2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "God of Wonders" }
18 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
23 % Useful tweak abbreviations (hn = harmony note)
25 hn = #(define-music-function (parser location arg) (ly:music?)
26 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
28 (set! (ly:music-property arg 'tweaks)
29 (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
43 \once \override TextScript #'padding = #2.0
44 s1*0^\markup { \large \bold { Moderate pop } }
46 % s1*0^\markup { \large \bold { Moderate pop "(*** CAPO 3 ***)" } }
56 % \once \override Score.RehearsalMark #'self-alignment-X = #left
57 \mark \markup { \override #'(font-family . sans) { \box { A } } }
63 \mark \markup { \override #'(font-family . sans) { \box { B } } }
65 s1*8 \bar "||" % 13-20
67 \mark \markup { \override #'(font-family . sans) { \box { C } } }
74 \mark \markup { \override #'(font-family . sans) { \box { D } } }
76 s1*6 \bar "||" % 25-30
80 \once \override TextScript #'padding = #2.0
81 s1*0^\markup { \large \bold { Guitar Solo } }
82 \mark \markup { \override #'(font-family . sans) { \box { E } } }
90 \mark \markup { \override #'(font-family . sans) { \box { F } } }
95 \mark \markup { \override #'(font-family . sans) { \box { G } } }
97 s1*6 \bar "|." % 47-52
104 LeadVox = \relative c''
107 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
115 r2 a8 fs16 a ~ a8 b16 a ~ | % 5
117 r4 r8 fs8 a16 fs8 a16 ~ a8 b ~ | % 7
119 r8. fs16 cs'8 b a fs a b16 a ~ | % 9
120 a8 fs ~ fs4 r2 | % 10
121 r4 cs'8 b a fs16 cs' ~ cs8 b ( | % 11
122 a8 ) a ~ a2 r4 | % 12
126 <cs \hn e,>8 <b \hn d,>16 <cs \hn e,> <cs \hn e,> <cs \hn e,>8 <b \hn d,>16 <cs \hn e,>8 <b \hn d,> <a \hn cs,> <e \hn cs> | % 13
127 <b' \hn e,>2 r4 <cs \hn a \hn e>16 <cs \hn a \hn e>8. | % 14
128 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 15
129 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r8. <a \hn cs,>16 | % 16
130 <cs \hn e,>8 <b \hn d,>16 <cs \hn e,> ~ <cs \hn e,>8 <b \hn d,>16 <cs \hn e,>16 ~ <cs \hn e,>8 <b \hn d,> <a \hn e \hn cs> <e \hn cs \hn a'> | % 17
131 <b' \hn gs \hn e>2 r4 <cs \hn a \hn e>16 <cs \hn a \hn e>8. | % 14
132 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 15
133 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 16
135 a4 b a16 e8 fs16 ~ fs8 fs ~ | % 21
136 << { \voiceTwo fs2 r } \context Voice = vb { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } >> | % 22
137 << { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } \context Voice = vb { \voiceTwo fs2 r } >> | % 23
138 << { \voiceTwo fs2 r } \context Voice = vb { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } >> | % 24
142 \context Voice = vb { fs8 } r \stemUp <a \hn e \hn cs>16 <b \hn fs \hn d>8 <b \hn fs \hn d>16 ~ <b \hn fs \hn d>8 \stemNeutral << { \voiceOne a r a16 a } \context Voice = vb { \voiceTwo <\hn a \hn e \hn cs>8 ~ <\hn a \hn e \hn cs>4 ~ } >> | % 25
143 << { \voiceOne e'4 cs b16 a8 b16 ~ b8 fs ~ } \context Voice = vb { \voiceTwo <\hn a \hn e \hn cs>1 } >> | % 26
144 fs8 r \stemUp <a \hn e \hn cs>16 <b \hn fs \hn d>8 <b \hn fs \hn d>16 ~ <b \hn fs \hn d>8 \stemNeutral << { \voiceOne a r a16 a } \context Voice = vb { \voiceTwo <\hn a \hn e \hn cs>8 ~ <\hn a \hn e \hn cs>4 ~ } >> | % 27
