2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
14 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "He Who Began A Good Work In You" }
15 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Words & music by Andre Crouch" }
16 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Shamus Hammons" }
17 tagline = "Engraved by JLH and Lilypond 2.8.2"
33 s1^"Moderately, not too slow" | % 1
48 \once \override Score.RehearsalMark #'self-alignment-X = #left
49 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
53 s2... \once \override Score.RehearsalMark #'self-alignment-X = #right
54 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" } s16 | % 19
64 \mark \markup { \override #'(font-family . sans) { \box { B } } }
68 \once \override Score.RehearsalMark #'self-alignment-X = #right
75 \stopStaff s1 \startStaff
77 \set Score.currentBarNumber = #41
79 \once \override Score.RehearsalMark #'self-alignment-X = #left
80 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
84 \mark \markup { \override #'(font-family . sans) { \box { C } } }
111 LeadXvoxA = \relative c'
121 \stemUp a'4. gs8 ~ gs4 r8 e | % 7
122 fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 8
125 a4. gs8 ~ gs4 r8 e | % 11
126 fs [ gs ] a [ b ~ ] b gs4 \stemDown cs8 ~ | % 12
128 cs2 r8 b cs [ d ~ ] | % 14
129 d [ cs ] \stemUp b [ a ] a [ b ~ ] b4 | % 15
130 r2 r8 \stemDown b cs [ d ~ ] | % 16
131 d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 17
132 r2 r8 b cs [ d ~ ] | % 18
133 d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 19
134 d [ cs ] \stemUp b [ a ] a [ b ] gs [ a ~ ] \bar "||" % 20
141 r2. r8 cs,16 [ d ] | % 24
145 e8 [ e ] e [ e ~ ] e [ d ] cs4 | % 25
146 e8 [ fs ] gs [ a ~ ] a [ gs ] e [ d ~ ] | % 26
147 d4 r r8 e fs [ b, ] ~ | % 27
148 b2 r4 r8 e16 [ fs ] | % 28
149 gs8 [ gs ] gs [ gs ~ ] gs [ fs ] e4 | % 29
150 gs8 [ gs ] gs [ gs ~ ] gs [ a ] b [ e, ~ ] | % 30
153 e8 [ e ] e [ e ~ ] e4 r8 cs16 [ d ] | % 33
154 e8 [ fs ] gs [ a ~ ] a [ gs ] e4 | % 34
155 fs8 [ fs ] fs [ fs ~ ] fs4 d8 [ e ] | % 35
156 fs [ gs ] a [ b ~ ] b [ a ] fs4 | % 36
157 gs8 [ gs ] gs [ gs ~ ] gs fs4 e8 | % 37
158 \times 2/3 { gs4 gs gs } \times 2/3 { gs a \stemDown b } | % 38
162 % Coda (chorus again)
164 s1 % Blank bar for coda
166 d8 \repeatTie [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 41
167 \stemUp a4. gs8 ~ gs4 r8 e | % 42
168 fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 43
171 a4. gs8 ~ gs4 r8 e | % 46
172 fs [ gs ] a [ b ~ ] b gs4 \stemDown cs8 ~ | % 47
174 cs2 r8 b cs [ d ~ ] | % 49
175 d [ cs ] \stemUp b [ a ] a [ b ~ ] b4 | % 50
176 r2 r8 \stemDown b cs [ d ~ ] | % 51
177 d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 52
178 r2 r8 b cs [ d ~ ] | % 53
179 d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 54
180 d [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 55
196 LeadXvoxATextA = \lyricmode
198 He who _ be- gan a good work _ in you _
199 He who _ be- gan a good work _ in you _
200 _ Will be fai- _ thful to com- plete it _
201 Will be fai- _ thful to com- plete it _
202 He who start- _ ed the work _ will be fai-
203 _ thful to com- plete it in you _
205 If the trou- ble you're fac- _ ing is
206 slow- ly re- pla- _ cing your hope _ with des- pair _
207 And the pro- cess is long _ and you're
208 lo- sing your songs _ in the night _
209 You can be sure _ that the Lord has his hand _ on you
210 Safe and se- cure _ He will ne- ver a- band- _ on you
211 You are his trea- _ sure And
212 He finds His plea- sure in you
214 _ thful to com- plete it in
216 He who _ be- gan a good work _ in you _
217 He who _ be- gan a good work _ in you _
218 _ Will be fai- _ thful to com- plete it _
219 Will be fai- _ thful to com- plete it _
220 He who start- _ ed the work _ will be fai-
221 _ thful to com- plete it in you _
228 BgXvoxA = \relative c'
231 \numericTimeSignature
246 R1_\markup { \italic { 1st time unison, 2nd harmony } } | % 7
251 %But this does... FINALLY!
