8:7+ | % 23
231 s4. a2:sus4.7 c8:9 | % 24
232 s4. b2:7.9+ bf8:7+ | % 25
233 s4. a2:sus4.7 s8 | % 26
235 s4. b2:7.9+ bf8:7+ | % 27
236 s4. a2:sus4.7 c8:9 | % 28
237 s4. b2:7.9+ bf8:7+ | % 29
239 s4 a:sus4.7 s2 | % 30
243 d2..:7+ af8:7.5- | % 31
247 e2..:m7 a8:sus4.7 | % 35
249 c4.:9 b2:7.9+ bf8:7+ | % 37
250 s4. a2:sus4.7 s8 | % 38
254 c4.:9 b2:7.9+ bf8:7+ | % 39
255 s4. a2:sus4.7 c8:9 | % 40
256 s4. b2:7.9+ bf8:7+ | % 41
257 s4. a2:sus4.7 c8:9 | % 42
258 s4. b2:7.9+ bf8:7+ | % 43
259 s4. a2:sus4.7 s8 | % 44
269 \numericTimeSignature
270 \override NoteHead #'style = #'slash
275 c4. c8 ~ c4. c8 ~ | % 1
276 c4. c8 ~ c4. c8 ~ | % 2
277 c4. c8 ~ c4. c8 ~ | % 3
278 c4. c8 ~ c4. c8 ~ | % 4
279 c4. c8 ~ c4. c8 ~ | % 5
280 c4. c8 ~ c4. c8 ~ | % 6
281 c4. c8 ~ c4. c8 ~ | % 7
290 c4. c8 ~ c4. c8 ~ | % 13
296 c4. c8 ~ c4. c8 ~ | % 18
302 c4. c8 ~ c4. c8 ~ | % 23
303 c4. c8 ~ c4. c8 ~ | % 24
304 c4. c8 ~ c4. c8 ~ | % 25
307 c4. c8 ~ c4. c8 ~ | % 27
308 c4. c8 ~ c4. c8 ~ | % 28
309 c4. c8 ~ c4. c8 ~ | % 29
321 c4. c8 ~ c4. c8 ~ | % 37
326 c4. c8 ~ c4. c8 ~ | % 39
327 c4. c8 ~ c4. c8 ~ | % 40
328 c4. c8 ~ c4. c8 ~ | % 41
329 c4. c8 ~ c4. c8 ~ | % 42
330 c4. c8 ~ c4. c8 ~ | % 43
338 s1_\markup { \small \italic { Ac. guitar } } | % 1
340 s1_\markup { \small \italic { Guitar II in } } | % 3
342 s1_\markup { \small \italic { Bass in } } | % 5
344 s1_\markup { \small \italic { Drums in } } | % 7
348 s4_\markup { \small \italic { Women 8vb throughout } } s2. | % 30
355 s4_\markup { \small \italic { On cue } } s2. | % 39
357 s4_\markup { \small \italic { rit. } } s2. | % 43
364 \Global % The "roadmap" that everything else depends on
368 \new Voice = "lead" \LeadVox
369 \new Lyrics \lyricsto "lead" \LeadVoxText
370 \new Lyrics \lyricsto "lead" \LeadVoxTextB
371 \new Lyrics \lyricsto "lead" \LeadVoxTextC
376 % \new Staff = "riff" \RhythmB
377 \new ChordNames \Chords
378 \new RhythmicStaff << \Rhythm \Dynamics >>
381 \set Score.skipBars = ##t
382 \set Score.melismaBusyProperties = #'()
389 #(define fonts (make-pango-font-tree
395 % Don't spread staves vertically across last page (default: t)
396 % ragged-last-bottom = ##f
397 % Don't spread staves vertically across the page (default: f)
398 % ragged-bottom = ##t
399 % Allow partial line for last stave (default: f)
402 % To find out what's eating the space at the top...
403 % annotate-spacing = ##t