2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Almighty" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Gary Oliver" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
25 LeadVox = \relative c''
34 r1^\markup { Moderately fast } \bar "||"
48 \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 3x } }
51 r4 c'4 bf8 ([ a ]) a [ c ] ~ | % 9
53 bf8 [ a ] g [ f ] a4 g8 ([ f ]) | % 11
55 r4 c'4 bf8 ([ a ]) a [ c ] ~ | % 13
57 \times 2/3 { bf8 [ a g ] ~ } g8 [ f ] a4 g8 ([ f ]) | % 15
58 \once \override Score.RehearsalMark #'self-alignment-X = #left
59 \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda 3rd time through } }
61 r2 r4. c8 \bar "||" % 17
65 \mark \markup { \override #'(font-family . sans) { \box { B } } }
67 e8. [ e16 ] ~ e8 [ f ] f4 r8 c16 [ c ] |
68 g'8. [ g16 ] ~ g8 [ a ] a4 r8 bf | % 19
69 c8. [ c16 ] ~ c8 [ c ] c8. [ bf16 ] ~ bf8 [ a ] |
71 e8. [ e16 ] ~ e8 [ f ] f4 r8 c |
72 g'8. [ g16 ] ~ g8 [ a ] a4 r8 a16 [ bf ] | % 23
73 c8. [ c16 ] ~ c8 [ c ] c8. [ bf16 ] ~ bf8 [ a ] |
74 g4. r8 r4 g8 [ a ] \bar "||" % 25
76 bf8. [ bf16 ] ~ bf8 [ a ] g8. [ f16 ] ~ f8 [ g ] |
77 a4 f d g8 [ a ] | % 27
78 bf8. [ bf16 ] ~ bf8 [ a ] g4 f8 [ g ] |
84 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
86 \set Score.currentBarNumber = #30
88 \once \override Score.RehearsalMark #'self-alignment-X = #left
89 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
95 \mark \markup { \override #'(font-family . sans) { \box { C } } }
98 r4 d'4 c8 ([ b ]) b [ d ] ~ | % 33
100 c8 [ b ] a [ g ] b4 a | % 35
102 r4 d'4 c8 ([ b ]) b [ d ] ~ | % 37
104 \times 2/3 { c8 [ b a ] ~ } a8 [ g ] b4 a8 ([ g ]) | % 39
110 \mark \markup { \override #'(font-family . sans) { \box { D } } }
113 \times 2/3 { c8 [ b a ] ~ } a8 [ g ] b4 a8 ([ g ]) | % 41
115 \times 2/3 { c8 [ b a ] ~ } a8 [ g ] b4 a8 ([ g ]) | % 43
118 g1^\fermata^\markup { \italic { On cue } } \bar "|."
122 LeadVoxText = \lyricmode
124 Al -- migh -- _ ty, most ho -- _ ly God _
125 Fai -- thful through the a -- ges _
126 Al -- migh -- _ ty, most ho -- _ ly Lord _
127 Glo -- ri -- ous _ Al -- migh -- ty _ God
129 The beast of _ the field
130 The _ birds of _ the air
131 Are si -- lent _ to call out _ your name
133 The earth has _ no voice
134 And I have _ no choice
135 But to mag -- ni -- _ fy God un -- _ a -- shamed
137 Let the rocks be _ kept si -- lent _
139 Let the whole world _ sing out
140 Let the peo -- ple say:
144 Al -- migh -- _ ty, most ho -- _ ly God _
145 Fai -- thful through the a -- ges
146 Al -- migh -- _ ty, most ho -- _ ly Lord _
147 Glo -- ri -- ous _ Al -- migh -- ty _ God
149 Glo -- ri -- ous _ Al -- migh -- ty _ God
150 Glo -- ri -- ous _ Al -- migh -- ty _ God
153 LeadVoxTextB = \lyricmode
160 Well time mar -- _ ches on
161 With the in -- no -- _ cence gone
162 And dark -- ness _ has cov -- ered _ the Earth
164 _ His spi -- _ it dwells
165 And speaks ‘It _ is well’
166 And the hope -- less _ still of -- fered _ new birth
168 He will break the _ leash of death
169 It will have no sting
170 Let the pris -- oner _ go free
171 Join the dance and sing!
178 RhythmB = \relative c'
180 \set Voice.autoBeaming = ##f
185 %This structure, BTW, is totally wrong (from a different song)
263 \time 4/4 f2..:/c c8 |
281 bf4./d c8/e f2 \bar "||" % 17
288 c4.:sus4 c8 s2 | % 21
292 c4.:sus4 c8 s2 | % 25
330 % Use a RhythmicStaff on the chords instead of this?
331 % It almost works, but not quite. Doesn't collapse chords above to single notes...
335 \set Voice.autoBeaming = ##f
336 \numericTimeSignature
338 \override NoteHead #'style = #'slash
343 r2 c4^\markup { \italic { drum fill } } c \bar "||"
348 \time 4/4 c2 ~ c4. c8 ~ |
358 c4 c c c8 [ c ] ~ | % 9
362 c4 c c c8 [ c ] ~ | % 13
365 c8. [ c16 ] ~ c8 [ c8 ] ~ c4 c |
366 c8. [ c16 ] ~ c8 [ c8 ] c4 r | % 17
372 c8. [ c16 ] ~ c8 [ c ] c8. [ c16 ] ~ c8 [ c ] |
376 c8. [ c16 ] ~ c8 [ c ] c8. [ c16 ] ~ c8 [ c ] |
387 \stopStaff s1 \startStaff |
388 \set Score.currentBarNumber = #30
390 c8. [ c16 ] ~ c8 [ c8 ] ~ c4 c | % 30
391 c8. [ c16 ] ~ c8 [ c8 ] c4 c4 | % 31
398 c4 c c c8 [ c ] ~ | % 37
404 c8. [ c16 ] ~ c8 [ c ] ~ c4 c |
406 c8. [ c16 ] ~ c8 [ c ] ~ c4 c |
407 c4_\markup { \italic { rit. last time } } c c c | % 43
409 c1^\fermata \bar "|."
418 \new Voice = "lead" \LeadVox
419 \new Lyrics \lyricsto "lead" \LeadVoxText
420 \new Lyrics \lyricsto "lead" \LeadVoxTextB
425 % \new Staff = "riff" \RhythmB
426 \new ChordNames \Chords
427 \new RhythmicStaff \StaffC
430 \set Score.skipBars = ##t
431 \set Score.melismaBusyProperties = #'()
438 #(define fonts (make-pango-font-tree
444 % Don't spread staves vertically across last page (default: t)
445 % ragged-last-bottom = ##f
446 % Don't spread staves vertically across the page (default: f)
447 % ragged-bottom = ##t
448 % Allow partial line for last stave (default: f)
451 % To find out what's eating the space at the top...
452 % annotate-spacing = ##t