1 % Still need hairpins, directions, dynamics, etc...
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
13 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
17 %Let's bump up the title size and switch to the chord font. :-)
19 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Come And See" }
20 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Lenny LeBlanc" }
21 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
22 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
43 \once \override Score.RehearsalMark #'self-alignment-X = #left
44 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
60 \mark \markup { \override #'(font-family . sans) \box { B } }
64 \once \override Score.RehearsalMark #'self-alignment-X = #right
65 \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
66 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
68 \time 2/4 s2 \time 4/4 | % 17
72 \mark \markup { \override #'(font-family . sans) \box { C } }
76 \time 2/4 s2 \time 4/4 | % 22
80 \once \override Score.RehearsalMark #'self-alignment-X = #right
81 \mark \markup { \italic { D.S. al Coda (2nd end.) } }
83 \stopStaff s1 \startStaff
84 \set Score.currentBarNumber = #24
88 \once \override Score.RehearsalMark #'self-alignment-X = #left
89 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
91 s1*2 \bar "||" % 24-25
93 \mark \markup { \override #'(font-family . sans) \box { D } }
99 \mark \markup { \override #'(font-family . sans) \box { E } }
109 \time 2/4 s2 \time 4/4 | % 34
117 \mark \markup { \override #'(font-family . sans) \box { F } }
119 s1*11 \bar "||" % 36-46
123 s1*4 \bar "|." % 47-50
130 LeadVox = \relative c'
143 f4. c8 g'4. ~ g16 a | % 5
144 bf8 a16 g ~ g f f8 ~ f4 r | % 6
145 r4 f8 f e4 ( d8. ) c16 | % 7
147 f4. c8 g'4. ~ g16 a | % 9
148 a8 bf16 a ~ a8 g16 ( f ) f4 r | % 10
149 d8 e16 f ~ f8 g16 ( f ) a8 ( g16 f e8. f16 ) | % 11
153 f2 r8. f16 a c8. \bar "||" % 13
157 c8 c16 c ~ c8 g16 g ( ~ g8. a16 ) a4 | % 14
158 bf8 bf16 bf ( ~ bf a ) a a ~ a4 r | % 15
159 c8 c16 c ~ c8 g16 g ( ~ g8. a16 ) a4 | % 16
160 bf8 bf16 bf ( ~ bf a ) a8 | % 17
161 a2. r4 \bar "||" % 18
163 bf4. ( ~ bf16 a32 g ) bf4 r | % 19
164 a4 ( ~ a16 bf a g ) g4 r | % 20
165 bf4. ( ~ bf16 a32 g ) bf4 r | % 21
166 a4 ( ~ a16 bf a g ) | % 22
173 bf8 bf r bf bf a16 g ~ g8 f | % 24
181 bf4. ( ~ bf16 a32 g ) bf4 r | % 30
182 a4 ( ~ a16 bf a g ) g4 r | % 31
183 bf4. ( ~ bf16 a32 g ) bf4 r | % 32
185 a4 ( ~ a16 bf a g ) g4 r | % 33
187 a4 ( ~ a16 bf a g ) | % 34
193 f4. c8 g'4. ~ g16 a | % 36
194 bf8 a16 g ~ g f f8 ~ f4 r | % 37
195 r4 f8 f e4 ( d8. ) c16 | % 38
197 f4. c8 g'4. ~ g16 a | % 40
198 a8 bf16 a ~ a8 g16 ( f ) f4 r | % 41
199 d8 e16 f ~ f8 g16 ( f ) a8 ( g16 f e8. f16 ) | % 42
201 d8 e16 f ~ f8 g16 ( f ) a8 ( g16 f e8. f16 ) | % 44
203 d8 e16 f ~ f8 g16 ( f ) a8 ( g16 f e8. f16 ) \bar "||" % 46