253 % lyrics follow voice above
255 r2 r4 r8 << { \voiceOne fs'8 ~ } \context Voice = "v" { \voiceTwo <b, gs> ~ } >> | % 12
256 << { \voiceOne fs'2 ~ fs4. f8 ~ } \context Voice = v { \voiceTwo <b, gs>1 ~ } >> | % 13
257 << { \voiceOne f'2 } \context Voice = v { \voiceTwo <b, gs>2 } >> \oneVoice r2 | % 14
260 % lyrics follow voice below
262 r2 r4 r8 << { \voiceOne <b' gs> ~ } \context Voice = "v" { \voiceTwo fs8 ~ } >> | % 12
263 << { \voiceOne <b gs>1 ~ } \context Voice = v { \voiceTwo fs2 ~ fs4. f8 ~ } >> | % 13
264 << { \voiceOne <b gs>2 } \context Voice = v { \voiceTwo f2 } >> \oneVoice r2 | % 14
267 <b a fs>4. <b gs e>8 ~ <b gs e>4 r | % 16
269 <b a fs>4. <b gs e>8 ~ <b gs e>4 r8 <a fs d> ~ | % 18
270 <a fs d>4. <a e cs>8 ~ <a e cs>4. <fs d b>8 ~ | % 19
271 <fs d b>4 <fs d b>8 <fs d b> <fs d b> <fs d a> <fs d a> <e cs a> ~ | % 20
291 a8 [ a ] a [ a ~ ] a4 r8 a16 [ a ] | % 33
292 a8 [ a ] b [ cs ~ ] cs [ a ] gs4 | % 34
300 % Coda (chorus again)
302 \stopStaff s1 \startStaff
335 BgXvoxATextA = \lyricmode
337 %\set associatedVoice = foo
341 %\set associatedVoice = bg
342 ooo fai- thful _ ooo fai- thful _
343 Ah __ _ _ _ _ _ to com- plete it in you _
350 RhythmB = \relative c'
357 \stemDown a'8 [ b cs b ~ ] b [ e ~ ] e4 | % 1
358 d8 [ e cs b ~ ] b2 | % 2
360 a8 [ b cs b ~ ] b [ e cs a ~ ] | % 3
363 \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 5
372 \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 21
373 d8 [ e cs b ~ ] b2 | % 22
374 a8 [ b cs b ~ ] b [ e cs a ~ ] | % 23
381 % Coda (chorus again)
383 s1 % Blank bar for coda
389 \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 56
390 d8 [ e cs b ~ ] b2 | % 57
392 a8 [ b cs b ~ ] b [ e cs a ~ ] | % 58
395 \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 60
397 \stemUp a1^\fermata | % 61
409 d4. e4.:sus4 e4 | % 2
420 d4./fs e4./gs s8 cs8:m7 | % 8
424 d4./fs e2/gs cs8:sus4.7 | % 12
430 e4.:sus4 e s8 d8 | % 18
431 s4. a2/cs b8:m7 | % 19
436 a4. cs4.:m7 s4 | % 21
437 d4. e4.:sus4 e4 | % 22
457 b4.:m7 b:m7/a s4 | % 38
465 % Coda (chorus again)
467 s1 % Blank bar for coda
471 d4./fs e4./gs s8 cs8:m7 | % 45
474 % On Ed's chart it's like so:
477 d4./fs e2/gs cs8:sus4.7 | % 49
483 e4.:sus4 e s8 d8 | % 55
491 d4. e4.:sus4 e4 | % 59
507 \numericTimeSignature
508 \override NoteHead #'style = #'slash
513 \stemDown c'4. c8 ~ c4 c | %1
516 c4. c8 ~ c4. c8 ~ | % 3
519 c4. c8 ~ c4. c8 ~ | % 5
525 c4. c8-> c4 r8 c8 ~ | % 8
529 c4. c8 ~ c4. c8 ~ | % 12
530 c4 c c r8 c8 ~ | % 13
536 c4. c8 ~ c4 r8 c8 ~ | % 18
537 c4. c8 ~ c4. c8 ~ | % 19
544 c4. c8 ~ c4. c8 ~ | % 23
551 c4. c8 ~ c4 r8 c8 ~ | % 27
567 % Coda (chorus again)
569 \stopStaff s1 \startStaff
573 c4. c8-> c4 r8 c8 ~ | % 43
577 c4. c8 ~ c4. c8 ~ | % 47
578 c4 c c r8 c8 ~ | % 48
584 c4. c8 ~ c4 r8 c8 ~ | % 53
585 c4. c8 ~ c4. c8 ~ | % 54
591 \stemDown c4. c8 ~ c4 c | % 56
594 c4. c8 ~ c4. c8 ~ | % 58
597 c4._\markup { \italic { rit. } } c8 ~ c4. c8 ~ | % 60
606 \Global % The "roadmap" that everything else depends on
610 \new Voice = "lead" \LeadXvoxA
611 \new Lyrics \lyricsto "lead" \LeadXvoxATextA
617 \new Voice = "bg" \BgXvoxA
618 \new Lyrics \lyricsto "bg" \BgXvoxATextA
623 \new ChordNames \Chords
624 \new RhythmicStaff \StaffC
627 \set Score.skipBars = ##t
628 \set Score.melismaBusyProperties = #'()
634 #(define fonts (make-pango-font-tree
640 % Don't spread staves vertically across last page (default: t)
641 % ragged-last-bottom = ##f
642 % Don't spread staves vertically across the page (default: f)
643 % ragged-bottom = ##t
644 % Allow partial line for last stave (default: f)
647 % To find out what's eating the space at the top...
648 % annotate-spacing = ##t