2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "From The Inside Out" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Hillsong United" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
30 % Song's structure (original is in C)
45 % \once \override TextScript #'padding = #2.0
46 % s1*0^\markup { \large \italic { Piano only } }
51 \mark \markup { \override #'(font-family . sans) { \box { A } } }
56 % \mark \markup { \override #'(font-family . sans) { \box { B } } }
57 \once \override Score.RehearsalMark #'self-alignment-X = #left
58 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
60 \once \override Score.RehearsalMark #'self-alignment-X = #right
61 \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
62 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
76 \mark \markup { \override #'(font-family . sans) { \box { C } } }
77 s1*8 \bar "||" % 27-34
81 \mark \markup { \override #'(font-family . sans) { \box { D } } }
82 s1*9 \bar "||" % 35-43
84 \once \override Score.RehearsalMark #'self-alignment-X = #right
85 \mark \markup { \italic { D.S. al Coda } }
87 % blank measure between last measure and coda
88 \stopStaff s1 \startStaff
89 \set Score.currentBarNumber = #44
93 \once \override Score.RehearsalMark #'self-alignment-X = #left
94 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
99 \mark \markup { \override #'(font-family . sans) { \box { E } } }
112 s1*5 \bar "|." | % 54-58
120 LeadVox = \relative c'
123 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
128 s2 s8 s16 g16 \stemUp c8 b \stemNeutral | % 8
132 a8 a4 a8 ~ a r e g | % 9
133 g8 f e d r8. g16 c8 b | % 10
134 a8 g a c,4 r8 r16 e16 g8 | % 11
135 g8 f a4 g c,16 d e8 ~ | % 12
137 e8 c r e e d c d | % 13
138 e4 d d c16 d e8 ~ | % 14
139 e8 c r e e d c d | % 15
144 r4 r8 c' c b a g | % 17
145 r4 r8 c c b a g | % 18
146 r4 r8 c c b a g | % 19
149 r4 r8 c c b a g | % 21
150 r4 r8 c c << { \voiceTwo b a g } \context Voice = vb { \voiceOne \tiny d' e d } >> | % 22
151 r4 r8 << { \voiceTwo c c b a g } \context Voice = vb { \voiceOne \tiny g' g f f e } >> \oneVoice | % 23
156 << { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ | % 26
160 e8 c r e e d c d | % 27
161 e4 d d8 r c16 d e8 ~ | % 28
162 e8 c r e e d c d | % 29
163 e4 d d8 r c16 d e8 ~ | % 30
165 e8 f e c8 ~ c d8 d d ~ | % 31
166 d8 r e4 e8 r d16 c c8 ~ | % 32
167 c8 r e4 d8 c b c ~ | % 33
173 r4 r8 c8 g'4 c,8 c ~ | % 36
175 d4. c8 g'4 g8 ( e ) | % 38
176 f16 ( e c4 ) r8 r4 e8 e ~ | % 39
177 e2 r8 f8 ( e ) d ~ | % 40
184 % blank measure between last measure and coda
187 << { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ | % 44
189 e8 c r e e d c d | % 45
190 e4 d d8 r c16 d e8 ~ | % 46
191 e8 c r e e d c d | % 47
192 e4 d d8 r c16 d e8 ~ | % 48
193 e8 f e c8 ~ c d8 d d ~ | % 49
194 d8 r e4 e8 r d16 c c8 ~ | % 50
195 c8 r e4 d8 c b c ~ | % 51
197 c4 e d c16 d e8-\laissezVibrer | % 52
199 c4-\repeatTie e d d8 c | % 53
201 c8 r e4 d8 c b c ~ | % 54
203 c8 r e4 d8 c b c ~ | % 56
209 LeadVoxTextA = \lyricmode
211 A thou -- sand times I've failed, _
212 still your mer -- cy re -- mains
213 And should I stum -- ble a -- gain,
214 still I'm caught in your grace
216 E -- ver -- last -- _ ing,
217 your light will shine when all else fades
218 Nev -- er -- end -- _ ing,
219 your glo -- ry goes be -- yond all fame
221 My heart and my soul, I give you con -- trol,
222 con -- sume me from the in -- side out Lord
223 Let jus -- tice and praise, be -- come my em -- brace,