210 r1^\fermata \bar "|." % 50
213 LeadVoxText = \lyricmode
215 Come and see _ the glo -- ry of _ the Lord _
216 Come be -- hold __ _ the Lamb
217 Come and know _ the mer -- cy of _ the __ _ King
218 Bow -- ing down _ be -- _ fore __ _ _ _ _ him
222 For he is Lord of all _ the hea -- _ _ vens
223 Lord in all __ _ _ the earth; _
224 Lord of all _ cre -- a -- _ _ tion
225 Wor -- thy to __ _ _ be served
227 Ha -- _ _ _ le -- lu -- _ _ _ _ jah
228 Ha -- _ _ _ le -- lu -- _ _ _ _ jah
230 Wor -- thy, so wor -- thy to _ be served.
232 Ha -- _ _ _ le -- lu -- _ _ _ _ jah
233 Ha -- _ _ _ le -- lu -- _ _ _ _ jah
237 Come and see _ the glo -- ry of _ the Lord _
238 Come be -- hold __ _ the Lamb
239 Come and know _ the mer -- cy of _ the __ _ King
240 Bow -- ing down _ be -- _ fore __ _ _ _ _ him
241 Bow -- ing down _ be -- _ fore __ _ _ _ _ him
242 Bow -- ing down _ be -- _ fore __ _ _ _ _ him
245 LeadVoxTextB = \lyricmode
247 Come and give _ _ thanks un -- to _ the Lord _
248 Come be -- hold __ _ the Lamb
249 Come and sing _ _ prais -- es of _ the __ _ King
256 Riffs = \relative c''
264 e8 b ds b cs b ds b | % 42
265 e8 b ds b cs b ds b | % 43
266 e8 b ds b cs b ds b | % 44
280 bf2:sus2 f4/c c:7 | % 3
287 bf2:sus2 c4:11^9.7 bf/c | % 7
290 a4:sus4 a d:m d:m/c | % 10
291 bf2:sus2 f4/c c:7 | % 11
304 g2:m11 bf:sus2 | % 19
306 g2:m11 bf:sus2 | % 21
333 bf2:sus2/d f/c | % 37
334 bf2:sus2 c4:11^9.7 bf/c | % 38
337 a4:sus4 a d:m d:m/c | % 41
338 bf2:sus2 f4/c c:7 | % 42
340 bf2:sus2 f4/c c:7 | % 44
342 bf2:sus2 f4/c c:7 | % 46
347 bf2:sus2/d f/c | % 48
348 bf2:sus2 f4/c c:7 | % 49
358 \numericTimeSignature
360 \override NoteHead #'style = #'slash
382 c4 c c c \bar "||" % 13
390 c4 c c c \bar "||" % 18
395 c4 c c2 \bar "||" % 23
399 % blank measure between last measure and coda
400 %hm. Shouldn't need /startStaff /stopStaff... !!! FIX !!!
401 \stopStaff s1 \startStaff
404 c4 c c c \bar "||" % 25
420 c4 c c2 \bar "||" % 35
432 c4 c c c \bar "||" % 46
439 c1^\fermata \bar "|." % 50
447 s4_\markup { \italic { Ac. gtr only } } s2. | % 1
451 s4_\markup { \italic { Band in } } s2. | % 5
459 \set Score.skipBars = ##t
460 \set Score.melismaBusyProperties = #'()
464 \Global % The "roadmap" that everything else depends on
465 \new Voice = "lead" \LeadVox
467 \new Lyrics \lyricsto "lead" \LeadVoxText
468 \new Lyrics \lyricsto "lead" \LeadVoxTextB
473 \new ChordNames \Chords
475 % \new ChordNames \transpose f d \Chords
476 \new RhythmicStaff << \Rhythm \Dynamics >>
484 #(define fonts (make-pango-font-tree
490 % Don't spread staves vertically across last page (default: t)
491 % ragged-last-bottom = ##f
492 % Don't spread staves vertically across the page (default: f)
493 % ragged-bottom = ##t
494 % Allow partial line for last stave (default: f)
497 % To find out what's eating the space at the top...
498 % annotate-spacing = ##t