145 << { \voiceOne e'4 cs b16 a8 b16 ~ b8 fs ~ } \context Voice = vb { \voiceTwo <\hn a \hn e \hn cs>1 } >> \oneVoice | % 28
146 fs8 r <a \hn e \hn cs>16 <b \hn fs \hn d>8 <b \hn fs \hn d>16 ~ <b \hn fs \hn d>8 <a \hn e \hn cs> ~ <a \hn e \hn cs> <a \hn e \hn cs>16 <a \hn e \hn cs> | % 29
147 <e' \hn a, \hn d,>4 <cs \hn a \hn e> <b \hn fs \hn d>16 <a \hn fs \hn d>8 <e' \hn b \hn fs \hn d>16 ~ <e \hn b \hn fs \hn d>8 <cs \hn a \hn e \hn cs> ~ | % 30
151 <cs \hn a \hn e \hn cs>1 | % 31
156 <cs \hn e,>8 <b \hn d,>16 <cs \hn e,> <cs \hn e,> <cs \hn e,>8 <b \hn d,>16 <cs \hn e,>8 <b \hn d,> <a \hn cs,> <e \hn cs> | % 39
157 <b' \hn e,>2 r4 <cs \hn a \hn e>16 <cs \hn a \hn e>8. | % 40
158 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 41
159 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r8. <a \hn cs,>16 | % 42
160 <cs \hn e,>8 <b \hn d,>16 <cs \hn e,> ~ <cs \hn e,>8 <b \hn d,>16 <cs \hn e,>16 ~ <cs \hn e,>8 <b \hn d,> <a \hn e \hn cs> <e \hn cs \hn a'> | % 43
161 <b' \hn gs \hn e>2 r4 <cs \hn a \hn e>16 <cs \hn a \hn e>8. | % 44
162 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 45
163 <cs \hn a \hn e>4. ( <a \hn fs \hn cs>16 ) <a \hn fs \hn cs> ~ <a \hn fs \hn cs>4 r | % 46
167 a4 b a16 e8 fs16 ~ fs8 fs ~ | % 47
168 << { \voiceTwo fs2 r } \context Voice = vc { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } >> | % 48
169 << { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } \context Voice = vc { \voiceTwo fs2 r } >> | % 49
170 << { \voiceTwo fs2 r } \context Voice = vc { \voiceOne a4 b a16 e8 fs16 ~ fs8 fs ~ } >> | % 50
171 << { \voiceOne a4 b } \context Voice = vc { \voiceTwo fs2 } >> \oneVoice a16 e8 fs16 ~ fs8 <a \hn fs> ~ | % 51
172 <a \hn fs>1-\fermata | % 52
175 LeadVoxText = \lyricmode
177 Lord of all _ cre -- a -- _ tion, _
178 of wa -- ter, earth, _ and _ sky, _
179 The hea -- vens are your ta -- ber -- na -- _ cle, _
180 glo -- ry to the Lord _ on _ high. _
182 God of won -- _ ders, be -- yond our gal -- ax -- y,
183 you are ho -- _ ly, _ ho -- _ ly, _
184 The un -- i -- verse _ de -- clares - your ma -- jes -- ty,
185 you are ho -- _ ly, _ ho -- _ ly, _
187 Lord of hea -- ven and _ earth, _
188 Lord of hea -- ven and _ earth, _
190 Hal -- le -- lu -- jah, _
191 to the Lord of hea -- ven and _ earth, _
192 Hal -- le -- lu -- jah, _
193 to the Lord of hea -- ven and _ earth, _
194 Hal -- le -- lu -- _ jah, _
195 to the Lord of hea -- ven and _ earth! _
197 God of won -- _ ders, be -- yond our gal -- ax -- y,
198 you are ho -- _ ly, _ ho -- _ ly, _
199 The un -- i -- verse _ de -- clares - your ma -- jes -- ty,
200 you are ho -- _ ly, _ ho -- _ ly, _
202 Lord of hea -- ven and _ earth, _
203 Lord of hea -- ven and _ earth, _
204 Lord of hea -- ven and _ earth, _
207 LeadVoxTextB = \lyricmode
209 Ear -- ly in _ the morn -- _ ing, _
210 I will cel -- e -- brate _ the light, _
211 When I stum -- ble in _ the dark -- _ ness, _
212 I will call your name _ by _ night. _
215 EchoText = \lyricmode
217 Lord of hea -- ven and _ earth, _
218 Lord of hea -- ven and _ earth, _
221 % This is this way because \oneVoice kills the lyric stream...
