2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Above All" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Michael W. Smith" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
25 LeadVox = \relative c''
34 \tiny r2 r8 d f bf | % 1
35 c8.f,16 f4 ~ f ~ f8 bf16 a | % 2
36 bf8. ef,16 ef4 ~ ef d | % 3
37 <f c>2 \normalsize r8 f,16 f ~ f bf8. \bar ".|:-||" % 4
43 \once \override Score.RehearsalMark #'self-alignment-X = #left
44 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
46 a8. g16 ~ g4 r8. ef16 ef g8. | % 5
47 f2 r8. f16 f bf8. | % 6
48 a8. g16 ~ g8 a bf a16 g ~ g f f8 ~ | % 7
49 f2 r8. d16 d g8. | % 8
50 g8 g4 a8 bf a16 f ~ f8 d16 g ( ~ | % 9
56 ef8 ef16 ef ~ ef8 f16 g ~ g8 f16 ef ~ ef8 d16 c ~ | % 11
57 c2 r8 f16 f ~ f bf8. | % 12
60 ef,8 ef16 ef ~ ef8 f16 g ~ g8 f16 ef ~ ef8 d16 d ~ | % 13
70 \mark \markup { \override #'(font-family . sans) { \box { B } } }
72 d'4. c16 ef ~ ef2 | % 15
73 c8 d16 ef ~ ef8 d16 d ~ d4 r8. bf16 | % 16
74 d4. c16 ef ~ ef4. ~ ef16 c | % 17
75 c8 d16 ef ~ ef8 d16 d ~ d4 d8 c16 bf ~ | % 18
76 bf2 d8 c bf a16 g ~ | % 19
77 g2 r8. c16 bf8 d,16 ef ~ | % 20
78 ef2 r8. f16 bf8 a16 bf ~ | % 21
79 bf2 r4 g16 a8 ( bf16 ) | % 22
84 << { \voiceOne bf1 } \context Voice = v { \voiceThree \tiny \tiny r2 r8 d f bf \normalsize } >> \oneVoice | % 23
85 \tiny c8.f,16 f4 ~ f ~ f8 bf16 a | % 24
86 bf8. ef,16 ef4 ~ ef d | % 25
87 <f c>2 \normalsize r8 f,16 f ~ f^\markup { \hspace #0.0 \raise #1.0 \bold D.S. } bf8. \bar "||" % 26
93 bf2. d8 c16 bf ~ | % 28
97 bf2 d8 c bf a16 g ~ | % 29
98 g2 r8. c16 bf8 d,16 ef ~ | % 30
99 ef2 r8. f16 bf8 a16 bf ~ | % 31
100 bf2 r4 g16 a8 ( bf16 ) | % 32
101 bf1^\fermata \bar "|." % 33
104 LeadVoxText = \lyricmode
109 A -- bove _ all po -- wers _ a -- bove all kings
110 A -- bove all na -- ture _ and all cre -- a -- _ ted things _
111 A -- bove all wis -- dom and all the ways _ of man __ _ _ _
112 You were here _ be -- fore _ the world _ be -- gan _
115 There's no way _ to mea -- _ sure what _ you're worth _
117 Cru -- ci -- fied, _ laid be -- hind _ the stone _
118 You lived to die, __ _ _ re -- ject -- ed and _ a -- lone _
119 Like a rose _ tra -- mpled on the ground _
120 You took the fall _ and thought of me _
130 Like a rose _ tra -- mpled on the ground _
131 You took the fall _ and thought of me _
135 LeadVoxTextB = \lyricmode
140 _ _ _ _ king -- doms _ a -- bove all thrones
141 A -- bove all won -- ders _ the world has e -- _ ver known _
142 A -- bove all wealth _ and trea -- sures of _ the earth __ _ _
190 g2:m bf:maj7/f | % 19
204 bf2 ef4/bf f/bf | % 27
211 g2:m bf:maj7/f | % 29
223 % Use a RhythmicStaff on the chords instead of this?
224 % It almost works, but not quite. Doesn't collapse chords above to single notes...
228 \numericTimeSignature
230 \override NoteHead #'style = #'slash
238 c4 c c c \bar ".|:-||" % 4
262 c4 c c \< c \! | % 14
283 c4 c c c \bar "||" % 26
286 c4 c c \< c \! | % 27
296 c4_\markup { \italic { rit. } } c c c | % 32
297 c1^\fermata \bar "|." % 33
306 \new Voice = "lead" \LeadVox
307 \new Lyrics \lyricsto "lead" \LeadVoxText
308 \new Lyrics \lyricsto "lead" \LeadVoxTextB
313 \new ChordNames \Chords
314 \new RhythmicStaff \StaffC
317 \set Score.skipBars = ##t
318 \set Score.melismaBusyProperties = #'()
325 #(define fonts (make-pango-font-tree
331 % Don't spread staves vertically across last page (default: t)
332 % ragged-last-bottom = ##f
333 % Don't spread staves vertically across the page (default: f)
334 % ragged-bottom = ##t
335 % Allow partial line for last stave (default: f)
338 % To find out what's eating the space at the top...
339 % annotate-spacing = ##t