224 to love you from the in -- side out
228 E -- ver -- last -- _ ing,
229 your light will shine when all else fades
230 Nev -- er -- end -- _ ing,
231 your glo -- ry goes be -- yond all fame
233 And the cry _ of my heart _ is to bring _ you praise
234 from the in -- _ side out, Lord my soul _ cries out
236 My soul cries out _ to you _
237 My soul cries _ out _ _ to you _
243 E -- ver -- last -- _ ing,
244 your light will shine when all else fades
245 Nev -- er -- end -- _ ing,
246 your glo -- ry goes be -- yond all fame
248 And the cry _ of my heart _ is to bring _ you praise
249 from the in -- _ side out, Lord my soul _ cries out
254 from the in -- side out, Lord my soul _ cries out
255 from the in -- side out, Lord my soul _ cries out
258 LeadVoxTextB = \lyricmode
260 Your will a -- bove all else, _
261 _ my pur -- pose re -- mains
262 The art of los -- ing my -- self,
263 _ in bring -- ing you praise
270 f8 g e'8. e16 ~ e2 | % 1
271 e,8 g e'8. e16 d8 b g4 | % 2
272 f8 g e'8. e16 ~ e2 | % 3
273 e,8 g e'8. e16 d8 b g4 | % 4
274 f8 g e'8. e16 ~ e2 | % 5
275 e,8 g e'8. e16 d8 b g4 | % 6
276 f8 g e'8. e16 ~ e2 | % 7
277 e,8 g e'8. e16 d8 b \stemDown g4 \stemNeutral | % 8
282 gs4 gs a8 gs fs e | % 1
283 fs4 fs a8 gs gs fs | % 2
284 gs4 gs gs8 b4 e,8 ~ | % 3
285 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 4
286 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 5
290 r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 22
291 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 23
295 s1 % blank bar for Coda
299 r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 44
300 e a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 45
301 e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 46
302 <a b e>1-\fermata | % 47
377 % blank measure between last measure and coda
406 % Use a RhythmicStaff on the chords instead of this?
407 % It almost works, but not quite. Doesn't collapse chords above to single notes...
411 \numericTimeSignature
412 \override NoteHead #'style = #'slash
477 % blank measure between last measure and coda
478 %hm. Shouldn't need /startStaff /stopStaff... !!! FIX !!!
479 \stopStaff s1 \startStaff
507 s4_\markup { \italic { add cymbal colors } } s2. | % 5
508 s2 s16 s \> s4 s16 s \! | % 5
512 s4_\markup { \italic { Unison 1st X } } s2. | % 6
517 s4_\markup { \italic { snare on D.S. } } s2. | % 15
522 s4_\markup { \italic { Unison 1st X } } s2. | % 25
524 s4.. s16_\markup { \italic { big fill } } \< s4. s8-\f | % 30
526 s1 % blank bar for coda
530 s2 s8 \< s4 s8 \! | % 31
533 s2 s8 \> s4 s8-\mp | % 39
535 s4_\markup { \italic { floating } } s2. | % 40
543 \set Score.skipBars = ##t
544 \set Score.melismaBusyProperties = #'()
545 \Global % The "roadmap" that everything else depends on
549 \new Voice = "lead" \LeadVox
551 \new Lyrics \lyricsto "lead" \LeadVoxTextA
552 \new Lyrics \lyricsto "lead" \LeadVoxTextB
557 \new ChordNames \Chords
558 \new RhythmicStaff << \Rhythm \Dynamics >>
566 #(define fonts (make-pango-font-tree
572 % Spread staves vertically across last page (default: t)
573 % ragged-last-bottom = ##f
574 % Don't spread staves vertically across the page (default: f)
575 % ragged-bottom = ##t
576 % Allow partial line for last stave (default: f)
579 % To find out what's eating the space at the top...
580 % annotate-spacing = ##t
581 %let's try this: [It works! Huzzah!][nope... :-/]
582 % obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)