222 EchoTextB = \lyricmode
224 Lord of hea -- ven and _ earth, _
225 Lord of hea -- ven and _ earth, _
237 \repeat "percent" 2 {
238 <e e' a>4 <e e' a>8 <e e' a>16 <e e' a> ~ <e e' a> <fs e' a> <fs e' a>8 <fs e' a> <d e' a>16 <d e' a> | %
239 <d e' a>4 <d e' a>8 <d e' a>16 <d e' a> ~ <d e' a> <d e' a> <d e' a>8 <d e' a>16 <d e' a> <d e' a> <d e' a> | %
244 \override NoteHead #'style = #'slash
245 r4 bf16 bf bf bf bf r bf8 r bf | % 1
247 r4 bf16 bf bf bf bf r bf8 r bf | % 3
249 r4 bf16 bf bf bf bf r bf8 r bf | % 5
251 \override NoteHead #'style = #'default
257 c'4. b8 ~ b g e a ~ | % 64
271 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 1
273 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 3
278 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 5
280 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 7
282 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 9
284 e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 11
298 d2:sus2 e:3.5.11 | % 21
299 d2:sus2 e:3.5.11 | % 22
300 d2:sus2 e:3.5.11 | % 23
321 d2:sus2 e:sus4 | % 38
336 d2:sus2 e:3.5.11 | % 47
337 d2:sus2 e:3.5.11 | % 48
338 d2:sus2 e:3.5.11 | % 49
339 d2:sus2 e:3.5.11 | % 50
340 d2:sus2 e:3.5.11 | % 51
350 \numericTimeSignature
351 \override NoteHead #'style = #'slash
356 c4 c ~ c16 c8. c8 c ~ | % 1
358 c4 c ~ c16 c8. c8 c ~ | % 3
363 c4 c ~ c16 c8. c8 c ~ | % 5
365 c4 c ~ c16 c8. c8 c ~ | % 7
367 c4 c ~ c16 c8. c8 c ~ | % 9
369 c4 c ~ c16 c8. c8 c ~ | % 11
437 s4_\fp s s \< s | % 7
457 s8 \< s2. s8 \! | % 51
459 s4_\markup { \italic { rit. } } s2. | % 61
461 s2 s4_\markup { \italic { rit. } } s | % 65
469 \Global % The "roadmap" that everything else depends on
473 \new Voice = "lead" \LeadVox
475 \new Lyrics \lyricsto "lead" \LeadVoxText
476 \new Lyrics \lyricsto "lead" \LeadVoxTextB
477 \new Lyrics \lyricsto "vb" \EchoText
478 \new Lyrics \lyricsto "vc" \EchoTextB
483 \new ChordNames \Chords
485 % \new ChordNames \transpose f d \Chords
486 \new RhythmicStaff << \Rhythm \Dynamics >>
489 \set Score.skipBars = ##t
490 \set Score.melismaBusyProperties = #'()
497 #(define fonts (make-pango-font-tree
503 % Don't spread staves vertically across last page (default: t)
504 % ragged-last-bottom = ##f
505 % Don't spread staves vertically across the page (default: f)
506 % ragged-bottom = ##t
507 % Allow partial line for last stave (default: f)
510 % To find out what's eating the space at the top...
511 % annotate-spacing = ##t