2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Blessed Be Your Name" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Matt and Beth Redman" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
27 LeadVox = \relative c'
33 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
43 \mark \markup { \override #'(font-family . sans) { \box { A } } }
45 r4 r8 ds ~ ds fs4 ds8 ~ | % 5
46 ds8 fs4 fs8 ~ fs4. ds16 cs | % 6
47 ds4. ds8 ~ ds fs4 ds8 ~ | % 7
48 ds8 fs4 fs8 ~ fs4 r8 ds16 cs | % 8
49 ds4. ds8 ~ ds fs4 ds8 ~ | % 9
50 ds8 fs4 fs8 ~ fs4 r8 ds16 cs ~ | % 10
51 cs8 ds cs b ~ b2 | % 11
54 r4 r8 ds ~ ds fs4 ds8 ~ | % 13
55 ds8 fs4 fs8 ~ fs4. ds16 cs | % 14
56 ds4. ds8 ~ ds fs4 ds8 ~ | % 15
57 ds8 fs4 fs8 ~ fs4 r8 ds16 cs | % 16
58 ds4. ds8 ~ ds fs4 ds8 ~ | % 17
59 ds8 fs4 fs8 ~ fs4 r8 ds16 cs ~ | % 18
60 cs8 ds cs b ~ b2 | % 19
65 \mark \markup { \override #'(font-family . sans) { \box { A17 } } }
74 gs2 ds'8 cs cs b \bar "||" % 28
78 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
80 b4. b8 ~ b b ( cs ) cs ~ | % 29
81 cs2 ds8 cs cs b | % 30
84 b4. b8 ~ b b ( cs ) cs ~ | % 33
85 cs2 ds8 cs cs b | % 34
86 ds4 ( e8 ) ds ~ ds cs4 b8 ~ | % 35
95 b2 \repeatTie ds8 cs cs b \bar "||" % 38
97 \once \override Score.RehearsalMark #'self-alignment-X = #right
98 \mark \markup { \italic { D.S. } }
112 \mark \markup { \override #'(font-family . sans) { \box { C } } }
114 ds4 ds ds4. cs8 | % 41
116 ds4 ds ds4. cs8 | % 43
118 ds4 ds ds4. cs8 | % 45
120 ds4 ds ds4. cs8 | % 47
125 cs8 ( b4 ) r8 r4 r8 b | % 48
128 cs8 ( b4 ) r8 r2 | % 49
132 r2 ds8 cs cs b | % 50
138 \mark \markup { \override #'(font-family . sans) { \box { D } } }
140 b4. b8 ~ b b ( cs ) cs ~ | % 51
141 cs2 ds8 cs cs b | % 52
143 r2 ds8 cs cs b | % 54
144 b4. b8 ~ b b ( cs ) cs ~ | % 55
145 cs2 ds8 cs cs b | % 56
146 ds4 ( e8 ) ds ~ ds cs4 b8 ~ | % 57
151 b2 ds8 cs cs b | % 58
154 b2 \repeatTie ds8 cs cs b | % 59
158 b1-\fermata \bar "|." % 60
161 LeadVoxText = \lyricmode
163 Bless -- _ ed be _ your name, _
164 in the land that _ is plen -- _ ti -- ful, _
165 where your streams of _ a -- bun -- _ dance flow, _
166 bless -- ed _ be your name. _
168 Bless -- _ ed be _ your name, _
169 when I’m found in _ the de -- _ sert place, _
170 Though I walk through _ the wild -- _ er -- ness, _
171 bless -- ed _ be your name. _
173 Ev -- ’ry bless -- ing you pour out
174 I'll turn back to praise
175 When the dark -- ness clos -- es in Lord,
178 Bless -- ed be the name of _ the __ _ Lord, _
179 Bless -- ed be your name!
180 Bless -- ed be the name of _ the __ _ Lord, _
181 Bless -- ed be your glor -- _ i -- _ ous name! _
187 You give and take a -- way,
188 You give and take a -- way,
189 My heart will choose to say,
190 Lord bless -- ed be your name. _
195 Bless -- ed be the name of _ the __ _ Lord, _
196 Bless -- ed be your name!
197 Bless -- ed be the name of _ the __ _ Lord, _
198 Bless -- ed be your glor -- _ i -- _ ous name! __ _
202 Bless -- ed be your name!
205 LeadVoxTextB = \lyricmode
207 Bless -- _ ed be _ your name, _
208 when the sun’s shin -- _ ing down _ on me, _
209 when the world’s all _ as it _ should be, _
210 bless -- ed _ be your name. _
212 Bless -- _ ed be _ your name, _
213 on the road marked _ with suf -- _ fer -- ing, _
214 though there's pain in _ the of -- _ fer -- ing, _
215 bless -- ed _ be your name. _
344 % Use a RhythmicStaff on the chords instead of this?
345 % It almost works, but not quite. Doesn't collapse chords above to single notes...
347 Slash = { \override NoteHead #'style = #'slash }
348 Cross = { \override NoteHead #'style = #'cross }
352 \numericTimeSignature
355 % \override NoteHead #'style = #'slash
359 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 1
360 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 2
361 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 3
362 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 4
368 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 5
369 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 6
370 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 7
371 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 8
372 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 9
373 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 10
374 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 11
375 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 12
377 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 13
378 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 14
379 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 15
380 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 16
381 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 17
382 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 18
383 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 19
384 \Slash c8 c c c c c c c \bar "||" % 20
395 c8 c c c c c c c \bar "||" % 28
399 c4. c8 ~ c c c c | % 29
400 c4 c8 c ~ c c c4 | % 30
401 c4. c8 ~ c c c c | % 31
402 c4 c8 c ~ c c c4 | % 32
403 c4. c8 ~ c c c c | % 33
404 c4 c8 c ~ c c c4 | % 34
405 c4.-> c8-> ~ c4. c8-> ~ | % 35
414 c8 \repeatTie c c c c c c c \bar "||" % 38
417 c1 \repeatTie ~ | % 39
445 c8 c c c c c c c | % 50
451 c4. c8 ~ c c c c | % 51
452 c4 c8 c ~ c c c4 | % 52
453 c4. c8 ~ c c c c | % 53
454 c4 c8 c ~ c c c4 | % 54
455 c4. c8 ~ c c c c | % 55
456 c4 c8 c ~ c c c4 | % 56
457 c4.-> c8-> ~ c4. c8-> ~ | % 57
462 c8 c c c c c c c | % 58
469 c1-\fermata \bar "|." % 60
475 s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
478 s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
482 s2. s8 \> s \! | % 40
483 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
488 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
498 \new Voice = "lead" \LeadVox
499 % \new Staff = leadStaff { \new Voice = "lead" \transpose b a \LeadVox }
500 \new Lyrics \lyricsto "lead" \LeadVoxText
501 \new Lyrics \lyricsto "lead" \LeadVoxTextB
506 \new ChordNames \Chords
507 % \new ChordNames \transpose b a \Chords
508 \new RhythmicStaff << \StaffC \Dynamics >>
511 \set Score.skipBars = ##t
512 \set Score.melismaBusyProperties = #'()
519 #(define fonts (make-pango-font-tree
525 % Don't spread staves vertically across last page (default: t)
526 % ragged-last-bottom = ##f
527 % Don't spread staves vertically across the page (default: f)
528 % ragged-bottom = ##t
529 % Allow partial line for last stave (default: f)
532 % To find out what's eating the space at the top...
533 % annotate-spacing = ##t