2 \include "../pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Evermore" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Sandra Boynton/Michael Ford" }
17 % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
26 LeadVox = \relative c'
28 % \set Voice.autoBeaming = ##f
29 % \set Staff.instrument = #"Lead vox"
32 \override Staff.TimeSignature #'style = #'()
34 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
38 s1^\markup { \hspace #0.0 \raise #2.0 { Fast 4, moderate half-time feel } } | % 1
45 s2.. af8 \bar "||" % 8
49 \mark \markup { \override #'(font-family . sans) { \box { A } } }
53 df2 ef4 df8 f ~ | % 11
59 af2 bf8 c8 ~ c4 | % 17
61 f8 af ~ af4. r8 gf4 | % 19
70 r2 r4 af,8 df \bar "||" % 28
74 %\mark \markup { \override #'(font-family . sans) { \box { B } } }
75 \once \override Score.RehearsalMark #'self-alignment-X = #left
76 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
86 bf8 af4 gf8 ~ gf4 bf | % 37
88 gf4 f ef df8 ef ~ | % 39
89 ef4 r r af,8 df | % 40
92 \times 2/3 { ef2 df c } | % 43
95 \once \override Score.RehearsalMark #'self-alignment-X = #right
96 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
100 %\mark \markup { \override #'(font-family . sans) { \box { C } } }
108 r2 r4 r8 af \bar "||" % 51
112 \mark \markup { \override #'(font-family . sans) { \box { C } } }
116 df2 ef4 df8 f ~ | % 54
122 bf8 c4 bf8 ~ bf4 af8 f ~ | % 60
127 f8 ef4 r8 af, f'4. | % 65
129 r2 r4 af,8 df \bar "||" % 67
131 \once \override Score.RehearsalMark #'self-alignment-X = #right
132 \mark \markup { \italic { D.S. al Coda } }
136 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
137 \stopStaff s1 \startStaff
138 \set Score.currentBarNumber = #68
143 \once \override Score.RehearsalMark #'self-alignment-X = #left
144 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
152 r2 r4 bf'8 ( c ) | % 74
154 \mark \markup { \override #'(font-family . sans) { \box { D } } }
156 df8 c4 bf8 ~ bf4 df | % 75
157 c8 bf af4 r r8 af | % 76
158 bf4 af df, ef8 f ~ | % 77
159 f2-\fermata r4 f8 ef | % 78
162 \times 2/3 { ef2 df c } \bar "||" % 81
169 \times 2/3 { ef2 df c } | % 85
174 \times 2/3 { ef2 df c } | % 89
184 r4 r8 ef4. df8 c | % 97
186 df1-\fermata \bar "|." % 98
189 LeadVoxText = \lyricmode
191 The for -- ests of A -- pril a -- wa -- ken from sleep, _
192 and flow -- ers un -- fold through the snow,
193 And the wind rush -- es _ high, and the ri -- ver _ runs deep,
194 and it sings what you al -- rea -- dy know.
195 You al -- rea -- dy _ know.
197 E -- ver -- more I will love you.
198 E -- ver -- more I will stay
199 e -- ver right here to hold you.
200 Ne -- ver so far a -- way.
201 And though I know _ some -- times you go
202 to find your way a -- lone, _
203 e -- ver -- more I will love you.
204 You are e -- ver my own.
206 Though no -- thing’s as cer -- tain as sea -- sons and time, _
207 though no -- thing will be as be -- fore,
208 still e -- v’ry way _ and al -- _ ways it’s cer -- tain that I’m
209 with you for -- e -- ver, e -- ver -- more.
213 And _ though I know _ some -- times you go
214 to find your way a -- lone, _
215 e -- ver -- more I will love you.
216 You are e -- ver my own.
221 and e -- ver -- more.
225 Riffs = \relative c''
229 \override Staff.TimeSignature #'style = #'()
231 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
236 << { \tiny r4 r8 af4 df4. } \\ { \tiny df,1 } >> | % 1
237 << { \tiny r4 r8 af'4 df4. } \\ { \tiny ef,8 ( f ) ~ f2. } >> | % 2
238 << { \tiny r4 r8 df'4 af4. } \\ { \tiny gf4. gf8 ~ gf f ( ef4 ) } >> | % 3
239 << { \tiny r4 r8 af4 df4. } \\ { \tiny ef,2. ef8 ( df ) } >> | % 4
240 << { \tiny r4 r8 af'4 df4. } \\ { \tiny df,1 } >> | % 5
241 << { \tiny r4 r8 af'4 df4. } \\ { \tiny ef,8 ( f ) ~ f2. } >> | % 6
242 << { \tiny r4 r8 df'4 af4. } \\ { \tiny gf4. gf8 ~ gf f ( ef4 ) } >> | % 7
243 << { \tiny r4 r8 gf4 af4. } \\ { \tiny af,1 } >> | % 1
338 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
339 %\stopStaff s1 \startStaff
340 %\set Score.currentBarNumber = #68
389 % Use a RhythmicStaff on the chords instead of this?
390 % It almost works, but not quite. Doesn't collapse chords above to single notes...
392 %Slash = { \override NoteHead #'style = #'slash }
393 %Cross = { \override NoteHead #'style = #'cross }
397 \override Staff.TimeSignature #'style = #'()
399 \override NoteHead #'style = #'slash
433 c4 c c c \bar "||" % 28
442 c4 c c c_\markup { "E F#" } | % 34
447 c4 c c_\markup { G } c | % 39
451 c4_\markup { "G (A)" } c c_\markup { A } c | % 43
452 c4 c c c \bar "||" % 44
462 c4 c c c \bar "||" % 51
477 c4 c c c_\markup { D } | % 63
480 c4 c c c_\markup { B } | % 66
481 c4 c c c \bar "||" % 67
485 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
486 \stopStaff s1 \startStaff
487 \set Score.currentBarNumber = #68
503 c4_\markup { E } c c_\markup { A } c \bar "||" % 81
527 c1-\fermata \bar "|." % 98
533 s4_\markup { \italic { Acoustic guitar only } } s2. | % 1
535 s4_\markup { \italic { Piano in } } s2. | % 1
537 s4_\markup { \italic { Band in } } s2. | % 1
540 s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
543 s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
547 s2. s8 \> s \! | % 40
548 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
553 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
563 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
564 % \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
565 \new Staff = leadStaff { << \new Voice = "lead" \transpose df d \LeadVox \new Voice = "riffs" \transpose df d \Riffs >> }
566 \new Lyrics \lyricsto "lead" \LeadVoxText
567 % \new Lyrics \lyricsto "lead" \LeadVoxTextB
570 \new ChoirStaff = "Rhythm"
572 % \new ChordNames = "chords" \Chords
573 \new ChordNames = "chords" \transpose df d \Chords
574 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
577 \set Score.skipBars = ##t
578 \set Score.melismaBusyProperties = #'()
583 % \context { \Staff \RemoveEmptyStaves }
584 % ragged-last-bottom = ##t
592 #(define fonts (make-pango-font-tree
598 % top-margin = -0.25 \in